Group 1 - Fuzhou, known as "Phoenix City," has a rich history of over 2200 years and has been referred to by various names throughout its existence [1] - The name "Phoenix City" is believed to originate from the shape of the city resembling a phoenix, with many mountains and roads in the area carrying the "Phoenix" name [1][3] - The Phoenix Pool area is a significant cultural and historical site, featuring quiet lanes and lush greenery that reflect the old stories and new times of Fuzhou [1][2] Group 2 - The Phoenix Theater, located on Industrial Road, has been a key venue for performances since the 1980s and has undergone renovations to become an important base for Fujian opera [2] - The surrounding night market serves as a shopping hub for workers, offering a variety of goods and local delicacies, contributing to the vibrant community atmosphere [2] - The historical significance of the area is highlighted by the presence of the old post office at Jijiuling, which has remained a constant through the changes in Fuzhou's streets and alleys [2]

Core Viewpoint - The new regulation from the National Arts Fund aims to encourage local theater companies to cultivate their own creative talents and avoid over-reliance on external creators, which could lead to a loss of the unique characteristics of local theater forms [2][4]. Group 1: Importance of Dialects - Dialects and vocal styles are considered the soul of local theater, and any innovation should not compromise these essential elements [2][5]. - For example, the Fuzhou dialect retains many ancient Chinese linguistic features, which play a crucial role in the rhythm and vocal style of Min opera [2][3]. - Other dialects, such as Cantonese and Puxian, also contribute unique tonal qualities that enhance the expressiveness of their respective operas [2][3]. Group 2: Rich Vocabulary and Characterization - Local dialects possess diverse vocabulary systems that enrich character portrayal in performances, allowing for distinct language images that enhance the overall theatrical experience [3][4]. - The use of dialects enables the creation of vivid and relatable characters, making local theater more engaging and culturally resonant [3][4]. Group 3: Challenges with External Creators - External creators may lack the time and understanding to fully grasp the complexities of local dialects, which can lead to a dilution of the unique characteristics of local theater [4][5]. - There is a concern that younger local playwrights may not possess the same level of proficiency in dialects as their predecessors, risking the authenticity of local theater [4][5]. Group 4: Vocal Styles and Musical Integration - Each local theater form has its own distinctive musical style and instruments, which are integral to its identity [5][6]. - However, the trend of using standardized orchestration and composition by prominent directors may overshadow the unique musical elements of local theater, leading to a loss of differentiation between musical theater and traditional opera [5][6]. Group 5: Innovation vs. Tradition - While innovation in local theater is necessary, it should be approached with caution to preserve the essence of dialects and vocal styles [6][7]. - Successful adaptations and innovations should respect and integrate traditional elements rather than replace them, ensuring that the unique cultural heritage of local theater is maintained [6][7].