2026年1月底，由广州歌舞剧院创排的舞剧《醒·狮》在广州连演5场。演出结束时，最后一记鼓声落 下，大屏上"有华人的地方就有醒狮"的红字粲然亮起，台下总有观众眼含热泪，现场掌声久久不息。 从2015年酝酿，到2018年开始全国巡演，再到2025年摘得我国专业舞台艺术领域政府最高奖项——文华 奖，10年间，这部剧在岭南大地孕育而生，携着狮魂鼓韵，走出岭南、走向全国。 入乎其内 醒狮可以说是"最广东"的文化符号之一。但在舞剧《醒·狮》中，包括饰演"阿醒"的主演庞冠宇在内， 有相当一部分演员并不是土生土长的广东人。 "如果了解不深，搬到舞台上的东西就会更浅。"庞冠宇说，作为新广东人，他常思虑，如何对岭南文化 了解得再深一点。主创团队向半月谈记者介绍，他们多次到广州三元里村、陈家祠、佛山祖庙等地深入 采风，充分了解、体悟岭南民间传统舞蹈、醒狮、南拳等岭南文化的精髓。 舞台上的一招一式，都深深扎根于文化根脉和底蕴中。饰演"龙少"的新疆小伙依力凡·吾买尔说，去一 线采风时，不能只是观察，而是要真正融入其中、生活其中。"有了内心的理解和感悟，跳出来的动作 就会更准确，会散发出舞狮人的味道。" 《醒·狮》演出现场 采风过后， ...

（原标题：文化脊梁，中国李庄 | 故乡里的中国） 经济观察报 记者 张铃 16岁那年，我第一次独自乘船出门远行，目的地是离家60公里的一个长江边古镇——宜宾市李庄镇。十 多年过去了，我已经去到过很多地方，再到李庄故地重游时，我还是能感受到这片土地带给过我的震 动。 我和同行的朋友们讲起一个故事：那是在1940年，日军轰炸下，建筑学家林徽因和梁思成随中国营造学 社从昆明迁往李庄，有一天，他们8岁的幼子梁从诫问母亲："日本人来了怎么办？" 林徽因回答他："中国的读书人，总有最后一条路可以走，门外不就是扬子江吗？" 回想起来，这个沉寂在历史长河中的片段，是我对这对民国夫妻，以至于对整个民国时代文人风骨的初 印象。 站在林徽因凝望过的这片长江边，我想起当年来过这里的其他人：梁思永、童第周、李济、傅斯年、董 作宾、吴孟超……在无处容得下一方书桌的年代，他们是被一个当时在地图上都找不到的小镇用16字电 文召唤过来的。和他们一起到来的，还有同济大学、金陵大学、中央研究院、中央博物院、中国营造学 社等10多家高等学府和科研院所。他们在这个小镇驻足6年之久，直到硝烟散尽。 几个月之间，一船又一船的文人、书籍、文物抵达李庄，踏上 ...

魔都开明的"画马"征程 □林路 回望人类与马的视觉图像创造历史，以中国古代绘画中的马而言，其曼妙多姿、气势奔放，留下无数撼 人心魄的画卷。其中最充满力量感的，莫过于近现代灵魂图腾中徐悲鸿的"一马当先"，成为民族精神的 伟大象征。 若从绘画之马转向摄影之马，便不得不提刘开明——其镜头下的奔马仿佛从天而降，凝聚震撼人心的艺 术感染力，折射出他大开大合的人生历练，化为中国摄影当下的传奇。 马还象征着奔放洒脱、自由超脱的品格。刘开明镜头中的马，既有"铁板铜琶唱大江"的豪迈，亦含"红 牙板歌杨柳岸"的婉约。这并非简单的柔美，而是蕴藏文人风骨与超然境界。我们从《雪色里的回眸》 中窥见万般柔情，也从《桦树、白雪、虚马》间领略天地之恋的情怀。马的生存世界与人的生命历程相 呼应，刘开明借"画意"视觉语言，将对自由精神的追求，化为中国文化最为婉约的呈现，耐人咀嚼。 黑白彩墨的视觉诗学 开明拍马，黑白之作纯粹至极，彩色之作亦挥洒自如。摄影中的色彩具有双重性：既可流于肤浅，亦能 点燃生机。刘开明善于驾驭色彩，时而"惜彩如金"，让一抹朝晖在马影中跃然生辉；时而任漫天的红尘 逐马狂奔，让天地间"燃烧"起色彩斑斓的画卷。他深知，色彩须依托 ...

央视网消息：鼓槌敲打，舞步激昂，英歌一响，年味飞扬。在广东潮汕地区，最"硬核"的过年气氛组非英歌莫属。 作为潮汕年味儿的天花板，英歌，很多人习惯叫它英歌舞，有着300多年的历史，更入选了首批国家级非物质文化遗产。作为一种融合了 舞蹈、南拳和戏曲元素的民间舞蹈，英歌主要通过雄浑的锤舞、鲜明的脸谱和紧凑的锣鼓，来演绎梁山好汉的故事，成为凝聚乡情、欢庆佳节 的重要民俗。最近几年，英歌舞更是火遍大江南北，惊艳全球。为了能更深刻地领略英歌舞的魅力，总台记者赵宇昕专门来到了广东普宁富美 村"拜师学艺"。我们跟着她一块儿去看看。 鼓槌敲打 舞步激昂 英歌一响年味飞扬 总台记者赵宇昕找到了普宁富美青年英歌队总教练李俊浩，赵宇昕说："李教练，我是您失散多年的徒弟。我总是看您在英歌舞里面跳关 胜那个角色，动作非常的鼓舞人心，今天想特意找您来学一学英歌舞。" 普宁富美青年英歌队总教练 李俊浩：哦，那你想，你也想学关胜吗？ 总台记者 赵宇昕：我也想跳关胜，要学就学头槌关胜，您看我怎么样？ 普宁富美青年英歌队总教练 李俊浩：估计有点够呛。我先教你快板英歌的基本动作叫单抛槌，是同手同脚，脚是往后要90°，左脚跳一 下。用拇指跟食指夹住中 ...

Core Concept - The article emphasizes the significance of the "spirit of the horse" as a representation of Chinese civilization, highlighting its attributes of resilience, hard work, and collective effort in the context of national development and cultural identity [1][17]. Group 1: Historical Context - The horse has been a companion to humans for over 6,000 years, with archaeological evidence of domesticated horses in China dating back approximately 4,000 to 3,600 years [2]. - Historical texts and practices, such as the governance of horse management in ancient China, illustrate the horse's integral role in the development of Chinese civilization and its military prowess [2]. - The characteristics of the Mongolian horse, such as endurance and loyalty, symbolize the dialogue between nomadic and agricultural cultures in China [2]. Group 2: Cultural Significance - The "spirit of the horse" embodies the essence of Chinese civilization, reflecting values such as perseverance, responsibility, and the pursuit of excellence [3]. - The concept of "self-improvement" and "thick virtue" are central to Chinese culture, with the horse serving as a metaphor for these ideals [3][13]. - The horse's attributes resonate with the collective spirit of the Chinese people, emphasizing unity and collaboration in achieving common goals [9][8]. Group 3: Modern Implications - The "spirit of the horse" is relevant in the context of China's modernization efforts, with the call for innovation and resilience in the face of challenges [4][7]. - The article discusses the importance of cultural self-awareness and the need to integrate the "spirit of the horse" into contemporary practices to foster national unity and progress [18]. - The achievements in various sectors, such as technology and infrastructure, are seen as manifestations of this spirit, showcasing the collective effort and determination of the Chinese people [7][12].

有个传说，设计人民英雄纪念碑纹饰时，当助手拿来草图时，林徽因只看了一眼，便大声说："这怎么 行？这是康乾线条，你给我到汉唐去找。" 既然林徽因让助手们去汉唐找风格找造型，我们现在再看人民英雄纪念碑上花圈纹饰图案。上层须弥座 束腰四面各置一块花圈雕刻，对应南北两面稍宽，花圈雕刻也稍宽，主体画面是一大两小花圈，对应东 西两面稍窄，花圈雕刻也稍窄，主体画面是一大花圈，两边是各四朵（下三朵稍小上一朵稍大）偏向一 边的绽放的鲜花。花圈画面呈三组，上部稍空，设计者在其上部设置了四条云纹如意结垂幛，既让上部 充实饱满，又使整个画面庄严肃穆，当然也是分割线，使整个画面似断实续，充满动感；花圈顶端也设 置了垂幛，既是对画面上部垂幛的呼应，又使上部垂幛的线条不致单调，而人民英雄纪念碑花圈雕刻使 整个画面的垂直线条高低错落有致，这些设置与造型，我们是不是完全有理由说，林徽因带着助手成功 借鉴了云冈也包括宁公遇经幢宝盖如上所说图案或雕刻的精髓与神韵。 ▌李传玺 著 既然佛殿是女弟子施建的，那就把它的发现之权奉献给远道艰辛而来调查测绘它的女性。这应是"宁公 遇"给林徽因的独特"酬劳"吧。 我把佛光寺里外周遭包括前面的经幢仔细看了一遍后 ...

Group 1 - The passing of Nie Weiping, a legendary figure in Go, evokes deep nostalgia and reflection on a bygone era of Chinese Go, highlighting the impact of AI on the current landscape of the game [3] - The first Sino-Japanese Go competition in 1985 marked a significant moment in China's cultural and competitive resurgence, as it occurred during a time of national awakening and realization of past disparities in various fields, including Go [4] - The initial excitement generated by the competition was met with the harsh reality of Japan's superior Go skills, leading to a sense of national pride and hope when Nie Weiping achieved a notable victory against a top Japanese player [7][9] Group 2 - The narrative of Nie Weiping's victories in subsequent competitions, including an impressive eight consecutive wins, symbolizes a broader national spirit of resilience and determination during the 1980s [10][11] - The evolution of the Go scene in China, transitioning from Nie Weiping's era to the rise of other prominent players, reflects the changing dynamics and competitive landscape within the sport [13] - The cultural significance of Go as a representation of national identity and spirit during a transformative period in China is emphasized, showcasing how the game served as a metaphor for the country's struggles and aspirations [14][19]

Core Viewpoint - The original play "Rain Swallow" is set against a historical backdrop, highlighting the efforts of a youth surveying team in 1939 Beijing to preserve cultural heritage during a tumultuous period, emphasizing their dedication and resilience in the face of adversity [1][3]. Group 1: Historical Context - The play draws inspiration from a youth surveying team that meticulously measured the Forbidden City to protect its cultural significance during the Japanese occupation [1]. - The narrative showcases the intense conflict between the surveying team, who advocate for scientific preservation, and traditionalists who resist changes to ancient structures [3]. Group 2: Character Development and Themes - The character Zhang Di, portrayed by actor Guo Shuo Jie, reflects on the admiration for the surveying team's perseverance amidst external pressures and the inherent challenges of their work [5]. - The director Fang Xu emphasizes the cultural significance of the central axis of Beijing, linking it to personal memories and the broader narrative of Chinese civilization [6]. Group 3: Artistic and Educational Efforts - The cast, including Guo Shuo Jie, engages in extensive research, visiting Tianjin University and the Forbidden City to deepen their understanding of architectural history and enhance their performances [5]. - The production aims to bring the importance of surveying and cultural preservation to a wider audience, highlighting the dedication of those who contributed to safeguarding Chinese heritage [5].

Core Viewpoint - The passing of Nie Weiping, a legendary figure in Chinese Go, marks the end of an era, but his spirit and contributions to the game and national pride will continue to inspire future generations [1][2][3] Group 1: Contributions to Go - Nie Weiping's achievements in the 1980s, particularly in the Sino-Japanese Go matches, played a crucial role in popularizing Go in China and instilling a sense of national pride [1][2] - His legacy includes not only his exceptional skills but also his role as a mentor and promoter of Go, inspiring many young players to pursue the game [2][3] Group 2: Personal Qualities and Influence - Nie Weiping's authenticity and willingness to speak out against injustices earned him respect beyond his Go skills, showcasing a unique personality that resonated with the public [2] - His approach to life, embracing both highs and lows, serves as a model for resilience and passion, reinforcing the values of dedication and humility in the face of adversity [2][3] Group 3: Lasting Impact - The principles and spirit embodied by Nie Weiping have become integral to the identity of Chinese Go, influencing the current generation of players and the overall development of the sport [3] - His legacy is characterized by a deep commitment to the game and a profound understanding of life, which will continue to motivate individuals in their personal and professional endeavors [3]

Core Viewpoint - The article emphasizes the importance of veterans' oral histories in preserving national spirit and inspiring future generations, highlighting the resilience, responsibility, and faith of these individuals as a driving force for contemporary youth [1][2][3]. Group 1: Historical Significance - Veterans' recollections serve as valuable oral historical materials that complement existing literature, filling gaps and providing detailed insights into historical events [3]. - Personal narratives from veterans illustrate the significant role of the populace in historical processes, showcasing their contributions during critical moments in history [3][4]. Group 2: National Spirit - The stories of veterans encapsulate the essence of patriotism as a core component of national spirit, demonstrating qualities such as resilience, selflessness, and determination [4]. - The experiences shared by veterans reflect a deep commitment to the nation, with examples of personal sacrifice and unwavering loyalty to the Communist Party during times of war [5][6]. Group 3: Legacy and Responsibility - The article highlights the responsibility of the current generation to inherit and carry forward the historical legacy and spirit of the veterans, emphasizing the need for dedication and effort in contemporary society [4][7]. - The call to action for youth to embody the values of patriotism and innovation is underscored, linking historical experiences to modern aspirations for national rejuvenation [4][7].