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文博日历丨来这个博物馆,见证时隔半个世纪的团聚
Yang Shi Xin Wen· 2025-06-02 01:44
看到了熟悉的身影 今天,就让我们带着《文博日历》 去看见殷商 "双胞胎"再聚首 妇好鸮尊 鸮(xiāo)是中国古代对猫头鹰类鸟的统称 虽然有一双萌萌的圆眼睛 却遮盖不了它的智慧、勇猛与威严 在商朝 它们是"六边形女战士"妇好的代言人 见证了她传奇的一生 妇好英年早逝后 她的丈夫武丁就铸造了这一对鸮尊 守护爱人 1976年,两只鸮尊在河南出土 一直分藏于国家博物馆和河南博物院 相伴三千年 分别半世纪 这次,它们终于又重逢 最近,有一批殷商超重磅文物"天团" 集体空降"看·见殷商"特展 讲述殷商500年故事 《文博日历》的小编在现场的 "人人人人国宝人人人人"中 1965年 山东苏埠屯商代大墓出土两件铜钺 它们一个相对瘦长 另一个脸盘更大 体重也略重一点 1989年,这对"钺兄弟"分开 亚醜钺珍藏于山东博物馆 五官微突出 双目圆睁,嘴角上扬 口中露出城墙垛口似的牙齿 亚醜钺 因为名字里有个"醜"(chǒu)字 这张挺"帅"的脸也"帅"不起来了 兽面纹铜钺收藏于中国国家博物馆 这是时隔36年 它们实现"合体"展出 北京,我们来了 戴金面罩青铜人头像 这是一张来自3000年前的脸 蒜头鼻、阔嘴巴、剃平头 眼角高高挑起 ...
两千年前古人如何竞渡(文物有话说)
Ren Min Ri Bao· 2025-05-31 22:02
Core Viewpoint - The "Feathered Human Racing Pattern Bronze Axe" from the Warring States period is a significant artifact that reflects the early mastery of rowing skills by the Yue people over 2000 years ago and may represent an early record of paddle sports in the world [2][3]. Group 1: Artifact Description - The bronze axe is gold-colored, measuring 9.8 cm in height and 12.1 cm in blade width, approximately the size of a palm [2]. - One side of the axe is smooth, while the other features a border with a dragon pattern above and a feathered human racing pattern below [2]. - The axe's surface decoration, particularly the depiction of four individuals in a boat, showcases a modern aesthetic and symbolizes teamwork in racing [2][3]. Group 2: Cultural Significance - The feathered human motif reflects the Yue people's special reverence for birds, as seen in various artifacts from the Hemudu culture [3]. - The depiction of synchronized rowing actions suggests that competitive rowing existed in the Warring States period, possibly as a form of competition or a method for navigating rapids [3]. - The artifact has been associated with significant cultural events, including its use in the bid for the 2008 Beijing Olympics and as a symbol in the application for the "Ningbo Maritime Silk Road" World Cultural Heritage [3]. Group 3: Historical Context - The bronze axe is believed to be linked to the origins of the Dragon Boat Festival, reflecting the competitive spirit of the Yue people in a challenging environment [3]. - The enduring spirit of the "Feathered Human Racing" continues to resonate in contemporary culture, symbolizing perseverance and teamwork [4].
文化中国行·国宝画重点|江河“对话”:盘龙城遗址里的夏商印记
Xin Hua She· 2025-05-24 14:14
Core Insights - The article highlights the significance of the Panlongcheng site in Hubei, which serves as a central hub for the governance model of ancient China and the development of bronze civilization in the Yangtze River basin [1] Archaeological Discoveries - The Panlongcheng site was discovered in 1954 and confirmed as belonging to the early Shang Dynasty in 1958, with large-scale excavations starting in 1974 [1] - Recently, the site was selected as one of the "Top Ten Archaeological Discoveries of 2024" [1] - New findings from the Yangjiawan area include a large strip-shaped stone structure, marking the first discovery of such a construction in the Yangtze River midstream during the Xia and Shang periods [2][4] Cultural Artifacts - A bronze axe unearthed from the Li Jiazui No. 2 tomb is noted as the largest known early Shang bronze axe, symbolizing military power [6] - The Yangjiawan M17 tomb yielded significant artifacts, including a unique turquoise-inlaid gold ornament, which is one of the earliest gold and jade inlaid decorations found in the Central Plains culture [8] - The site also revealed a bronze vessel with features of multiple bronze wine vessels, showcasing the artistic and aesthetic characteristics of the Shang Dynasty [11] Historical Context - The Panlongcheng site is positioned as a crucial center for early bronze civilization in the Yangtze River basin, reflecting the cultural exchanges between the Yellow River and Yangtze River regions [13][16] - The site has been linked to the Zhengzhou city in terms of ritual artifacts, indicating a high degree of consistency in material culture and customs between the two locations [16]
展现独特夜郎文化
Ren Min Wang· 2025-05-06 00:32
博 文 赫章可乐遗址出土的"套头葬"铜釜,反映了夜郎独特的丧葬习俗。同样出自可乐遗址墓葬中的人面型铜 扣饰,人面上额及眼、嘴、耳部镶嵌孔雀石,背后有一横向挂钩,出土时覆于墓主面部。 据悉,展览将持续至6月29日。 第四单元"融入华夏——夜郎族群的归宿"讲述夜郎融入汉王朝郡县体系的历史进程。汉武帝时期,大力 开发西南地区。随着犍为郡、牂柯郡的设立,夜郎等地被纳入汉王朝行政管理体系,中原移民带来先进 技术、工具,汉文化与夜郎文化深度融合。 展览中有不少独具特色的文物精品,如铜鼓、羊角钮钟等中原地区少见的青铜乐器,还有造型别致的铜 钺、铜扣饰、铜带钩等。 铜鼓是一种历史悠久的打击乐器,自先秦时期开始流行于西南地区。石寨山型铜鼓主要出现在滇池周边 的滇文化遗存中。贵州赫章辅处、可乐等地发现的石寨山型铜鼓,反映了活跃在贵州西部地区的夜郎族 群与滇族群之间的文化交流。 黔西南布依族苗族自治州安龙县德卧镇出土的羊角钮钟,顶部两侧有羊角状的鋬钮。这种造型的铜钟是 战国秦汉时期百越族群常用的打击乐器,可能用于祭祀、舞蹈等场合。 近日,"夜郎遗踪——寻找《史记》中的古国"特展在长沙博物馆开幕。来自贵州的180件(套)珍贵文物 亮 ...