Core Viewpoint - The "Yue Mei Village Evening" short video collection activity aims to celebrate and document the cultural vibrancy of rural Guangdong, encouraging local residents to participate actively in showcasing their traditions and stories [1][12]. Group 1: Event Overview - The event is guided by the Guangdong Provincial Social Work Department and organized by various cultural associations, focusing on rural cultural revitalization [7][8]. - It will be held across 21 cities in Guangdong, selecting over 30 demonstration sites to promote grassroots cultural engagement [9]. - The theme "I Organize the Village Evening for My Hometown" is designed to inspire community members to become organizers and participants in cultural activities [10]. Group 2: Cultural Significance - The initiative aims to integrate local arts, intangible cultural heritage, and folk customs, creating a series of cultural celebrations that reflect the unique characteristics of Lingnan culture [11][12]. - It seeks to enhance the quality of cultural development in Guangdong by fostering a sense of cultural confidence among rural communities [43][46]. Group 3: Participation Details - The collection period for video submissions runs from now until March 31, 2026, inviting participants to capture various aspects of their hometown's New Year celebrations and cultural practices [17][18]. - Participants can submit videos related to local traditions, non-material cultural heritage, and the preparation and highlights of the village evening [19][24]. - The submission process involves posting videos on social media platforms with the hashtag YueMeiVillageEvening, with quality content receiving promotional support [31][32].

作为2025年大连唯一入选全国"四季村晚"示范展示的文化活动，由辽宁省文化和旅游厅、大连市文化和旅游局、普兰店区 人民政府举办的"莲享冬韵·集映振兴"大刘家洼子店冬季"村晚"，于1月12日10时，在国家公共文化云平台及官方公众号正 式上线展播。 本次"村晚"于2025年12月6日在普兰店区大刘家街道莲享家庭农场举办，活动以"农场主场+农产品大集"为特色，将文艺演 出、非遗体验、民俗互动与农产品展销深度融合，村民登台当主角，新金民歌、影调戏等本土文化轮番亮相，生动呈现 大连乡村文化振兴的实践成效，更彰显了滨城乡土风情与振兴活力。 本报记者 张宇 文 普兰店区委宣传部供图 ...

Group 1 - The "Three-Three Action" initiative aims to promote cultural revitalization in rural areas, particularly focusing on the Yao ethnic group's wedding customs through innovative events like the "Rice Field T-stage Show" [2][3][6] - The event in Niulu Water Village highlighted the integration of Yao, Han, and Zhuang cultural elements, showcasing intangible cultural heritage and fostering ethnic unity [4][5][6] - Local villagers participated as models in the T-stage show, wearing traditional attire adorned with exquisite Yao embroidery, which emphasized their cultural pride and connection to their heritage [8][10][11] Group 2 - The event featured a documentary exhibition titled "Embroidered Beauty of Yao Village: From Blood to Self-Sufficiency," displaying 108 pieces of fine Yao embroidery, showcasing the craftsmanship of local artisans [14][15][17] - The initiative has transformed traditional embroidery into a burgeoning rural industry, with 90% of the embroiderers being rural women, supported by ongoing training programs [15][17] - The event broke away from the traditional "sending performances to the countryside" model, creating a comprehensive experience that includes art, industry, and local agricultural products, thereby attracting significant visitor engagement [19][20][25] Group 3 - The event was organized under the guidance of various cultural and artistic associations, marking a significant step in extending cultural volunteer services to grassroots levels [28][32][34] - The initiative aligns with the goals of the "Cultural Empowerment + Industry Support + Sustainable Income" strategy, aiming to meet the spiritual and cultural needs of rural communities [25][37] - The event serves as a case study for the empowerment of rural cultural industries through artistic initiatives, exploring new pathways for the integration of intangible cultural heritage and rural revitalization [39][40]

Core Viewpoint - The protection of traditional villages is essential for cultural revitalization and the construction of modern Chinese civilization, but it faces challenges such as insufficient governance coordination and unclear property rights [1] Group 1: Systematic Protection and Governance - Traditional village protection has transitioned from fragmented rescue efforts to systematic and holistic approaches, with 8,155 villages listed in the national protection catalog [1] - Challenges include governance coordination issues, unclear property rights, and a tendency to prioritize reporting over management, leading to either "frozen preservation" or excessive commercialization [1][2] Group 2: Institutional Innovation and Property Rights - Strengthening institutional innovation is crucial for effective coordination among various departments involved in traditional village protection [2] - Clear property rights are essential for resource allocation and addressing funding and development challenges, with examples of successful property rights reforms in Zhejiang and Anhui [2] Group 3: Community Involvement and Benefits - The participation of villagers is vital for the sustainability of traditional village protection, emphasizing that protection should benefit the people [3] - Innovative models in Fujian and Guangdong demonstrate how community involvement can enhance economic benefits and ensure that protection aligns with local needs [3] Group 4: Integration and Modernization - The core of traditional village protection is active cultural transmission, requiring a balance between preserving cultural roots and adapting to modern needs [4] - Successful integration of traditional villages with tourism and agriculture, along with the use of technology for preservation, can enhance cultural and economic value [4] - A long-term framework involving government guidance, social participation, community engagement, and technological empowerment is necessary for revitalizing traditional villages [4]

（来源：中国改革报） 转自：中国改革报 □ 王雷鸣 "将美丽绘于乡村，让艺术留住乡愁"，宁夏各高校通过建立"乡村振兴研究所"与"驻村写生基地"实行双 导师制，定向培养美术书法人才，各乡村则通过"文化实践站"发现并扶持本地非遗传承人和美术骨干。 同时，"乡村艺术家留乡计划"吸引更多毕业生和青年艺术家扎根基层，确保人才梯队的可持续发展。固 原市原州区双泉村是农文旅融合的示范村，与高校合作利用"千年古泉"自然景观举办各种文旅活动，非 遗文创展、摄影展、写生基地等，规划创意LOGO品牌设计大赛 "双泉印巷"评选活动，为乡村旅游和地 方特色产业赋予文化灵魂。 美术作品作为视觉艺术载体，介入乡村的价值在于通过"公共性"实现文化传承与乡村主体赋能。这种公 共性离不开宁夏美术发展过程中形成的"乡土叙事"与"公共参与"方式协同支撑，二者共同构成宁夏可持 续发展的乡村文化振兴核心逻辑。 乡土叙事成为宁夏美术的公共关联 乡土叙事是宁夏美术地缘文化的灵魂，公共参与是让灵魂活起来的实践载体。宁夏主题美术与书法创作 在内容层面拓展地缘优势，其语言方式呈现出鲜明的地域与民族交织特征及独特的历史与生态记忆的群 体烙印，闽宁镇移民肩头的行囊、 ...

Core Viewpoint - The article highlights the transformation of rural cultural activities in China, emphasizing the shift from passive participation to active engagement among the community, showcasing the vibrant cultural landscape and the integration of traditional and modern elements in public cultural services [2][3]. Group 1: Cultural Activities and Community Engagement - By 2025, a total of 91,300 "village evening" events were held nationwide, with 692 million participants both online and offline [2] - In Zhangguying Village, Hunan, the main event attracted 99,500 visitors, generating local tourism revenue of 53.73 million yuan [2] - The "village evening" series videos created by villagers garnered 35.4 million views, indicating a significant online presence [2] Group 2: Talent Development and Cultural Confidence - The "rural internet celebrity" cultivation plan has unearthed cultural talents in rural areas, enhancing cultural confidence and creating a new cultural landscape [3] - Various organizations, including the China Children's Art Theatre, have engaged local children in creating original plays, fostering local talent [2] Group 3: New Public Cultural Spaces - Over 40,000 new public cultural spaces have emerged, designed to be attractive and functional, serving as "cultural living rooms" for communities [4] - Innovative cultural spaces have been created by repurposing traditional structures, such as transforming ancestral halls into cultural hubs [4] Group 4: Mechanism Innovation and Public Participation - Jiangsu has introduced regulations for urban reading rooms, allowing contributors to name the facilities, while Zhejiang and Guangdong have implemented initiatives to enhance public engagement [5] - The shift from government-led to collaborative community-driven projects has reduced costs and increased utilization of cultural spaces [5] Group 5: Cultural Integration and Digital Accessibility - The first China Xinjiang Folk Art Season showcased diverse ethnic cultures across multiple provinces, promoting cultural exchange [7] - The launch of the "Chinese Ancient Books Intelligent Service Platform" in April 2025 aims to provide digital access to ancient texts, enhancing cultural resource availability [8] Group 6: Future Outlook - The continuous optimization of cultural supply is expected to enrich the quality of life for the people, aligning with the goals of the upcoming "15th Five-Year Plan" [9]

Core Insights - The recent announcement of the 2025 Humanistic Rural Construction list in Zhejiang Province includes two villages from Xiuzhou District, increasing the total number of provincial humanistic villages to four, highlighting the ongoing cultural revitalization in rural areas [1][2] Group 1: Village Development - Panjiabang Village has transformed from a "pig farming village" to a vibrant tourist destination, attracting over 700,000 visitors annually, with a per capita income growth of over 12% for villagers [2][3] - The village has undergone significant environmental improvements since 2013, achieving recognition as a Zhejiang Province 3A scenic village and a beautiful rural characteristic village [1][2] Group 2: Cultural Heritage and Tourism - The cultural heritage of Panjiabang Village includes historical sites such as a thousand-year-old catalpa tree and a Song Dynasty well, which have been preserved and revitalized to enhance local tourism [1][2] - Zhenzhong Village, known as the birthplace of the famous poet Zhu Yizun, has developed a clear path of "culture + art + industry," attracting over one million visitors and generating over 10 million yuan in economic revenue [2][3] Group 3: Community Engagement and Economic Growth - The establishment of cultural workshops and community art teams in Zhenzhong Village has empowered villagers to actively participate in cultural activities, enhancing local aesthetics and community cohesion [3] - Xiuzhou District is committed to integrating cultural revitalization into the broader rural development strategy, promoting initiatives that combine culture with tourism and technology to stimulate new growth [3][4]

Core Viewpoint - The article highlights the transformation of rural cultural activities in China, emphasizing the shift from passive participation to active engagement among local communities, with a focus on enhancing public cultural services by 2025 [5][12]. Group 1: Cultural Activities and Engagement - By 2025, a total of 91,300 "village evening" events are expected to be held nationwide, with online and offline participation reaching 690 million [5] - In Zhangguying Village, Hunan, the main event attracted 99,500 visitors, generating local tourism revenue of 53.73 million yuan [5] - The rise of "village stars" and local performances has led to significant online engagement, with videos receiving millions of views [5] Group 2: Cultural Talent Development - The "Rural Internet Celebrity" cultivation plan has successfully unearthed cultural talents in rural areas, enhancing cultural confidence and creating a new cultural landscape [6] - Various stakeholders, including non-heritage inheritors and students, are collaborating in creative projects, showcasing a diverse range of contributors in the cultural sector [5][6] Group 3: New Public Cultural Spaces - Over 40,000 new public cultural spaces have emerged, designed to be attractive and functional, serving as "cultural living rooms" for communities [8] - Innovative cultural spaces are being developed across various regions, integrating traditional and modern elements to enhance community engagement [9] Group 4: Cultural Integration and Accessibility - The first China Xinjiang Folk Art Season is set to tour multiple provinces, promoting cultural exchange and showcasing the diversity of ethnic cultures [10] - National-level cultural events are bridging resources directly to grassroots communities, enhancing the reach of quality cultural offerings [11] Group 5: Digital and Technological Integration - The launch of the "Chinese Ancient Books Intelligent Service Platform" aims to digitize and provide access to a vast collection of ancient texts, enhancing cultural resource availability [11] - The cultural service week aims to make cultural institutions more accessible, with over 142 million people expected to benefit from various activities [11][12]

除了文艺演出，现场还开展了丰富的线下文化惠民体验活动。"马到'画成'乡野新韵"2026秀洲农民画流 动展上，一幅幅充满乡土气息的画作吸引村民驻足欣赏，大家不时谈论画中的乡村美景与生活场景；另 一边，秀洲区文化馆的书法家与本地书法爱好者正挥毫泼墨，一个个吉祥的福字跃然纸上。排队领取福 字的村民们手捧墨迹未干的春联，脸上满是喜悦。 与此同时，新春窗花剪纸、公益全家福拍摄等活动也深受欢迎。剪刀翻飞，红纸转眼变成寓意吉祥的窗 花；镜头定格，一张张笑脸被记录成温馨的全家福。村民们纷纷点赞："这样的活动既温暖又有意义！" 本报讯 昨天下午，秀洲区王店镇常睦桥社区内掌声与喝彩声此起彼伏，汇成一片欢乐的海洋——2026 年秀洲区"文化润乡土 新风暖秀洲"文化下乡巡演在这里火热开演，正式拉开全年巡演的序幕。 演出尚未开始，台下早已坐满观众。欢快的音乐响起，开场舞《烟火尽繁华》率先登场，舞者们以灵动 的舞姿演绎市井烟火的热闹与温情，瞬间点燃全场气氛。紧接着，古典舞《阳春三月》、非遗鼓舞《龙 腾狮跃》等节目轮番上演，为村民带来一场精彩纷呈的文化盛宴。 台上，演员们凭借扎实的唱功与娴熟的表演，将经典桥段诠释得惟妙惟肖；台下，村民看得 ...

当柔韧的肢体遇上刚直的竹竿，当攀登呼应慷慨的词章，会碰撞出怎样的火花？大型爬竿表演——《满 江红·爬杆》的演员们以身为笔、以竿为轴，在天地间挥洒壮烈画卷，攀出凌云之志。 中新网濮阳1月4日电 (刘鹏 王莹)1月4日下午，河南省濮阳县清河头乡娄昌湖村格外热闹，一场以杂技 为主题的"村晚"在这里拉开帷幕。 图为演出 现场。黄立 摄 地处河南省东北部的濮阳市有着"华夏龙都"之称，濮阳杂技多年来亦享誉海内外。北依黄河故道的娄昌 湖村，是濮阳市濮阳县清河头乡下辖的一个村落，该村的杂技活动可追溯至20世纪30年代，经多年来持 续发展壮大，目前，以娄昌湖艺人为核心的杂技表演团体有22个，主要活跃于全国各大城市的文艺舞 台。此外，还有4个专业演出团队长期驻守在俄罗斯、马来西亚、意大利、西班牙、瑞士等国家进行巡 回演出，杂技团体向专业化、集团化、公司化发展，文化产业链初步形成，成为远近闻名的杂技村。 在当日的演出开始前，演员们早早都赶到现场布置道具，互相切磋技艺，再三打磨细节，力求把最精彩 的表演呈现给观众。 "咚咚锵！咚咚锵！"随着一阵阵铿锵有力的鼓舞响起，演出正式拉开帷幕。 杂技的世界里，有的轻盈如风，有的稳若磐石。当它们 ...