Core Viewpoint - The event held in Yulin City showcased the rich cultural heritage of Shaanxi through various traditional performances, emphasizing the importance of non-material cultural heritage (intangible cultural heritage) in the workforce and community engagement [1][2] Group 1: Event Overview - The Yulin City Workers' Cultural Palace hosted a non-material cultural heritage performance on December 29, 2025, featuring traditional Shaanxi performances such as the original storytelling "Chinese Dream: The Beauty of Labor" [1] - The event included a variety of performances like dance, songs, and instrumental music, creating a festive atmosphere and highlighting the unique charm of traditional non-material cultural heritage [1] Group 2: Training and Participation - Yulin, known as the cradle of Loess culture, has numerous non-material cultural heritage projects, including folk songs, stone carving, paper-cutting, and embroidery [2] - The Yulin City Federation of Trade Unions initiated a four-month public training program titled "Craftsmanship Passes the Torch, Non-material Heritage Shines in Camel City" starting September 15, 2025, which attracted 330 participants [2] - The training program included six courses on non-material heritage, taught by inheritors of these traditions, providing participants with a platform to showcase their skills [2]

Core Viewpoint - The article highlights the integration of elderly education with the transmission of local intangible cultural heritage (ICH) in Yulin City, promoting a "Silver Hair Action" that encourages elderly learners to engage in ICH activities and pass on traditional skills to younger generations [1][8]. Group 1: Non-Heritage Education Initiatives - Yulin City has established various elderly universities and activity centers as hubs for ICH transmission, allowing elderly learners to focus on promoting traditional culture through structured learning [1][2]. - The Yulin City Elderly University has over 180 students in its Shaanxi Yangge training program, with students participating in national performances [2]. - Local elderly universities have hired ICH representatives as dedicated teachers and developed tailored teaching materials to enhance the systematic teaching of ICH [2]. Group 2: Innovative Approaches to Cultural Transmission - The integration of ICH with modern elements, such as "ICH + tourism" and "ICH + creative products," has provided broader platforms for elderly learners to showcase their skills [5][6]. - Activities like the "When Paper-Cutting Meets Cultural Creation" event allow traditional crafts to be incorporated into everyday life, promoting ICH in a contemporary context [5]. - The performance of traditional arts, such as Jinju (a type of local opera), by elderly learners has become a cultural bridge between regions, enhancing community engagement [6]. Group 3: Intergenerational Knowledge Transfer - Elderly learners have transitioned from being mere students to active disseminators of ICH, teaching younger generations about local customs and performances [7]. - Programs like the Wu Fortress Water Boat performance training class have successfully engaged elderly learners in teaching local folklore to school students and community members [7]. - The participation of elderly learners in performances has gained national attention, showcasing local heritage on platforms like the Spring Festival Gala and CCTV [7].

Core Insights - Shaanxi's intangible cultural heritage (ICH) is gaining international recognition through diverse innovations and cross-border collaborations, showcasing the rich cultural heritage of the Sanqin region and contributing to the province's cultural development [1] Group 1: Fashion and Cultural Exchange - The "Cloud of Orchid" international cultural exchange event at the 2025 China International Fashion Week featured exquisite Qiang embroidery garments, highlighting the cultural stories behind each piece and the appeal of ICH across borders [2] - Wang Xiaoqin, a provincial-level ICH representative, has established 10 training bases and 6 cooperatives, creating employment for over 1,700 women and expanding the market for Qiang embroidery products both domestically and internationally [2] Group 2: Cultural Performances and Exhibitions - At the Osaka Expo, traditional performances such as Fengxiang woodblock paintings and Shaanxi paper-cutting captivated audiences, demonstrating the vibrancy of Shaanxi's ICH in the context of modern Chinese development [3] - Wang Yixuan, a 21st-generation inheritor of Fengxiang woodblock painting, creatively integrated traditional elements with contemporary themes, attracting diverse audiences and promoting ICH through collaborations with major companies [3] Group 3: Youth Engagement and Global Outreach - The "Old Waist Drum ICH Goes to Campus" event in Yulin engaged 5,000 students, marking a shift from passive to active participation in cultural heritage, fostering local cultural identity among youth [4] - The Anse waist drum has gained international acclaim, performing at significant events and cultural exchanges in countries like Germany and South Korea, showcasing the global appeal of Shaanxi's ICH [4] Group 4: Culinary and Performing Arts - Shaanxi's cultural outreach includes performances of traditional arts like the Shaanxi Yangge and storytelling in Malaysia, allowing local audiences to experience the cultural richness of the Loess Plateau [5] - The innovative presentation of traditional arts, such as the performance of Shaanxi storytelling in Australia, has resonated with international audiences, reflecting the successful fusion of tradition and modernity [5]

Core Viewpoint - The second Shaanbei Storytelling Conference was held in Yulin City, focusing on themes such as wartime memories, rural civilization, and contemporary changes, showcasing the importance of Shaanbei storytelling as a national intangible cultural heritage [1] Group 1: Event Overview - The conference took place from September 8 to 10, organized by the China Quyi Artists Association, the Shaanxi Provincial Federation of Literary and Art Circles, and the Yulin Municipal Publicity Department [1] - Activities included excellent program performances, expert seminars, and special performances by renowned artists, aimed at promoting Shaanbei storytelling [1] Group 2: Cultural Significance - Shaanbei storytelling serves as a unique artistic form that records the historical changes of the Shaanbei region, with the Hongshan District being a key birthplace and transmission area [1] - The collaboration between Shaanbei storytelling and the domestic game "Black Myth: Wukong" has revitalized the art form and significantly enhanced its cultural influence [1] Group 3: Future Development - Local officials expressed intentions to use the conference as an opportunity to foster exchanges among Shaanbei storytelling artists, create more contemporary works, and cultivate talented individuals in the field [1] - Yulin City plans to promote the protection, active inheritance, integration of industries, and dissemination of intangible cultural heritage, aiming for new achievements in preservation efforts [1]

Core Viewpoint - The Shaanxi Folk Song Museum in Yulin City aims to rescue, protect, inherit, and promote Shaanxi folk songs through innovative exhibition methods that combine traditional and modern displays, creating an immersive auditory experience for visitors [1][8]. Group 1: Museum Overview - The museum opened in May 2018 and is designed to be experienced through sound, allowing visitors to enjoy a variety of folk songs performed by local artists [1]. - The museum features a unique exhibition style that integrates traditional and modern elements to keep cultural heritage alive [1]. Group 2: Folk Song Characteristics - Labor songs, as a representative of Shaanxi folk music, are rooted in local culture and were created during labor practices to boost morale and coordination among workers [3]. - The museum showcases various forms of folk art, including the Yulin Little Tune, which is a national intangible cultural heritage that blends southern melodies with local folk tunes [5]. Group 3: Cultural Significance - Shaanxi storytelling, originating from the Ming and Qing dynasties, is an important form of regional art that has gained recognition through modern media, such as the popular game "Black Myth: Wukong" [7]. - Shaanxi folk songs have evolved from grassroots culture to professional stages, reflecting the continuous development and innovation of traditional Chinese culture [8].

Core Insights - The article highlights the revival of traditional Shaanxi storytelling, known as "Shuoshang," through modern platforms like live streaming and short videos, showcasing its cultural significance and adaptability in contemporary society [1][3][17]. Group 1: Cultural Significance - Shaanxi storytelling has deep roots in the region, particularly in areas like Yan'an and Yulin, where it serves as a vital form of oral tradition and community engagement [3][10]. - The art form has evolved from being a means of livelihood for blind performers to a celebrated cultural practice, with modern adaptations enhancing its appeal [10][12]. Group 2: Modern Adaptation - High Xiaoqing, a prominent storyteller, has successfully transitioned to live streaming, attracting nearly 150,000 followers and engaging thousands of viewers each night [4][13]. - The integration of various musical instruments and performance styles has enriched the storytelling experience, making it more relatable to contemporary audiences [6][10]. Group 3: Community Engagement - Live performances have fostered a sense of community, with audiences actively participating and expressing their appreciation, exemplified by fans attending shows after following online [3][10]. - The storytelling events often coincide with local festivals and celebrations, reinforcing cultural ties and community spirit [10][12]. Group 4: Future Prospects - The article emphasizes the importance of innovation in preserving traditional arts, as seen in collaborations with modern media and other art forms, which help reach wider audiences [18][19]. - The rise of younger storytellers, inspired by platforms like Kuaishou, indicates a promising future for the art form, as they seek to blend tradition with contemporary themes [15][19].

Group 1 - The 21st Shenzhen Cultural Expo features various intangible cultural heritage performances, attracting a large audience and promoting local arts [1][2] - The Shaanxi Pavilion showcases traditional arts such as Shaanxi storytelling and Xunyi colored paper-cutting, emphasizing the importance of innovation in cultural heritage [1][2] - Children actively participate in hands-on experiences with traditional crafts, enhancing their understanding of regional history and culture [2][3][4] Group 2 - The event highlights the significance of preserving and innovating intangible cultural heritage, as expressed by the representatives of various art forms [2][3] - Local artists, such as Gao Zhengfeng and Wu Qiaoling, share their knowledge and skills with the younger generation, fostering a connection between past and present [1][2] - The initiative aims to educate children about diverse cultural practices across China, promoting appreciation for traditional arts [4]