二、前10名无限售条件股东持股情况 前十大流通股东累计持有： 53409.34万股，累计占流通股比： 50.6%，较上期变化： -1847.69万股。 一、主要会计数据和财务指标 | 报告期指标 | 2024年年报 | 2023年年报 | 本年比上年增减(%) | 2022年年报 | | --- | --- | --- | --- | --- | | 基本每股收益（元） | -0.6300 | -0.4000 | -57.5 | -0.0600 | | 每股净资产（元） | 3.84 | 4.52 | -15.04 | 4.9 | | 每股公积金(元) | 2.87 | 2.87 | 0 | 2.87 | | 每股未分配利润(元) | -0.02 | 0.61 | -103.28 | 0.99 | | 每股经营现金流(元) | - | - | - | - | | 营业收入(亿元) | 14.61 | 16.08 | -9.14 | 20.12 | | 净利润(亿元) | -8.67 | -5.53 | -56.78 | -0.76 | | 净资产收益率(%) | -15.09 | -8.50 | -77.53 ...

2024 年度独立董事述职报告 博纳影业集团股份有限公司 2024 年度独立董事述职报告（宋立新） 各位董事、股东、投资者： 作为博纳影业集团股份有限公司（以下简称"公司"或"博纳影业"）的 独立董事，本人严格恪守《公司法》《上市公司独立董事管理办法》等法律法 规，全面遵循《公司章程》《独立董事工作制度》《独立董事年报工作制度》 等内部规范，始终以诚信勤勉为准则，切实履行独立董事职责。 在履职过程中，我充分运用战略管理、组织行为学、运营管理等专业知 识，通过参与高层战略研讨会、组织架构优化评估、业务流程调研等方式，对 公司的战略规划、组织效能、运营模式等进行系统性分析。结合行业发展趋势 与市场竞争态势，深入剖析公司在经营管理中的优势、劣势、机会与威胁，全 面掌握公司运营动态与潜在风险。 在公司治理实践中，我积极参与董事会及股东大会各项议题的讨论与决策。 针对公司企业管理、媒体沟通等领域提出建议，对公司战略布局、组织架构调整、 风险管理体系构建等议案进行多维度的综合评估与论证。通过对公司管理流程的 科学性、决策机制的有效性、风险防控体系的完善性等方面展开独立、客观的分 析判断，充分发挥独立董事在战略监督、管理优 ...

2024 年度独立董事述职报告 作为博纳影业集团股份有限公司（以下简称 "公司"）的独立董事，本人 始终秉持诚信、勤勉原则，严格遵循《公司法》《上市公司独立董事管理办 法》等法律法规，以及《公司章程》《独立董事工作制度》《独立董事年报工 作制度》等内部规范要求履职尽责。任职期间，我持续保持对公司经营动态的 密切关注，通过多种渠道及时、全面掌握公司运营信息，并凭借自身专业知识 与行业经验，对公司重大事项进行独立、客观、审慎的分析判断。 在公司治理过程中，我积极出席董事会及股东大会，认真审议各项议案，充 分发挥独立董事的监督与决策作用。针对公司重大事项，均依据事实与规则发表 专业、公正的独立意见，切实维护公司整体利益及全体股东，尤其是社会公众股 东的合法权益，助力公司规范运作与稳健发展。现将2024年度履行独立董事职责 的情况报告如下： 一、 独立董事的基本情况 （一）个人工作履历 本人冯仑，男，1959 年生，中国国籍，西北大学政治经济学学士，中共中 央党校硕士研究生，中国社会科学院法学博士。冯仑先生自2015年8月至今任四 方御风投资有限公司执行董事。现任博纳影业独立董事。 （二）是否存在影响独立性的情况说明 ...

2024 年度独立董事述职报告（王进） 各位董事、股东、投资者： 2024 年度独立董事述职报告 博纳影业集团股份有限公司 作为公司的独立董事，我始终将独立性视为履职的基石，严格遵循《公司 法》《上市公司独立董事管理办法》等法律法规，以及《公司章程》《独立董 事工作制度》等内部规范。 2024 年度独立董事述职报告 作为博纳影业集团股份有限公司（以下简称 "公司"）的独立董事，本人 恪守《公司法》《上市公司独立董事管理办法》等法律法规，严格遵循《公司 章程》《独立董事工作制度》等内部规范，始终秉持诚信勤勉原则履职尽责。 基于多年深耕财务领域积累的专业知识与丰富经验，在任职期间，我凭借敏锐 的财务洞察力，通过审阅财务报表、参与经营分析会议、与审计团队深入沟通 等多元方式，对公司财务状况、经营成果及资金流动等运营信息进行细致且全 面的剖析，确保及时掌握公司经营动态。 在公司治理环节，作为具备会计专业背景的独立董事，我积极参与审计委 员会、董事会及股东大会，对涉及财务决策、关联交易、内部控制等议案，从 财务专业视角进行审慎评估与严谨论证。通过运用会计准则、财务分析模型等 专业工具，对各项议案进行独立、客观、深入的分 ...

博纳影业集团股份有限公司 2025 年员工持股计划管理办法 二〇二五年四月 1 （三）风险自担原则 本员工持股计划参与人盈亏自负，风险自担，与其他投资者权益平等。 第三条 员工持股计划履行的程序 第一章 总则 第一条 为规范博纳影业集团股份有限公司（以下简称"博纳影业"或"公 司"）2025 年员工持股计划（以下简称"员工持股计划"、"本员工持股计划"） 的实施，根据《中华人民共和国公司法》（以下简称"《公司法》"）、《中华人民共 和国证券法》（以下简称"《证券法》"）、《关于上市公司实施员工持股计划试点的 指导意见》（以下简称"《指导意见》"）、《深圳证券交易所上市公司自律监管指引 第 1 号——主板上市公司规范运作》（以下简称"《自律监管指引》"）等相关法律、 行政法规、规章、规范性文件和《公司章程》之规定，特制定本管理办法。 第二章 员工持股计划的制定 第二条 员工持股计划所遵循的基本原则 （一）依法合规原则 公司实施本员工持股计划，严格按照法律、行政法规的规定履行程序，真实、 准确、完整、及时地实施信息披露。任何人不得利用本员工持股计划进行内幕交 易、操纵证券市场等证券欺诈行为。 （二）自愿参与原则 ...

独立董事独立性自查情况的专项报告 董事会 董事会关于 2024 年度独立董事独立性 二〇二五年四月二十五日 自查情况的专项报告 根据证监会《上市公司独立董事管理办法》、《深圳证券交易所股票上市 规则》《上市公司自律监管指引第1号—规范运作》等要求，博纳影业集团股份 有限公司（以下简称"公司"）董事会，就公司在任独立董事王进、冯仑、宋 立新的独立性情况进行评估并出具如下专项意见： 经核查，独立董事王进、冯仑、宋立新的任职经历以及签署的相关自查文 件，上述人员未在公司担任除独立董事以外的任何职务，也未在公司主要股东 公司担任任何职务，与公司以及主要股东之间不存在利害关系或其他可能妨碍 其进行独立客观判断的关系，因此，公司独立董事符合《上市公司独立董事管 理办法》《深圳证券交易所上市公司自律监管指引第 1 号—规范运作》中对独 立董事独立性的相关要求。 特此公告 博纳影业集团股份有限公司 博纳影业集团股份有限公司 ...

Financial Performance - The company's revenue for Q1 2025 was ¥525,416,831.43, representing a 19.43% increase compared to ¥439,919,804.17 in the same period last year[5] - The net profit attributable to shareholders was -¥955,171,611.39, a significant decrease of 17,303.99% from ¥5,552,034.61 in the previous year[5] - Basic and diluted earnings per share were both -¥0.70, a decline of 17,600.00% compared to ¥0.0040 in the previous year[5] - The net profit for the current period was a loss of ¥955.35 million, compared to a profit of ¥4.28 million in the previous period, reflecting a substantial decline[19] - The company recorded a total comprehensive loss of ¥953.70 million, compared to a comprehensive income of ¥2.69 million in the previous period[19] Cash Flow - The net cash flow from operating activities improved to ¥28,827,626.54, a 138.14% increase from -¥75,584,885.75 in the same period last year[5] - The company reported a net cash flow from operating activities of ¥28.83 million, a recovery from a negative cash flow of ¥75.58 million in the previous period[21] - The company’s investment activities generated a net cash flow of ¥24.06 million, down from ¥114.08 million in the previous period[21] Assets and Liabilities - Total assets decreased by 7.18% to ¥12,671,055,557.73 from ¥13,650,847,831.26 at the end of the previous year[5] - Current assets decreased from RMB 5,689,386,223.31 to RMB 4,804,685,918.81, a decline of about 15.5%[15] - Total liabilities slightly decreased from RMB 8,388,692,074.92 to RMB 8,362,604,714.27, a reduction of about 0.3%[16] - Non-current liabilities decreased from RMB 4,813,018,701.51 to RMB 4,548,011,985.86, a decline of about 5.5%[16] Shareholders' Equity - Shareholders' equity attributable to the parent company fell by 18.06% to ¥4,326,109,999.31 from ¥5,279,768,305.62 at the end of the previous year[5] - The total equity attributable to the parent company decreased from RMB 5,279,768,305.62 to RMB 4,326,109,999.31, a reduction of approximately 18.0%[16] - The company reported a net loss, with retained earnings dropping from RMB -29,994,140.17 to RMB -985,165,751.56[16] Operating Costs and Income - Total operating revenue for the current period reached ¥525.42 million, an increase from ¥439.92 million in the previous period, representing a growth of approximately 19.4%[18] - Total operating costs surged to ¥1.49 billion, up from ¥400.05 million, indicating a significant increase of approximately 271.5%[18] - The company experienced a tax expense of ¥281.64 million, compared to a tax benefit of ¥27.36 million in the previous period[18] Other Income and Expenses - The company reported non-operating income from government subsidies of ¥17,778,817.37, primarily related to film subsidies received[7] - The loss from non-current asset disposal was recorded at ¥4,736,446.29, reflecting gains from the disposal of long-term assets[7] - Other comprehensive income after tax was ¥1.64 million, contrasting with a loss of ¥1.60 million in the previous period[19] Performance Metrics - The weighted average return on equity was -19.89%, down from 0.09% in the previous year[5]

Financial Performance - The company's operating revenue for 2024 was approximately ¥1.46 billion, a decrease of 9.12% compared to ¥1.61 billion in 2023[21]. - The net loss attributable to shareholders for 2024 was approximately ¥866.90 million, representing a 56.87% increase in losses compared to ¥552.63 million in 2023[21]. - The net cash flow from operating activities for 2024 was approximately -¥440.74 million, a significant decline of 460.82% compared to -¥78.59 million in 2023[21]. - The basic earnings per share for 2024 was -¥0.63, a decrease of 57.50% from -¥0.40 in 2023[21]. - Total assets at the end of 2024 were approximately ¥13.65 billion, down 12.41% from ¥15.58 billion at the end of 2023[21]. - The net assets attributable to shareholders at the end of 2024 were approximately ¥5.28 billion, a decrease of 15.00% from ¥6.21 billion at the end of 2023[21]. - The company reported a weighted average return on equity of -15.09% for 2024, worsening from -8.50% in 2023[21]. - The net profit after deducting non-recurring gains and losses for 2024 was approximately -¥973.32 million, a 30.94% increase in losses compared to -¥743.34 million in 2023[21]. Cinema and Film Operations - The total box office revenue from the company's film investments was CNY 4.697 billion, with the comedy film "Flying Life 2" contributing CNY 3.36 billion[30]. - The cinema business generated a total box office of CNY 721 million, a decline of 31.14% year-on-year[32]. - The cinema business revenue was CNY 941 million, down 23.65% compared to the previous year[32]. - The company has invested in and released 7 films during the reporting period[30]. - The company has a total of 137 cinemas, with a net increase of 11 cinemas during the reporting period[32]. - The company’s market share in the cinema industry is 2.10%, with box office revenue ranking 13th among national cinema chains[32]. - The company plans to release the military action film "Dragon Action" during the 2025 Spring Festival, which is the first domestic film on nuclear submarines[31]. - The company opened 6 new cinemas in 2024, achieving excellent performance, with the Haikou Longhu Tianjie store ranking first in box office revenue among local cinemas[34]. Revenue Segmentation - The film segment generated revenue of approximately ¥258 million, down 43.92% from ¥460 million in the previous year, accounting for 17.66% of total revenue[68]. - The series segment saw a dramatic increase in revenue to approximately ¥278 million, a rise of 853,119.65% from just ¥32,585 in 2023, representing 19.02% of total revenue[68]. - Revenue from cinemas and theater lines was approximately ¥941 million, a decrease of 23.65% from ¥1.23 billion in 2023, making up 64.41% of total revenue[68]. Investment and Financial Strategy - The company plans to increase the development of its own high-quality IP resources and strengthen IP resource integration through investments[63]. - The company has established a strong collaboration network with over a hundred post-production and special effects companies, enhancing its film production capabilities[62]. - The company aims to continue producing impactful content that resonates with the audience, focusing on both artistic depth and commercial viability[62]. - The company is committed to integrating advanced technologies, including AI, into the filmmaking process, aiming to improve production quality and efficiency[59]. Market Trends and Challenges - The total box office for the Chinese film market in 2024 was 42.502 billion yuan, recovering to 66.1% of the 2019 level, with total admissions reaching 1.01 billion[38]. - In 2024, the number of new films released in China decreased to 497, down by 11 from the previous year, indicating a limited supply of quality films[39]. - The box office for holiday periods in 2024 reached 13.5 billion yuan, a 5.5% increase year-on-year, while non-holiday box office fell by 38%[42]. - The overall film market in China saw a decline in total box office revenue to CNY 42.50 billion in 2024, down 22.6% from 2023, impacting the company's project earnings[98]. Corporate Governance and Management - The company has established a comprehensive corporate governance structure, ensuring independence from controlling shareholders in terms of assets, personnel, finance, and operations[129]. - The company has independent financial management, with its own bank accounts and tax accounts, ensuring complete financial autonomy from controlling shareholders[135]. - The company emphasizes strict adherence to legal regulations and has strengthened its internal control systems to protect shareholder rights[120]. - The board of directors has been actively engaged in decision-making and has established specialized committees to provide professional advice[121]. Social Responsibility and Community Engagement - The company donated 1 million yuan to support disaster relief efforts in Dingri County, Tibet, in 2024[198]. - The company expanded the distribution of free movie tickets to various groups, including migrant workers and people with disabilities, enhancing community engagement[197]. - The company has established a barrier-free viewing environment for nearly 100,000 visually impaired individuals since 2020, promoting inclusivity[197]. - The company emphasizes employee rights protection by adhering to labor laws and providing competitive compensation and benefits[196]. Future Outlook and Strategic Initiatives - The company plans to explore new technologies such as virtual studios, AR shooting, and AI video generation to enhance production efficiency and reduce costs[103]. - The company aims to enhance the efficiency of fundraising usage by adjusting the budget based on the filming schedule of "Human Body Battle"[95]. - The company is focused on long-term development and strategic planning to align with market trends and consumer preferences[95]. - The company plans to release 3 films annually under the "Bona New Force" initiative to support young directors, with over 20 film projects currently in development across various genres[104].

Core Insights - The Chinese film market is undergoing significant structural changes, with record box office numbers for some films contrasting with many others failing to reach 10 million yuan in daily box office, indicating overcapacity and audience fragmentation [1] - The current era is characterized by rapid technological advancements that are reshaping lifestyles and presenting new opportunities for the film production industry [1] Industry Transformation - Traditional film companies need to shift their focus from a 600 billion yuan box office mindset to a larger 2000 billion yuan market that includes short dramas, medium-length series, and long series [2] - The core of this transformation lies in capacity conversion, as the actual number of films released in theaters has dropped to less than 500 from a previous annual production of 1080 films, with excess capacity shifting towards shorter formats [2] - The post-Spring Festival period has seen a rapid cooling of the cinema market, revealing issues related to supply and production, with audience fragmentation being a deeper underlying cause [2] Content Adaptation and Audience Engagement - Content companies must possess the ability to adapt their narratives across different formats, as demonstrated by successful projects that transition from film to series [3] - The rapid evolution of audience preferences has intensified industry anxiety, with a notable loss of young viewers impacting both cinemas and long video platforms [3] - The production cycle of films, which can take 2 to 3 years, creates a disconnect between creativity and market demand, necessitating faster content production to keep pace with changing viewer tastes [3] Technological Integration - Embracing new technologies is essential for the high-quality development of the film industry, as it can enhance production efficiency and reduce costs [4] - AI technology is increasingly utilized in various aspects of film production, including editing and reshoots, although it cannot fully replace the need for live performances by actors [5] - Digital asset reuse is becoming a key strategy for lowering production costs, allowing for the repurposing of assets across multiple projects [5]