Core Viewpoint - The article emphasizes the emerging trend of monetizing audio drama copyrights as a lucrative side business opportunity, particularly in the context of the internet era, where low entry barriers and high potential returns are prevalent [6][7][21]. Group 1: Market Potential - The audio drama copyright monetization is projected to become one of the most profitable projects in the internet sector by 2025, with many ordinary people and office workers still unaware of its existence [7][21]. - The online audio user base in China reached 690 million by 2022, and it is expected to exceed one trillion yuan by 2027, marking it as the next major opportunity in the internet landscape [15][45]. - The market for audio drama copyrights is characterized by a low entry threshold and a significant gap, with many individuals already profiting from it [13][45]. Group 2: Revenue Model - The monetization model involves splitting the IP rights of a work into multiple shares, allowing customers to purchase and co-own the copyright, generating monthly dividends akin to rental income for up to 20 years [14][48]. - The article outlines seven revenue models associated with audio drama copyrights, including platform listening fees, music rights, merchandise sales, and advertising revenue [57]. Group 3: Success Stories - The article shares success stories of individuals who have profited significantly from investing in audio drama copyrights, highlighting cases where investments have led to substantial monthly incomes [19][40]. - It mentions that individuals who invested in popular IPs, such as "The King's Avatar," have seen returns that far exceed traditional employment income [10][30]. Group 4: Industry Support - The "Miyue" brand, which has been in the copyright industry for over 12 years, has established partnerships with numerous companies and has a vast library of over 6,000 quality novel copyrights [33][34]. - The government of Hangzhou has included "Miyue" in its subsidy program to promote the development of the audio-visual industry, indicating strong institutional support for the sector [36].

Core Viewpoint - The article emphasizes the rising opportunities in the entertainment industry, particularly in the broadcasting drama sector, despite the overall economic downturn in 2024. It suggests that individuals can capitalize on this trend by investing in broadcasting drama copyrights, which are seen as a lucrative avenue for generating income [2][6][25]. Group 1: Industry Performance - The entertainment industry has shown remarkable growth, with significant revenue generated from various projects, such as "Black Myth: Wukong," which achieved a daily revenue of 1.5 billion and a total of 10.2 billion [2]. - The film "Nezha: Birth of the Demon Child" grossed 15.8 billion in just one month, marking a historic achievement in Chinese cinema [2]. - The sales of related merchandise, including blind boxes and figurines, exceeded 2.3 billion, indicating a strong consumer interest in ancillary products [4]. Group 2: Investment Opportunities - The article promotes broadcasting drama copyrights as a viable investment opportunity, highlighting a specific case where an investment of 1.69 million yielded a first-month revenue share of 58,000 [6][8]. - Broadcasting drama copyrights have a long-term revenue potential, with a typical cycle of around 20 years, akin to real estate investments [9][15]. - The platform "Rabbit U" has gained significant traction, with over 22 million users, providing a robust environment for copyright monetization [17][19]. Group 3: Market Demand and Trends - There is a growing demand for quality intellectual property (IP) in the broadcasting drama sector, with the current number of copyright holders being less than 30,000, indicating a substantial market gap [31][28]. - The online audio user base in China reached 690 million by 2022, projected to exceed 1 trillion by 2027, positioning the sector as a major growth area [28][29]. - The article stresses the importance of selecting the right copyright resources, as higher ticket sales directly correlate with increased investor returns [13][38]. Group 4: Strategic Partnerships and Support - The "Honey Reading" brand has established itself as a leader in the industry, with over 6,000 quality novel copyrights and partnerships with numerous broadcasting stations and companies [17][19]. - The government of Hangzhou has recognized "Honey Reading" as a key player in the industry, providing financial support and tax incentives, which enhances the project's credibility and potential for growth [21]. Group 5: Revenue Models - The article outlines multiple revenue streams from broadcasting drama copyrights, including platform fees, music rights, merchandise sales, and advertising [40][41]. - It highlights the potential for significant earnings through various monetization strategies, emphasizing that quality IP can yield substantial returns over time [39][40].