Core Viewpoint - The event commemorates the 80th anniversary of the victory in the Chinese People's Anti-Japanese War and the World Anti-Fascist War, showcasing a blend of light and music to honor history and promote peace [1][3]. Group 1: Event Overview - The theme light and music concert took place on the evening of September 3rd at the Shanghai Sihang Warehouse Anti-Japanese War Memorial Museum, attracting numerous attendees [1][3]. - The concert featured a combination of light art and symphonic music, using light technology to create a grand visual narrative based on historical materials [3][5]. Group 2: Artistic Elements - The performance included a light and shadow poem titled "Remembering History, Passing on the Flame," which aimed to evoke the tumultuous times of war through impactful visuals [3][5]. - The concert's repertoire included classic works such as "Ode to the Red Flag" and segments from the symphonic poem "Railway Guerrillas," structured into three dramatic acts: "Stealth," "Intense Battle," and "Dawn" [5][7]. - The adaptation of Xian Xinghai's "Yellow River Chorus" into a piano concerto highlighted the national spirit, while the visual presentation of "Ode to the Yellow River" and "Defending the Yellow River" depicted a resilient and grand narrative of struggle [5][7]. Group 3: Audience Engagement - The integration of modern light technology with classical symphonic music aimed to evoke a profound emotional response, encouraging the audience to remember history, honor the martyrs, cherish peace, and envision the future [7]. - Audience members expressed their emotional connection to the performance, emphasizing the importance of remembering historical struggles to better pass on the spirit of resilience [7].

9月1日晚，重庆市纪念中国人民抗日战争暨世界反法西斯战争胜利80周年交响音乐会在重庆大剧院举 行。本场音乐会演奏了《C大调第七交响曲"列宁格勒"》、钢琴协奏曲《黄河》两首曲目，由著名指挥 家卞祖善、青年指挥家尹炯杰执棒，著名钢琴家郎朗与重庆交响乐团演奏员联袂登台。图为音乐会现 场。中新社记者何蓬磊 摄 9月1日晚，重庆市纪念中国人民抗日战争暨世界反法西斯战争胜利80周年交响音乐会在重庆大剧院举 行。本场音乐会演奏了《C大调第七交响曲"列宁格勒"》、钢琴协奏曲《黄河》两首曲目，由著名指挥 家卞祖善、青年指挥家尹炯杰执棒，著名钢琴家郎朗与重庆交响乐团演奏员联袂登台。图为著名指挥家 卞祖善执棒音乐会。中新社记者何蓬磊 摄 9月1日晚，重庆市纪念中国人民抗日战争暨世界反法西斯战争胜利80周年交响音乐会在重庆大剧院举 行。本场音乐会演奏了《C大调第七交响曲"列宁格勒"》、钢琴协奏曲《黄河》两首曲目，由著名指挥 家卞祖善、青年指挥家尹炯杰执棒，著名钢琴家郎朗与重庆交响乐团演奏员联袂登台。图为著名钢琴家 郎朗与重庆交响乐团联袂演出。中新社记者何蓬磊 摄 9月1日晚，重庆市纪念中国人民抗日战争暨世界反法西斯战争胜利80周年交 ...

Core Insights - The National Centre for the Performing Arts Orchestra's recording of Bruckner's Sixth Symphony has been recognized as one of the best in history, marking a significant achievement for both the orchestra and its music director, Lü Jia [1] - Lü Jia emphasizes the importance of using music as a universal language to convey Chinese culture and philosophy to international audiences [1][3] Group 1: Lü Jia's Background and Return to China - Lü Jia, the first Asian music director of the Teatro Lirico Giuseppe Verdi in Trieste, returned to China in 2012, motivated by the rapid development of Chinese music and the establishment of the National Centre for the Performing Arts [2] - He feels a sense of responsibility to help young Chinese musicians and singers, having received support during his studies abroad [2] Group 2: Unique Aspects of the National Centre for the Performing Arts Orchestra - The orchestra's youth is seen as a significant advantage, bringing enthusiasm and curiosity from international audiences unfamiliar with Chinese music [3] - The orchestra has received enthusiastic responses during international tours, showcasing the high standard of Chinese art [3] Group 3: Cultural Exchange Through Music - Lü Jia believes that music transcends language barriers, allowing for emotional and thematic understanding among diverse audiences [3] - The combination of Western symphonic music with Chinese compositions during performances is a strategic choice to present Chinese culture effectively [4] Group 4: The Essence of Chinese Music - Chinese music is fundamentally different from Western music, focusing on imagery and imagination rather than logical progression [5] - The use of Western instruments to perform Chinese works aims to convey cultural spirit rather than replicate traditional forms [5][6] Group 5: Future of Chinese Music on the Global Stage - Lü Jia predicts a prosperous era for Chinese symphonic music within the next 5 to 6 years, as the demand for high-level artistic culture continues to grow [8] - The National Centre for the Performing Arts plans to expand its international collaborations and performances, reflecting a broad vision for promoting Chinese music globally [8] Group 6: Challenges and Opportunities - The development of Chinese music requires a balance between respecting tradition and embracing innovation, utilizing Western compositional techniques to create compelling works [7] - The large population of China presents a significant opportunity for cultivating a robust audience for classical music, with the potential for millions to engage with the art form [10]