Core Viewpoint - The event "Youth Chapter: 'Gans' Full of Energy" at Nanchang University highlighted the integration of red culture, cultural heritage, and technological innovation, showcasing the spirit of dedication among the youth in contemporary China [2][3][4]. Group 1: Cultural Heritage and Innovation - The performance of traditional Gannan opera by Chen Li and her students exemplified the fusion of traditional arts with modern trends, demonstrating cultural confidence [4]. - The use of AI technology by Jiangxi Taihao Animation Vocational College to pass on red culture showcased innovative practices that empower cultural transmission through technology [5]. Group 2: Scientific Research and Technological Innovation - Academician Xie Mingyong emphasized that scientific research is driven by the passionate commitment of researchers, reflecting a deep sense of responsibility towards national development [2]. - "Model of the Times" Shan Xinghua's dedication to the railway ticketing system over 29 years illustrated the importance of innovation in keeping pace with modern demands [4]. Group 3: Youth Engagement and Social Responsibility - The stories of young individuals, such as Chen Kunyuan, who built employment platforms for veterans and contributed to local economic growth, highlighted the social responsibility and entrepreneurial spirit of the youth [5]. - The collective efforts of Jiangxi youth in various fields, including flexible solar panels and cultural dissemination, painted a vivid picture of their pursuit of dreams and contributions to society [5].

Core Points - The 9th Jiangxi Arts Festival opened on the evening of the 18th, featuring the first Jiangxi Opera Gala, marking the beginning of a significant cultural event in Jiangxi Province [1] - The festival is the largest and highest-level comprehensive arts event in Jiangxi, themed "Long Song of Gan Land, Together to Start a New Chapter," with six main activities planned [1] - A total of 30 new or adapted plays, 10 classic re-staged traditional plays, and several invited performances from other provinces will be showcased during the festival [1][2] Group 1 - The opening night featured renowned artists, including Hu Ruihua, a "Gan Opera Master," and other national intangible cultural heritage representatives [1] - The first Jiangxi Opera Gala included performances of classic pieces such as "Step by Step Beautiful," "Meeting Joy," and "Full Courtyard Fragrance" [1] - The festival will also highlight the "Yuminghua Excellent Play Exhibition," showcasing 30 new and adapted plays and 10 re-staged traditional plays, reflecting the achievements in drama creation and talent cultivation in Jiangxi over the past three years [2] Group 2 - The festival will encompass various art forms, including drama, music, dance, fine arts, calligraphy, and photography, creating an unprecedented artistic carnival [1] - The event will feature performances from multiple generations of artists, showcasing a blend of classical and modern elements, as well as the deep cultural heritage and unique charm of the Gan region [2]

Core Viewpoint - The new regulation from the National Arts Fund aims to encourage local theater companies to cultivate their own creative talents and avoid over-reliance on external creators, which could lead to a loss of the unique characteristics of local theater forms [2][4]. Group 1: Importance of Dialects - Dialects and vocal styles are considered the soul of local theater, and any innovation should not compromise these essential elements [2][5]. - For example, the Fuzhou dialect retains many ancient Chinese linguistic features, which play a crucial role in the rhythm and vocal style of Min opera [2][3]. - Other dialects, such as Cantonese and Puxian, also contribute unique tonal qualities that enhance the expressiveness of their respective operas [2][3]. Group 2: Rich Vocabulary and Characterization - Local dialects possess diverse vocabulary systems that enrich character portrayal in performances, allowing for distinct language images that enhance the overall theatrical experience [3][4]. - The use of dialects enables the creation of vivid and relatable characters, making local theater more engaging and culturally resonant [3][4]. Group 3: Challenges with External Creators - External creators may lack the time and understanding to fully grasp the complexities of local dialects, which can lead to a dilution of the unique characteristics of local theater [4][5]. - There is a concern that younger local playwrights may not possess the same level of proficiency in dialects as their predecessors, risking the authenticity of local theater [4][5]. Group 4: Vocal Styles and Musical Integration - Each local theater form has its own distinctive musical style and instruments, which are integral to its identity [5][6]. - However, the trend of using standardized orchestration and composition by prominent directors may overshadow the unique musical elements of local theater, leading to a loss of differentiation between musical theater and traditional opera [5][6]. Group 5: Innovation vs. Tradition - While innovation in local theater is necessary, it should be approached with caution to preserve the essence of dialects and vocal styles [6][7]. - Successful adaptations and innovations should respect and integrate traditional elements rather than replace them, ensuring that the unique cultural heritage of local theater is maintained [6][7].