Group 1 - The article highlights the achievements in cultural heritage protection and development in China during the "14th Five-Year Plan" period, showcasing how cultural heritage has become more accessible to the public [6] - It presents typical cases in various fields such as urban cultural heritage transmission, museum development, archaeological site park construction, intangible cultural heritage tourism routes, and ancient building protection [6] Group 2 - The number of registered museums in China has reached 7,046, with 6,444 of them being free to visit, accounting for over 91% [15] - Museums received nearly 1.5 billion visitors annually, with a record 304 million visitors during the summer of this year [15][16] Group 3 - The article discusses the integration of digital technology in museums, enhancing visitor experiences through various platforms and services [16][17] - It emphasizes the use of VR and AR technologies to create immersive experiences for visitors, allowing them to engage with cultural artifacts in innovative ways [17][19] Group 4 - The article illustrates the growing interest in ancient architecture, driven by modern technology and cultural tourism, with significant increases in visitor numbers to historical sites [20][21] - It notes the successful blending of traditional craftsmanship with modern techniques in the preservation and promotion of ancient buildings [21][22] Group 5 - The "Singing and Painting Dongyang" intangible cultural heritage tourism route has been selected as one of the 31 national intangible cultural heritage tourism routes, highlighting the significance of local craftsmanship [26][28] - The article describes the unique cultural and culinary experiences available in Dongyang, showcasing the region's rich heritage and craftsmanship [29][30] Group 6 - The Lingjiatan archaeological site has transformed into a national archaeological park, attracting over 1.5 million visitors and generating approximately 200 million yuan in tourism revenue [32][35] - The park serves as a space for cultural engagement, allowing visitors to connect with ancient history and local culture [35]

图为凌家滩国家考古遗址公园。 李俊杰供图 "大家看这块玉版，上面的同心圆和刻画纹路，专家推测是史前先民观测天文的工具，比甲骨文还要早 2000多年！"凌家滩遗址博物馆展厅内，讲解员的声音透过扩音设备清晰传开。 来自上海的游客王笑峰俯身凝视柜中的玉版，手指不自觉地跟着纹路比划："之前在视频里见过它的特 写，今天亲眼看到，才真正感受到5000多年前先民的智慧有多震撼！"他身旁，几名游客正举着手机拍 摄展柜前的文字介绍，低声交流对玉器用途的猜测。展厅内的虚拟现实设备前，几个孩子正在排队等 待"沉浸式体验考古发掘"。 凌家滩遗址位于安徽省含山县铜闸镇，是长江中下游巢湖流域迄今面积最大、保存最完整的新石器时代 中心聚落遗址。自1987年首次发掘至今，这里已开展16次考古工作，发掘面积达8500平方米，出土玉 器、石器、陶器等文物近4000件，其中1000多件玉器堪称史前玉文化巅峰——除了玉版与玉龟组成 的"史前天文仪器"，还有精妙的玉人、灵动的玉龙、威严的玉鹰……这些不仅展现出当时首屈一指的制 玉工艺，更折射出成熟的神权体系，让凌家滩文化与红山文化、良渚文化并称为"中国史前三大玉文 化"。 从获评1998年度"全国十大 ...