文｜好酒地理局 两千五百多年前，周王室衰微，老子辞官西行，骑青牛出函谷关，留下五千言《道德经》，为华夏文明 立下一座精神丰碑。 这部经典，以"道法自然"为核心要义，不仅塑造了宇宙观、哲学与生活美学的底色，更跨越时空、远播 海外，是全球翻译语种最多、发行量最大的中文典籍之一。 海德格尔、托尔斯泰、荣格等西方哲学家都深受启发，现代生态哲学、可持续发展理念更与老子"道法 自然"的核心思想高度契合。这位先哲的思想，穿越千年，依然震古烁今。 近期，一场跨越河南三地的文化盛宴——宋河"紫气东来高端文化对话"直播系列活动，在老子故里鹿 邑、中心城市郑州、道教圣境老君山依次展开。 这场文化巡礼，以"问道"为线索，串联起历史与当代、传统与现代、自然与商业的多重对话，将老子思 想与品牌发展深度交融。 于宋河而言，长期主义的发展智慧，贯穿于始终。 何为"道"？何为"自然"？一个白酒品牌为何要执着于文化寻根？当我们循着宋河的"问道"足迹，从涡水 之畔走到云海之巅，答案将逐渐清晰。 天地之中，文明之初，"道法自然" 任何一种伟大文明的诞生，都离不开特定的地域土壤。 摊开中国地图，河南犹如这个古老文明的心脏地带，被称为"天地之中"。 我 ...

2000多年前建成的都江堰水利工程，是全世界迄今唯一仍在使用的古代水利工程，也是人类与自然和谐 共生最早的成功实践之一。如今，我们依然可以从都江堰的治水实践中汲取智慧。 现代都江堰的建设传承发展了传统水工技术，岁修时渠首断流依然采用杩槎截流，由竹笼演变出来的钢 丝笼、铅丝笼和扩张伸缩金属网等，在现代灌区工程建设中广泛应用，使传统水工技术以新的方式延续 着生命。从"深淘滩、低作堰"的古法治水口诀，到如今"数字孪生、智能调度"的现代技术，变的是与时 俱进的技术手段，不变的是"人水和谐、道法自然"的核心治水理念。 人与自然是生命共同体。都江堰的建造，不仅考虑了内外江和上下游、干支渠、左右岸的用水均衡，也 考虑了整个灌区人的需求与自然需求的平衡，将工程本身融入自然景观以及生态系统。坚持顺应引导而 不是阻碍对抗，采用传统堰工技术，避免对环境的破坏性改造，这种基于自然规律的建设方式，使工程 与自然环境浑然天成。 如今，都江堰灌区灌溉面积已达1164.7万亩，服务人口超过3000万。都江堰水质常年保持Ⅱ类以上，城 市水质综合指数稳居成都第一。"大遗产""大灌区""大青城""大熊猫""大冰雪"等世界级IP推动都江堰文 旅不断 ...

Core Insights - The article highlights the significance of the "Chongyang Down Sand" event, marking the beginning of the annual brewing cycle for Moutai, which reflects a blend of natural and cultural elements [2][3] - The brewing process is deeply rooted in seasonal practices, with "Duanwu Making Qu" and "Chongyang Down Sand" being two key milestones that embody traditional wisdom [2] - The choice of the Chongyang Festival for starting the brewing process is influenced by favorable climatic conditions, which enhance the fermentation process and the cultivation of beneficial microorganisms [2] - The quality of water from the Chishui River during this period is optimal for brewing, as it transitions from turbid to clear after the rainy season [2] Company and Industry Summary - Moutai uses a specific variety of sorghum, known as Hongyingzi glutinous sorghum, which is characterized by small grains, thick skins, and high amylopectin content, contributing to the rich flavor profile of Moutai liquor [3] - The first Chishui River Forum, themed "Heaven and Earth Nurturing," will take place on October 28 in Moutai Town, Guizhou, gathering global industry leaders and scholars to discuss sustainable development in the liquor industry [3] - Moutai aims to promote its brand globally, encapsulating the vision of making Moutai loved worldwide and presenting its fine liquor to consumers [3]

Core Viewpoint - The successful inclusion of Pengzhou Qianjiang Weir in the 2025 World Irrigation Heritage List highlights the importance of ancient irrigation systems in modern agricultural practices and their sustainable management of water resources [2][5]. Summary by Relevant Sections Irrigation Heritage - The number of World Irrigation Heritage sites in Sichuan Province has reached four, with the recent addition of Pengzhou Qianjiang Weir [2]. - The heritage system includes water engineering relics, non-water engineering relics, and intangible cultural heritage, showcasing a living history of water management wisdom [2]. Unique Features of Qianjiang Weir - Qianjiang Weir utilizes the geographical advantage of a northwest high and southeast low terrain, employing a "Pingliang" water distribution technique to create a water network that addresses seasonal water imbalances [3][4]. - The system incorporates both surface water (Qianjiang) and groundwater (Xiaoyuan Spring), with over 300 self-flowing springs constructed to supplement water supply during dry periods, demonstrating advanced ancient water resource management [4]. Contribution to Agriculture - The Qianjiang Weir currently irrigates 162,000 acres of farmland, extending agricultural production to the edges of the Longmen Mountains and Chengdu Plain, supporting the cultivation of rice and other crops [4]. - The four irrigation heritage sites collectively irrigate approximately 12 million acres, equivalent to the area of 40 large irrigation districts, with the Dujiangyan irrigation area alone covering 11.647 million acres, contributing significantly to food production and GDP [6]. Cultural and Economic Integration - The integration of cultural and tourism development around these irrigation heritage sites is being explored, with initiatives to create water culture experiences and leisure agriculture products [7]. - The establishment of the "Large Irrigation District" cultural tourism development alliance in 2020 aims to enhance the visibility and economic value of these heritage sites [7].

Core Viewpoint - The article emphasizes the historical significance and engineering marvel of the Dujiangyan irrigation system, showcasing ancient wisdom in water resource management and its relevance to modern ecological balance [1][3]. Group 1: Historical Context - The Dujiangyan project was initiated in 256 BC by Li Bing, addressing the challenge of water management in the region, which has since transformed the landscape and agricultural productivity of the Chengdu Plain [3]. - The construction techniques employed, such as dam-free water diversion and mountain channeling, reflect a deep understanding of natural forces, embodying the philosophy of harmony between humans and nature [5]. Group 2: Engineering Techniques - Key engineering features include the Baopingkou, which effectively splits water flow, and the Yuzui, which manages sediment, demonstrating a sophisticated grasp of hydrodynamics without modern materials [5]. - The use of natural elements and the principles of thermal expansion and contraction in rock manipulation highlight the innovative approaches of ancient engineers [5]. Group 3: Impact on Society - The introduction of water-powered machinery, such as water mills and iron smelting devices, marked a significant shift from manual labor to water-driven production, enhancing agricultural and industrial efficiency [7]. - The ancient methods of water management have inspired contemporary practices, emphasizing ecological balance and sustainable resource use, as seen in modern initiatives by companies like Moutai [9].

Core Viewpoint - The Temple of Heaven, located at the southern end of Beijing's central axis, is the largest existing royal sacrificial architectural complex in China, showcasing ancient Chinese architectural wisdom and cultural significance [1]. Group 1: Architectural Significance - The Temple of Heaven features a unique circular structure, with the main building, the Hall of Prayer for Good Harvests, symbolizing the harmony between heaven, earth, and humanity [1][3]. - The design of the Hall of Prayer for Good Harvests incorporates a perfect triangular composition, reflecting stability and aesthetic beauty, while also serving practical purposes [3]. Group 2: Cultural and Philosophical Aspects - Ancient Chinese philosophy views heaven as a dome covering the earth, which is reflected in the circular design of all buildings within the Temple of Heaven [3]. - The architectural elements, such as the curved eaves and the arrangement of columns, symbolize the harmony between humans and nature, embodying the spirit of resilience and adaptability [7]. Group 3: Preservation Efforts - The Temple of Heaven has been designated as one of the first preventive protection pilot units for ancient buildings by the National Cultural Heritage Administration, employing data collection and dynamic monitoring for preservation [7]. - A detailed database of ancient building information has been established to support daily maintenance and provide resources for future restoration efforts [7].

Core Points - A bronze sculpture titled "Purple Qi Comes from the East: Laozi Exits the Pass" by Chinese artist Wu Weishan has been unveiled at the National University of Arts and Crafts in Russia, marking the first large-scale sculpture themed on Chinese traditional culture in Moscow [2][3] - The sculpture embodies the philosophical essence of Laozi and Daoism, reflecting concepts such as "Dao Follows Nature" and "Non-action," which have profoundly influenced Chinese values and perspectives over centuries [2][3] - Wu Weishan's work aims to convey the philosophical wisdom of "Harmony between Heaven and Humanity" and the cultural sentiment of "The Highest Good is like Water" to a global audience [2][3] Artistic Significance - The sculpture draws inspiration from the historical tale of Laozi's journey westward, showcasing a blend of traditional Chinese artistic elements and modern artistic language through an expressive style [3] - The representation of Laozi, depicted riding a green bull with a serene demeanor, captures the Daoist philosophy's essence, transforming abstract concepts into a tangible sculpture [3] - Previous works by Wu Weishan featuring Laozi have been exhibited globally, including at the United Nations Headquarters and various art museums in Italy, France, the UK, and South Korea, symbolizing cultural exchange and dialogue [3] Cultural Exchange - Wu Weishan has a deep connection with Russia, having studied and collaborated with prominent Russian artists, and was awarded the "Gold Medal" and "Honorary Academician" title by the Russian Academy of Arts, a first for a foreign artist in its 260-year history [4] - The unveiling of "Purple Qi Comes from the East: Laozi Exits the Pass" in Moscow contributes to the ongoing cultural dialogue between China and Russia, reinforcing mutual understanding and appreciation [5] - Future projects include a sculpture titled "Dialogue between Gorky and Lu Xun," set to be completed in 2024, further emphasizing the cultural ties between the two nations [4][5]

Core Viewpoint - The article highlights the revival and innovation of Longquan celadon, particularly focusing on the work of Ye Chenxi, who has successfully inherited and improved the ancient ice crack technique in celadon production, which had been lost for nearly a thousand years [4][5][8]. Group 1: Ye Chenxi's Background and Achievements - Ye Chenxi, born in 1993 in Longquan, is the head of Xihe Celadon Studio and has made significant contributions to the celadon sculpture process, addressing technical challenges in producing large sculptures [4][5]. - His works have received multiple awards, including the Gold Award at the China Arts and Crafts Boutique Expo and the Special Award at the "Earth Cup" China Ceramic Innovation and Design Competition [4]. - Ye has also been recognized with the "Zhejiang Youth May Fourth Medal" in April 2025 [4]. Group 2: The Art of Longquan Celadon - Longquan celadon has a rich history, being synonymous with Chinese celadon during its peak in the Song Dynasty, and was exported to over 30 countries and regions [6]. - The production of Longquan celadon involves meticulous processes, with ten steps that must be executed flawlessly to achieve the desired quality [7][10]. - The unique glaze colors of Longquan celadon, such as powder blue and plum green, are attributed to the local clay's mineral content, which varies and requires careful adjustment during production [7][8]. Group 3: Revival of Ice Crack Technique - The ice crack technique, which had been lost for nearly a millennium, was revived by Ye Chenxi's father, Ye Xiaochun, after extensive experimentation and research [8][9]. - The breakthrough came after thousands of trials, leading to the successful reproduction of the ice crack glaze, which was patented in 2004 [9]. - Ye Chenxi's return to Longquan in 2019 marked a new chapter in continuing his father's legacy and furthering the art of celadon [10]. Group 4: Modern Innovations and Market Appeal - Ye Chenxi emphasizes the importance of connecting with younger consumers, who prioritize aesthetic appeal and practical use over investment value [12]. - His collaboration with a luxury designer to create a set of porcelain for international exhibitions reflects a blend of traditional Chinese aesthetics with modern design sensibilities [13]. - The ongoing exploration of new materials and techniques ensures the sustainability and evolution of Longquan celadon in contemporary markets [13].