公园广场上，陕北秧歌、榆林小曲的"银发"非遗代表性传承人载歌载舞；老年大学里，鬓发斑白的 学员让剪纸绽放出生动图案……在塞上驼城，一场关乎非遗传承的"银发行动"正在进行。 近年来，榆林市将老年教育的社会功能与地方文化的传承融为一体，指导全市各级老年大学、老干 部活动中心成为非遗传承的星火驿站，让"银发"学员以学习为载体，专注非遗推广，谱写出一曲非遗传 承的夕阳赞歌。 非遗种子在银龄沃土中生根 "来，我们再练习一下第二部分的走位。"11月26日，榆林市老年大学的陕北秧歌培训基地，陕北秧 歌县级非遗代表性传承人雷彩红正带领学员排练陕北秧歌。 学员吕艳梅是陕北秧歌班班长。她说："我从小就喜欢扭秧歌，但是姿态不好。经过老师的指导， 我的动作更加规范，现在都可以带队参加演出了。在老年大学的系统学习让我更加深刻感受到陕北秧歌 的魅力。" 目前，榆林市老年大学陕北秧歌队有180余名学员。今年全国秧歌展演期间，秧歌队的"银发"学员 还代表榆林高新区参加展演。 为了让非遗教学更加系统规范，榆林市各级老年大学下足功夫，聘请非遗代表性传承人担任专职教 师，并根据需要编写校本教材。 "老年学员爱听陕北说书，现在也有时间、有精力学习。 ...

Core Viewpoint - The new regulation from the National Arts Fund aims to encourage local theater companies to cultivate their own creative talents and avoid over-reliance on external creators, which could lead to a loss of the unique characteristics of local theater forms [2][4]. Group 1: Importance of Dialects - Dialects and vocal styles are considered the soul of local theater, and any innovation should not compromise these essential elements [2][5]. - For example, the Fuzhou dialect retains many ancient Chinese linguistic features, which play a crucial role in the rhythm and vocal style of Min opera [2][3]. - Other dialects, such as Cantonese and Puxian, also contribute unique tonal qualities that enhance the expressiveness of their respective operas [2][3]. Group 2: Rich Vocabulary and Characterization - Local dialects possess diverse vocabulary systems that enrich character portrayal in performances, allowing for distinct language images that enhance the overall theatrical experience [3][4]. - The use of dialects enables the creation of vivid and relatable characters, making local theater more engaging and culturally resonant [3][4]. Group 3: Challenges with External Creators - External creators may lack the time and understanding to fully grasp the complexities of local dialects, which can lead to a dilution of the unique characteristics of local theater [4][5]. - There is a concern that younger local playwrights may not possess the same level of proficiency in dialects as their predecessors, risking the authenticity of local theater [4][5]. Group 4: Vocal Styles and Musical Integration - Each local theater form has its own distinctive musical style and instruments, which are integral to its identity [5][6]. - However, the trend of using standardized orchestration and composition by prominent directors may overshadow the unique musical elements of local theater, leading to a loss of differentiation between musical theater and traditional opera [5][6]. Group 5: Innovation vs. Tradition - While innovation in local theater is necessary, it should be approached with caution to preserve the essence of dialects and vocal styles [6][7]. - Successful adaptations and innovations should respect and integrate traditional elements rather than replace them, ensuring that the unique cultural heritage of local theater is maintained [6][7].

Core Viewpoint - Shanxi opera, particularly Jinju, is a vital cultural heritage and is experiencing a revival through various initiatives aimed at preserving and promoting local theatrical traditions [1][6]. Group 1: Cultural Significance - Shanxi opera, known as Jinju or Zhonglu Bangzi, is a cornerstone of Shanxi's cultural identity, reflecting the aesthetics of agricultural civilization and the prosperity of Jin merchants [1]. - The province boasts 38 different theatrical genres, making it a cradle of Chinese opera [1]. Group 2: Preservation and Promotion Efforts - Shanxi has implemented initiatives like "free performances in rural areas" to enhance the transmission of local operas, with a goal of delivering 10,000 performances [1]. - The representative inheritor of the endangered "Taiyuan Yangge," Cui Yundong, noted that each performance can earn a subsidy of 5,000 yuan, stabilizing annual performances at around 150 since 2021 [1]. Group 3: Audience Engagement and Demographics - Performances attract diverse audiences, from urban theaters to rural stages, with some rural shows drawing thousands of viewers [4]. - There is a growing interest in opera among younger generations, with many parents seeking to enroll their children in opera classes [4][6]. Group 4: Innovation and Future Directions - The establishment of a youth troupe by Xie Tao aims to address the challenges of an aging audience and the loss of younger viewers by introducing fresh interpretations of traditional operas [6]. - Xie Tao emphasizes the importance of creative adaptations and the development of a performance evaluation system for actors to enhance the quality of productions [6].