来源：环球时报 好莱坞制作人、前网飞电影总监斯科特·斯图博正在打造这部传记片，他之前曾制作流行音乐人物传记 片《无处释放我》。在《猫王》中饰演埃尔维斯·普雷斯利，并获得奥斯卡提名的巴特勒，此番将脱下 演出服穿上自行车运动装，饰演曾7次夺得环法自行车赛冠军，后因使用兴奋剂而"跌落神坛"的阿姆斯 特朗。 此外，《阿姆斯特朗的谎言》《兰斯》和《环药房自行车赛》等纪录片和短片，都曾聚焦阿姆斯特朗的 运动经历、癌症和用药史，以及笼罩在环法自行车赛事上的兴奋剂丑闻。而如今这个新项目尚未开机就 已引发几家好莱坞大片厂争夺。 此次制片人斯图博获得了阿姆斯特朗本人的授权，曾执笔《国王理查德》的著名编剧扎克·贝林有望从 阿姆斯特朗那里获得更多的第一手信息。该片导演爱德华·贝尔格曾执导《秘密会议》《西线无战 事》，再加上好莱坞当红影星巴特勒出演，台前幕后阵容更为强大。 【环球时报特约记者 董铭】据美国《综艺》6日报道，好莱坞正在筹划将世界自行车界传奇人物兰斯·阿 姆斯特朗的人生搬上大银幕。据悉，这是阿姆斯特朗本人首次授权电影，德国导演爱德华·贝尔格执 导，美国新生代男星奥斯汀·巴特勒将饰演这位备受争议的"环法七冠王"。 这并非阿姆 ...

不过由于世界各地版权法不同，没有统一的公版期，一般都根据作者逝世或作品首次公开发表时间开始 算，有的是70年（英国、大部分欧盟国家、俄罗斯、南美洲多数国家），有的是50年（中国及大部分亚 洲国家、新西兰），有的是95年（美国）。近日，美国杜克大学公版领域研究中心的研究团队照例汇总 了在2026年进入美国公版领域的经典和流行作品。 美国小说家威廉·福克纳的《我弥留之际》在今年进入了公版领域。《我弥留之际》是诺贝尔文学奖得 主福克纳的代表作之一，被视为意识流小说的经典之作。书名引自《奥德赛》的英文译本，小说由五十 九节内心独白构成，讲述了美国南方农民安斯·本德仑允诺妻子将她的遗体运回娘家安葬的"苦难历 程"。福克纳的另一部作品《喧哗与骚动》已于2025年进入公版领域。 其他进入公版领域的知名著作包括威廉·毛姆的《寻欢作乐》、达希尔·哈米特的《马耳他之鹰》、阿加 莎·克里斯蒂的《寓所谜案》、卡罗琳·基恩的《少女妙探》系列、西格蒙德·弗洛伊德的《文明及其不 满》以及伯特兰·罗素的《幸福之路》。 今年进入公版领域的作品包括福克纳的《我弥留之际》、阿加莎·克里斯蒂的《寓所谜案》、弗洛伊德 的《文明及其不满》、1930年电 ...

Group 1 - The core viewpoint of the articles highlights the growing prominence of European cinema, particularly in contrast to Hollywood's focus on sequels and superhero films, as evidenced by the success of the 38th European Film Awards where Norwegian film "Emotional Value" won six awards including Best Film and Best Director [1][6] - The European Film Academy has strategically moved the award ceremony to January to enhance its visibility during the awards season, positioning itself more competitively against Hollywood [6] - European films are increasingly recognized for their depth and artistic value, with notable examples like "Emotional Value" and "Close to the End" showcasing serious themes and complex narratives that resonate with adult audiences [6][7] Group 2 - The articles emphasize that European films are gaining traction in international markets, with French films projected to see a 6% increase in box office revenue by 2025, indicating a robust growth trajectory [6] - The shift in focus towards serious, adult-oriented storytelling in European cinema is contrasted with Hollywood's trend of producing fewer serious dramas, allowing European films to fill this gap and attract audiences seeking deeper meaning [7] - The recognition of European films at prestigious awards like the Oscars is increasing, with multiple nominations and wins for films such as "All Quiet on the Western Front" and "Triangle of Sadness," reflecting a shift in the global cinematic landscape [6][7]

Core Viewpoint - The article discusses the recent surge in interest and investment in the film and television sector in China, driven by successful releases and supportive government policies, while highlighting the ongoing challenges related to content quality and market dynamics. Group 1: Market Dynamics - The film and television sector has gained unprecedented attention this year, particularly following the success of "Nezha 2" and the release of "Nanjing Photo Studio" during the summer season [2][3][4] - The introduction of the "21 Policies" by the National Radio and Television Administration has lifted previous restrictions on drama production, leading to significant stock price increases for major production companies [12] - Despite the heightened interest, the film sector remains cyclical, with blockbuster hits being rare [5] Group 2: Company Performance - In 2024, only four stocks in the A-share film sector have seen price increases, indicating a lack of consistent performance across the industry [8] - Companies like Ningmeng Media and Chiwen Media have seen stock price increases of over 70% and 58.8% respectively, despite minimal or negative earnings [9] - Even companies like Daocaoxiong Entertainment, which reported a 118.42% decline in net profit, have experienced a 20% increase in stock price this year [11] Group 3: Content Quality and Supply - The growth of cinema chains is heavily reliant on a continuous supply of quality content, which remains a significant challenge for the industry [15] - The article emphasizes that content is the core competitive advantage for film companies, with Netflix's success attributed to its extensive and diverse content library [31][21] - Domestic platforms often lack depth in their content libraries, leading to reliance on daily updates to retain users, which is a symptom of insufficient quality content [32][33] Group 4: Comparison with Global Players - Netflix has become a dominant player in the streaming market, with a valuation significantly higher than that of domestic companies, driven by its ability to consistently produce quality content [16][21] - The article notes that Netflix's stock has increased by over 40% since the beginning of the year, reflecting investor confidence in its content strategy [16][28] - The disparity in user engagement and revenue generation between Netflix and domestic platforms highlights the need for a shift in focus towards quality content production [18][30] Group 5: Future Outlook - The article suggests that the domestic film industry must establish an industrialized production system to enhance content quality and drive market growth [38][44] - The shift in investment logic from "betting on blockbusters" to focusing on performance certainty and technological empowerment indicates a potential transformation in the industry [46] - The increasing competition from short videos and series underscores the importance of long-form content in maintaining audience engagement and emotional investment [45]