在湖南岳阳的小村庄，"村晚"会场以3D投影技术演绎古老村落的四季流转；在江苏苏州的乌篷船上， 水乡人用清丽婉转的评弹唱响江南新韵；在贵州肇兴侗寨，专业院团与少数民族歌者共同演绎民乐、村 歌，民族交融的和声久久回荡…… 位于上海周家渡街道的摆渡人书场，采用"小桥流水"的设计理念，不仅保留了传统书场的特色，还融入 了现代元素，并通过"专业院团驻场+非遗活化"模式，让评弹艺术走进社区，年均举办惠民演出数百 场。在长三角及全国部分省份最美公共文化空间大赛上，这个书场成为"最美公共文化空间"之一。 2025年，高质量公共文化服务以澎湃活力点亮城乡美好生活。 乡土烟火气 人文新风尚 "没想到我们老祖宗传下来的农活动作，也能变成这么好看的舞蹈！""这些舞蹈里全是我们的生活日 常，看着特别亲切"…… 重庆涪陵一场"村舞"选拔赛上，现场观众的赞叹声此起彼伏。参赛村民身着特色服饰，将对土地的热 爱、对丰收的喜悦融入自编自导的原创舞蹈中。 群众从"看客"到"主角"的转变，成为乡村文化振兴最生动的注脚。 数字显示，2025年全国共开展9.13万场"村晚"活动，线上线下参与人次6.92亿。在湖南岳阳张谷英村， 全国春节"村晚"主会场活 ...

转自：贵州日报 明万历年间刻本《新刻音释旁训评林演义三 国志史传》插图。 国家图书馆供图 速成学堂石印本《生理学课本》。 国家图书馆供图 清光绪三十三年（公元1907年）陆军部陆军 石像碑拓片。 国家图书馆供图 近日，国家图书馆联合广西壮族自治区少数民族古籍保护研究中心、云南省图书馆、甘肃省图书馆、宁 波市天一阁博物院及澳门特别行政区政府文化局公共图书馆等9家单位举办古籍数字资源联合发布会， 携手免费面向社会新增发布古籍影像资源3748部/件。 据国家古籍保护中心办公室介绍，自2017年起由国家图书馆（国家古籍保护中心）牵头举行古籍数字资 源联合发布活动以来，该活动已连续举办11次，累计发布古籍及特藏文献影像资源超16.1万部/件。读者 足不出户，即可在"中华古籍资源库"等平台在线阅览这些文献的原貌。 续集古籍菁华 国家图书馆此次共发布馆藏古籍及特藏资源827部/件，含善本60种、普通古籍100种、少数民族文字古 籍47种、石刻拓片数字资源620种。 善本古籍中，有宋金刻本40种、明代抄本及刻本8种、清代稿抄本12种，内容以集部为主，如宋庆元二 年（公元1196年）周必大刻本《欧阳文忠公集》、宋刻本《营造法式 ...

（来源：内蒙古日报） 转自：内蒙古日报 □新华社记者 周玮 在湖南岳阳的小村庄，"村晚"会场以3D投影技术演绎古老村落的四季流转；在江苏苏州的乌篷船上， 水乡人用清丽婉转的评弹唱响江南新韵；在贵州肇兴侗寨，专业院团与少数民族歌者共同演绎民乐、村 歌，民族交融的和声久久回荡…… 2025年，高质量公共文化服务以澎湃活力点亮城乡美好生活。 "没想到我们老祖宗传下来的农活动作，也能变成这么好看的舞蹈！""这些舞蹈里全是我们的生活日 常，看着特别亲切"…… 重庆涪陵一场"村舞"选拔赛上，现场观众的赞叹声此起彼伏。参赛村民身着特色服饰，将对土地的热 爱、对丰收的喜悦融入自编自导的原创舞蹈中。 群众从"看客"到"主角"的转变，成为乡村文化振兴最生动的注脚。 数字显示，2025年全国共开展9.13万场"村晚"活动，线上线下参与人次6.92亿。在湖南岳阳张谷英村， 全国春节"村晚"主会场活动吸引游客9.95万人次，带动当地旅游消费5373万元，村民自编自导的"民星 村晚"系列视频点击量达3540万次。山西临汾泊庄村村民直播威风锣鼓表演，直播间里最多有几百万人 同时观看，昔日无名村庄变网红打卡地。 从"送文化"到"种文化"，内 ...

本次发布以海外回归古籍数字资源为突出亮点，国家图书馆在"中华古籍资源库"和"中华古籍智慧 化服务平台"中，分别发布一批美国哈佛燕京图书馆捐赠汉籍的影像和全文转换数据，让珍贵的海外珍 本以数字化形式回归祖国，进一步完善中华典籍的存藏体系。"中华古籍资源库"中还新增发布河南石刻 拓片资源620种；新增发布蒙古文古籍47种、古壮字古籍57种。 据介绍，自2017年起，由国家图书馆（国家古籍保护中心）牵头的古籍数字资源联合发布活动已举 办11次。本次发布之后，全国累计发布古籍及特藏文献影像资源超16.1万部/件，读者足不出户即可在线 阅览古籍影像原貌。（记者周玮） 国家图书馆（国家古籍保护中心）日前召开古籍数字智慧应用与第十一次古籍数字资源联合发布座 谈会。国家图书馆、天津图书馆、河北省图书馆等10家古籍收藏单位携手免费面向社会新增发布古籍影 像资源3748部/件。 ...

Core Insights - The 2025 Beijing Cultural Forum focuses on how new technologies can enhance public cultural quality, serving as a platform for dialogue among international representatives, scholars, and industry leaders [1] Group 1: Technological Integration in Public Culture - The forum highlighted the intelligent transformation of traditional public cultural spaces, emphasizing the role of artificial intelligence in creating new reading and learning experiences [19][20] - Experts discussed how technology can help museums and cultural institutions tell broader stories and enhance public engagement with art [20][21] - The integration of digital technology is seen as a catalyst for innovation in public cultural services, enabling better accessibility and interaction with cultural heritage [21][22] Group 2: Digital Cultural Services and Platforms - The launch of the "Chinese Ancient Books Intelligent Service Platform" aims to provide open access to over 12,000 digitized ancient books, enhancing public knowledge and cultural resources [22][23] - The platform is designed to transform ancient texts from academic study into accessible public knowledge, contributing to the development of cultural centers [23] Group 3: Cultural Exchange and Global Narratives - The forum included discussions on the global narrative of traditional theater, emphasizing the need for contemporary practices to engage in deeper dialogues with the world [24][25] - Experts advocated for the use of digital technology and immersive experiences to connect traditional art forms with modern audiences [25] Group 4: AI and Library Services - A professional salon focused on the opportunities and challenges libraries face in the age of AI, exploring how new technologies can reshape library services and enhance public engagement [27][28] - The integration of AI in libraries is seen as a way to improve service efficiency and address societal changes brought about by technological advancements [28] Group 5: Digital Art and Museum Development - The salon on digital art and museum trends discussed how museums can innovate in the digital age, blending traditional and modern practices to enhance public engagement [30][31] - The event showcased significant exhibitions that highlight the enduring appeal of traditional Chinese art in contemporary contexts [31] Group 6: International Cooperation in Cultural Heritage - A salon on the international dissemination of intangible cultural heritage emphasized the importance of global cooperation and the role of digital technology in enhancing visibility and understanding of cultural practices [32] - Experts called for a collaborative approach to heritage protection that respects cultural diversity and engages youth in innovative practices [32]

Group 1 - The 2025 Beijing Cultural Forum successfully held discussions on the integration of culture and technology, emphasizing their mutual promotion and deep fusion as essential for cultural prosperity and technological innovation [3][4][10] - The forum featured over 800 domestic and international guests, with multiple parallel forums and professional salons focusing on themes like "cross-boundary symbiosis" and "two-way empowerment" [3][4] Group 2 - Digitalization is highlighted as a crucial preventive measure for cultural heritage protection, with the Palace Museum having digitized over 1 million artifacts out of a total of 1.95 million, aiming to complete the digitization in the next 10 to 20 years [5][6] - The Dunhuang Academy has completed digitalization for 300 caves, with over 500TB of data processed, showcasing the importance of digital technology in preserving cultural heritage [6][8] Group 3 - The launch of the Chinese Ancient Books Intelligent Service Platform aims to provide open access to over 12,000 types and 120,000 volumes of digitized ancient books, enhancing public access to cultural resources [7][8] - The integration of digital technology in cultural exhibitions, such as the Shanghai Museum's immersive "Landscape Jiangnan" exhibition, demonstrates the potential for enhancing visitor engagement through virtual and augmented reality [8][9] Group 4 - The rapid development of artificial intelligence is reshaping artistic creation and cultural industries, with examples like the animated film "Nezha" achieving over 10 billion in box office revenue, showcasing the intersection of culture and technology [12][13] - AI technology is being increasingly adopted in the film industry, streamlining production processes and enhancing creative capabilities, as seen in the film "Only This Green" [13][14]

Core Insights - The 2025 Beijing Cultural Forum successfully convened nearly 800 guests, featuring six parallel forums and over 20 professional salons, focusing on the integration of culture and technology [1][3] Group 1: Cultural and Technological Integration - The forum emphasized the opportunities and challenges presented by the integration of culture and technology, with notable discussions on the impact of disruptive technologies like artificial intelligence on cultural transformation [5][6] - Former French Prime Minister Jean-Pierre Raffarin highlighted the necessity of promoting culture within a multilateral framework, asserting that both France and China recognize the profound changes AI could bring to the cultural sector [5][6] Group 2: Digital Technology in Cultural Heritage - The importance of digital technology in preserving and sharing cultural heritage was underscored, with examples such as the Palace Museum's AI knowledge graph and the Dunhuang Research Academy's digital resources reaching over 20 million global visitors [6][8] - The National Library of China has digitized over 120,000 ancient texts, supporting academic research and public learning, while the "Cloud Central Axis" project has engaged over 1.09 million participants in heritage protection [6][8] Group 3: Cultural Industry Growth - The forum showcased the potential of cultural industries, with popular cultural products like the National Museum's refrigerator magnets achieving sales exceeding 1 million units, and the game "Black Myth: Wukong" generating over 10 billion yuan in sales [8][10] - The cultural industry is seen as a vital source of happiness and social cohesion, with favorable conditions for development highlighted during the Cultural Industry Investors Conference [10] Group 4: Challenges in the Digital Age - The rapid advancement of AI technology poses challenges for copyright management in creative industries, necessitating new frameworks for data usage and content creation [12] - Experts emphasized the need for a new ecosystem to adapt to the evolving landscape of AI-generated content, focusing on the balance between technology and cultural originality [12][13]

Core Viewpoint - The 2025 Beijing Cultural Forum highlighted the role of new technologies in enhancing public cultural quality, emphasizing the shift towards personalized, intelligent, and immersive cultural experiences [1][2]. Group 1: Technological Integration in Public Culture - Over a hundred representatives discussed how technology is reshaping public cultural services, making them more accessible and engaging for the public [1]. - The National Library of Singapore is transforming from a traditional library into a smart learning space, utilizing generative AI to create interactive reading experiences [1][2]. - The integration of AI and other technologies is seen as a core force in redefining cultural institutions from content providers to experience designers [2]. Group 2: Expanding Reading Services - The National Library of China is innovating reading services by embracing technological advancements to present collections and exhibitions in more engaging ways [2]. - The concept of "technology for good" is emphasized, focusing on social benefits and ensuring digital culture is accessible to all [2]. Group 3: Future Directions and Initiatives - The forum discussed the need for a new mechanism to integrate key technologies with cultural scenarios, aiming for a collaborative policy approach to foster a thriving cultural and technological ecosystem [3]. - The launch of the Chinese Ancient Books Intelligent Service Platform aims to digitize over 12,000 ancient texts, supporting academic research and public learning [3].

Group 1 - The integration of technology and culture is creating new experiences for cultural heritage, allowing for virtual exploration and interaction with historical artifacts [1][2] - The "Digital Dunhuang Resource Library" has shared high-definition images of 30 caves and has been accessed by 78 countries, with over 20 million visits [2] - Museums are increasingly using IoT and AI technologies for preventive conservation, enhancing risk warning and adaptive control measures [2] Group 2 - The rapid advancement of technology is reshaping cultural innovation and creating new pathways for cultural expression [4] - The deep integration of artificial intelligence and art is redefining the boundaries of the art field, leading to new creative dimensions [4] - The digital wave is transforming cultural dissemination from a "one-way output" to "interactive coexistence," promoting global sharing [4]

Group 1 - The forum focused on enhancing public cultural quality through new technologies, addressing the diverse spiritual and cultural needs of the public [1][3] - Keynote speeches highlighted the role of artificial intelligence in transforming public libraries and cultural services, emphasizing rapid iteration and new learning experiences for citizens [3][4] - The forum featured discussions on the integration of technology in cultural heritage preservation and innovative cultural experiences, showcasing how technology reshapes public interaction with culture [9][10] Group 2 - The launch of the "Wisdom Service Platform for Ancient Books" was announced, which aims to provide open access to over 12,000 types and 120,000 volumes of digitized ancient books, enhancing knowledge services in the field of ancient literature [12] - Experts discussed the importance of digital culture development and the need for a balanced approach that prioritizes social benefits while leveraging technological advancements [9][10] - The forum aimed to promote high-quality development in the cultural and tourism sectors, aligning efforts between national and local authorities to achieve broader cultural goals [1][12]