Core Viewpoint - The orchestral work "Ode to Rivers, Lakes, and Seas" has matured over five years, rooted in Jiangsu's unique geography, using "water" as a central theme to convey the natural philosophy of "all rivers return to the sea" [1] Group 1: Artistic Features - The work translates traditional Chinese philosophical concepts such as "the highest good is like water" into contemporary music language, balancing traditional folk music charm with symphonic grandeur [1][2] - Each movement reflects different water bodies, with the "River" section using the guzheng and pipa to evoke the historical depth of the Yangtze River, while the "Lake" section employs wind instruments to depict the serene beauty of Jiangnan lakes [2][3] Group 2: Musical Techniques - The Suzhou National Orchestra combines traditional and modern techniques, using both traditional playing methods and innovative modern compositional techniques to express the dynamic nature of water [2][3] - Instruments like the liuqin and zhongruan enrich the harmonic texture, while low instruments like the sheng provide a solid sonic foundation, enhancing the overall depth of the orchestra's sound [3] Group 3: Cultural Significance - The creators aim for an aesthetic leap from "Suzhou" to "China" and then to "the world," showcasing Suzhou as a symbol of Chinese culture that embraces the vastness of rivers, lakes, and seas [3] - The work not only celebrates the abundance of water but also subtly reminds audiences of the preciousness of water resources, promoting harmony between humanity and nature [3] Group 4: Audience Experience - "Ode to Rivers, Lakes, and Seas" balances accessibility and artistic depth, appealing to both professional audiences and the general public, thus aiming to extend its reach beyond concert halls to community performances [3]

Core Points - A bronze sculpture titled "Purple Qi Comes from the East: Laozi Exits the Pass" by Chinese artist Wu Weishan has been unveiled at the National University of Arts and Crafts in Russia, marking the first large-scale sculpture themed on Chinese traditional culture in Moscow [2][3] - The sculpture embodies the philosophical essence of Laozi and Daoism, reflecting concepts such as "Dao Follows Nature" and "Non-action," which have profoundly influenced Chinese values and perspectives over centuries [2][3] - Wu Weishan's work aims to convey the philosophical wisdom of "Harmony between Heaven and Humanity" and the cultural sentiment of "The Highest Good is like Water" to a global audience [2][3] Artistic Significance - The sculpture draws inspiration from the historical tale of Laozi's journey westward, showcasing a blend of traditional Chinese artistic elements and modern artistic language through an expressive style [3] - The representation of Laozi, depicted riding a green bull with a serene demeanor, captures the Daoist philosophy's essence, transforming abstract concepts into a tangible sculpture [3] - Previous works by Wu Weishan featuring Laozi have been exhibited globally, including at the United Nations Headquarters and various art museums in Italy, France, the UK, and South Korea, symbolizing cultural exchange and dialogue [3] Cultural Exchange - Wu Weishan has a deep connection with Russia, having studied and collaborated with prominent Russian artists, and was awarded the "Gold Medal" and "Honorary Academician" title by the Russian Academy of Arts, a first for a foreign artist in its 260-year history [4] - The unveiling of "Purple Qi Comes from the East: Laozi Exits the Pass" in Moscow contributes to the ongoing cultural dialogue between China and Russia, reinforcing mutual understanding and appreciation [5] - Future projects include a sculpture titled "Dialogue between Gorky and Lu Xun," set to be completed in 2024, further emphasizing the cultural ties between the two nations [4][5]