展览信息 主办单位 荣宝斋有限公司 中央广播电视总台社教节目中心 香港美协 中国国家画院 四川美术学院 首席媒体 中央广播电视总台"央博"数字文化艺术博物馆 协办单位 北京中康联公益基金会 学术支持 中国美术家协会 中国书法家协会 中国非物质文化遗产保护协会 中央美术学院 中国美术学院 南京艺术学院 广州美术学院 鲁迅美术学院 西安美术学院 天津美术学院 湖北美术学院 山东艺术学院 吉林艺术学院 中国画学会 中国工笔画学会 中国人民大学艺术学院 浙江大学艺术与考古学院 中国艺术研究院书法院 中央民族大学美术学院 中国传媒大学戏剧影视学院 首都师范大学美术学院 江西师范大学美术学院 南京师范大学美术学院 东北师范大学美术学院 重庆大学艺术学院 长江大学艺术学院 山东画院 安徽省书画院 陕西国画院 西安中国画院 苏州国画院 青岛画院 黑龙江大学艺术学院 哈尔滨师范大学美术学院 北京师范大学艺术与传媒学院(美术与设计系) 北京师范大学艺术与传媒学院(书法系) 北京画院 广东画院 深圳画院 《中国版权》杂志社有限公司 出品人 赵 东 总策划 包 岩 总监制 李春林 展览统筹 张海涛 展览时间 2026年1月10日至2 ...

Core Viewpoint - The integration of modern educational information technology and the sharing of quality aesthetic education resources is essential for the transformation of higher education in China and the development of aesthetic education [1] Group 1: Educational Policy and Framework - The Ministry of Education has introduced several top-level design documents to promote educational modernization and resource optimization, including the "Education Informatization 2.0 Action Plan" in 2018, which aims to integrate educational resources and explore new mechanisms for resource sharing [1] - By 2025, the goal is to establish a basic framework for sharing quality educational resources, enhancing educational equity and quality through information technology [1] - The 2023 notification emphasizes the development of quality digital aesthetic education resources through smart education platforms, promoting the integration of digital technology with traditional Chinese culture [1] Group 2: Cultural Heritage and Aesthetic Education - Xiangshan Gang, a traditional architectural style from Suzhou, is recognized as a living heritage and a treasure of aesthetic education, known for its exquisite craftsmanship and deep cultural significance [2] - The techniques of Xiangshan Gang serve as a comprehensive educational resource, fostering spatial aesthetics and structural thinking, while embodying the spirit of craftsmanship and cultural confidence [2] Group 3: Innovative Educational Practices - Suzhou University is building a new ecosystem for aesthetic education by integrating traditional techniques with digital technology, focusing on resource collaboration, technological support, and the fusion of art and science [3] - The "Daguo Zhiji" team at Suzhou University has established a collaborative network to break down barriers between educational institutions and society, creating a shared platform for aesthetic education resources [4] - The team has developed a digital platform that includes a digital library of techniques, a virtual training space, and a showcase area for student works, enhancing the learning experience and efficiency [5] Group 4: Practical Applications and Outcomes - The team has successfully implemented a virtual assembly experiment that allows students to visualize traditional construction techniques, receiving positive feedback for its effectiveness in teaching [6] - The integration of AI and big data into teaching practices has improved educational outcomes, with over 3,000 students benefiting from the platform by 2025 [6] - The university's aesthetic education practices have led to significant achievements, including high rankings in architectural and design disciplines and numerous awards in national and international competitions [8] Group 5: Future Directions and Cultural Integration - The exploration of Xiangshan Gang's techniques aims to preserve traditional craftsmanship while adapting to modern aesthetics, using digital tools to enhance cultural transmission [9] - Future initiatives may further integrate garden aesthetics and architectural wisdom into cultural exhibitions, showcasing the creative transformation of traditional Chinese culture [9]

Core Viewpoint - Shandong province is actively embracing its cultural mission in the new era, focusing on the development and promotion of Chinese traditional culture to enhance its influence globally [1][2][4][6]. Group 1: Cultural Initiatives - The "Shandong Cultural Heritage" project was launched in 2022, which includes the compilation of the largest local literature project, "Qilu Library," showcasing its first database at the China International Copyright Expo [2]. - The "Rural Confucianism Lecture Hall" project initiated in 2013 has established over 20,000 lecture halls across Shandong, promoting traditional wisdom and enhancing social governance [4]. Group 2: Youth Engagement - An increasing number of young people in Shandong are becoming inheritors and promoters of excellent traditional Chinese culture, indicating a positive trend in cultural transmission [3]. Group 3: Economic Integration - Traditional culture is being integrated with industrial transformation, exemplified by the success of the Hanfu industry in Cao County, which has become a billion-yuan industry cluster through digital transformation [5]. Group 4: International Exchange - The 11th Nishan World Civilization Forum held in July gathered over 560 guests from more than 70 countries, focusing on harmonious coexistence of different civilizations, reflecting Shandong's commitment to cultural exchange [5]. Group 5: Policy Support - The 20th Central Committee of the Communist Party of China emphasizes the need to stimulate cultural innovation and development, with Shandong pledging to contribute to the cultural foundation for national rejuvenation [6].

Core Insights - Dunhuang serves as a foundational source for artistic life and research, with patterns being a significant component of Dunhuang art, reflecting cultural spirit and structural rules [1] - The evolution of patterns in Dunhuang art illustrates the development of social culture, religious customs, and local characteristics over time, showcasing the continuity and creativity of Chinese art [1] Group 1: Importance of Patterns - Patterns are integral to Dunhuang art, found in various structures and forms, and are not merely decorative but essential to the overall artistic expression [1] - The historical lineage of patterns from different dynasties, such as the three-petal leaf and vine patterns from the Northern Wei to the floral motifs of the Tang dynasty, highlights the artistic heritage and innovation [1] Group 2: Design Philosophy - The concept of "source and flow" emphasizes the importance of traditional culture as a foundation for contemporary artistic design, ensuring vitality and creativity in art [2] - The design of the Great Hall of the People incorporates Dunhuang-inspired patterns, demonstrating the successful integration of traditional motifs with modern functionality [2] Group 3: Structural and Aesthetic Principles - The scientific structure and compositional rules of Dunhuang patterns, such as the radial arrangement of motifs, remain applicable in modern design and architecture [3] - Patterns are described as a language with its own grammar and emotional expression, necessitating a deep understanding of their historical and cultural context for contemporary application [3] Group 4: Cultural Relevance - The study and innovation of patterns are crucial for the transmission and promotion of traditional Chinese culture, making them relevant in everyday life and various design fields [4] - The aspiration for future artists and designers is to maintain the connection to traditional sources while innovating within contemporary contexts, ensuring the ongoing vitality of cultural expressions [4]

Core Insights - The second China Culture and Youth Leadership Forum was held in Beijing, focusing on the integration of traditional Chinese culture, revolutionary culture, and contemporary youth leadership development [1][2] - The forum aims to help youth strengthen their ideals, cultivate a sense of national identity, and take on historical responsibilities [1] Group 1: Cultural Significance - The forum highlighted the importance of traditional Chinese values such as "benevolence," "public good," "self-improvement," and "harmony in diversity" as essential wisdom for contemporary youth [1] - The event received support from various academic institutions, student organizations, and associations across the country [1] Group 2: Youth Empowerment - Huang Qiguo, Vice President of the China Collectors Association, emphasized the transmission and innovative value of traditional culture, encouraging youth to draw strength from their cultural heritage [2] - Xu Jinghong, a professor at Tsinghua University, urged young students to establish lofty ideals and integrate personal growth with national development and rejuvenation [2] Group 3: Initiatives and Discussions - The "Qingfa Academy," a cultural platform initiated by the Beijing Qingfa International Talent Exchange Center, was launched to educate the public on traditional Chinese studies [2] - A roundtable discussion was held, where participants explored various challenges faced by youth in learning, life, and work, sharing insights and suggestions [2]

Core Viewpoint - The "New Era Universal Library" is a significant cultural initiative aimed at promoting the contemporary transmission and innovative dissemination of excellent traditional Chinese culture, emphasizing the integration of tradition and modernity [1][2]. Group 1: Publication Details - The library is edited by Liu Yuejin, a member of the Chinese Academy of Social Sciences, focusing on "excavating traditional essence and empowering contemporary value" [1]. - It employs a publishing model of "one classic, multiple versions" and "one version, three formats," catering to diverse reader needs [1]. Group 2: Cultural Significance - The initiative is a major publishing project by Liaoning Publishing Group, reflecting a commitment to traditional culture while embracing innovation [2]. - The launch event highlighted the library's unique value in cultural dissemination, addressing the contemporary question of how classics can illuminate reality [2].

Group 1: Cultural Heritage and Preservation - The article highlights the efforts of young individuals in preserving and promoting traditional Chinese culture, emphasizing their innovative approaches and dedication [5][6][9] - Zhao Minghui, a young conservator, is actively involved in the restoration of bronze artifacts from the Han Dynasty, showcasing the importance of meticulous craftsmanship in cultural preservation [6][7][8] - The Han Dynasty Haihunhou site is noted as the largest and best-preserved typical Han Dynasty site in China, underscoring the significance of such archaeological findings [6] Group 2: Fashion and Design Innovation - Zhang Zichen, a young fashion designer, has successfully integrated traditional elements into modern designs, particularly through her creation of a scented "Peony" skirt, which has gained popularity among consumers [9][10][11] - The article discusses the rise of interest in Hanfu (traditional Chinese clothing) among the youth, driven by cultural pride and innovative design approaches [9][10] - Zhang's designs aim to bridge traditional Chinese clothing with contemporary fashion, making it accessible to a broader audience, including international consumers [11] Group 3: Traditional Performance Arts - The article features Chai Boyu, a young performer of the "Tian Tower Lion Dance," which is a traditional folk activity that combines art and martial skills, highlighting the importance of cultural transmission [12][13][14] - The "Tian Tower Lion Dance" has a rich history and is characterized by its impressive acrobatic elements, attracting both local and foreign audiences [13][14] - Chai Boyu's commitment to innovating traditional performances reflects a broader trend among young practitioners to revitalize and modernize traditional arts [14]