Core Viewpoint - The exhibition "Jade Culture and Chinese Civilization" showcases 155 precious jade artifacts from the Chinese Academy of History, spanning from the Neolithic era to the Ming and Qing dynasties, illustrating the evolution of jade culture in China [1] Group 1: Evolution of Jade Culture - The use of stone tools in China dates back over a million years, with jade emerging as a significant material during the Neolithic era, transcending its functional use to become a unique cultural artifact [2] - The first chapter of the exhibition, "Jade from the East," highlights jade artifacts from the Xinglongwa culture, marking the transition from stone to jade craftsmanship [2][4] - The exhibition includes four chapters: "Jade from the East," "Jade Witnesses Civilization," "Jade Gifts to the World," and "Jade Enriches China," outlining the development of jade culture and its integration into Chinese identity [4] Group 2: Key Artifacts and Their Significance - The exhibition features jade artifacts from the tomb of Fu Hao in Anyang, including two jade horses, which are the earliest known representations of horses in China [5] - Fu Hao's tomb contained 755 jade artifacts, showcasing the advanced craftsmanship of the Shang dynasty, with realistic animal forms and intricate details [5][6] - A kneeling jade figure from Fu Hao's tomb, dating back approximately 5,000 years, exemplifies the intricate artistry of the period [6][7] Group 3: Technological Integration in Cultural Presentation - The exhibition introduces a mixed reality (MR) interactive experience called "The Amazing Archaeological Team: Seeking Jade," allowing visitors to engage with virtual artifacts and participate in immersive archaeological tasks [8] - Technology is utilized to enhance visitor understanding of the artifacts, providing interactive displays that offer detailed descriptions and excavation contexts [9]

Core Viewpoint - The exhibition "Jade Culture and Chinese Civilization" showcases 155 precious jade artifacts from the Chinese Academy of History, spanning from the Neolithic era to the Ming and Qing dynasties, illustrating the evolution of jade culture in China [1] Group 1: Evolution of Jade Culture - The use of stone tools in China dates back over a million years, with jade emerging as a significant material during the Neolithic era, transcending its functional use to become a unique cultural artifact [2] - The first chapter of the exhibition, "Jade from the East," highlights jade artifacts from the Xinglongwa culture, marking the transition from stone to jade craftsmanship [3] - The exhibition includes three additional chapters: "Jade Witnesses Civilization," "Jade Gifts to the World," and "Jade Enriches China," which collectively outline the development of jade culture and its integration into Chinese identity [3] Group 2: Notable Artifacts - The exhibition features a jade horse from the tomb of Fu Hao, which is considered the earliest known jade representation of a horse, showcasing the craftsmanship of the Shang dynasty [4] - Fu Hao's tomb contained 755 jade artifacts, representing a wide variety of types and exquisite craftsmanship, highlighting the advanced jade carving techniques of the Shang dynasty [4] - The exhibition also includes a kneeling jade figure, intricately carved and dating back to around 5000 years ago, reflecting the artistic styles of the Hongshan culture [5][6] Group 3: Technological Integration - The exhibition incorporates a mixed reality interactive experience called "The Amazing Archaeological Team," allowing visitors to engage with virtual representations of jade artifacts, enhancing their understanding of the cultural significance [7] - This innovative approach aims to make the artifacts more relatable and accessible to the audience, bridging the gap between ancient history and modern technology [8]

展览中，河南安阳殷墟妇好墓出土的玉马格外引人注目。这是国内目前所知最早的马形象，它形制小 巧，马鬃呈锯齿状，耳后钻有小圆孔，虽造型古朴，却巧妙地呈现出马的灵动姿态。 二里头文化的玉璋，西周时期的玉覆面，满城汉墓出土的玉具剑，唐宋时期沿丝路而来的多元器形，清 代独具特色的"西番作"玉器……丰富的文物生动体现中华玉文化的源远流长，直观揭示历代工匠的非凡 智慧。 展览以时间为序，通过"玉出东方""玉见文明""玉礼天下""玉润中华"四大篇章展现玉器在形制、功能与 文化内涵上的变迁。展览开篇，出土于内蒙古敖汉兴隆沟遗址的玉玦、玉匕、玉璜等集中亮相，这是中 国目前所知年代最早的玉器。 本报讯（记者金瑶）"玉文化与中华文明——中国历史研究院珍藏玉器展"日前在中国考古博物馆开幕。 展出的155件（组）珍贵玉器均为新石器时代以来的代表性器类，串联起中华玉文化发展脉络。 ...

在祖国东北边境，小南山"静坐"在乌苏里江西岸，看滚滚江水奔流向前。人们在山间漫步、在山脚露营，笑语与鸟鸣交织成一曲人与自然和 谐共生的交响。 跨越历史长河，小南山遗址如今"玉出惊天"，有力实证九千年中华玉文化。 这是2019年拍摄的小南山遗址一处玉器出土现场。新华社发（黑龙江省文物考古研究所供图） 在小南山山脚，饶河县博物馆是展示小南山遗址出土文物的主要文博场馆。"玉器是小南山遗址的突出特征。近十年来，小南山遗址出土玉器 140余件，加上以往的发现，总数超过200件。"馆长宋艳玲介绍，这些玉器上多见砂绳切割技术留下的弯曲条形痕迹，此为迄今世界最早的发现， 奠定了中华玉器文化早期蓬勃发展的技术基础。 "根据碳十四测年和考古学研究，小南山遗址玉器集中出土的第二期文化遗存距今约9000年。"黑龙江省文物考古研究所副所长、小南山考古 发掘项目负责人李有骞表示，这不仅将我国玉文化的起源向前追溯了1000年，而且向北推进了1000多公里，颠覆了以往对玉器起源的认知。 这是2016年拍摄的黑龙江省饶河县小南山。新华社发（黑龙江省文物考古研究所供图） 国家文物局原局长李群撰文指出，距今约9000年前的黑龙江饶河小南山遗址"以 ...

转自：北京日报客户端 在祖国东北边境，小南山"静坐"在乌苏里江西岸，看滚滚江水奔流向前。人们在山间漫步、在山脚露 营，笑语与鸟鸣交织成一曲人与自然和谐共生的交响。 跨越历史长河，小南山遗址如今"玉出惊天"，有力实证九千年中华玉文化。 这是2019 年小南山遗址中出土的玉玦。新华社发（黑龙江省文物考古研究所供图） 小南山遗址地处黑龙江省双鸭山市饶河县城东南的乌苏里江岸边，总面积40余万平方米。20世纪50年代 以来，小南山上曾多次发现古代文化遗物，但由于缺少正式的考古发掘工作，小南山遗址的文化内涵和 性质长期较为模糊。 "山崖边的这棵桦树有故事，帮了考古人员大忙！"与记者再次登上小南山，饶河县文物保护中心副研究 馆员杨永才说，2014年他和其他考古人员来做前期调查时，多日都一无所获。有一天下山时，意外在这 棵树下发现了一块陶片，随后又在陶片附近扒拉出1个玉器残件，考古发掘工作由此才得以向前推进。 这是2019 年拍摄的小南山遗址一处玉器出土现场。新华社发（黑龙江省文物考古研究所供图） "你能想象吗？小南山地表数十厘米厚的土层中竟浓缩了上万年的历史。"杨永才蹲在地上，一边抚摸着 他倾注大量心血的小南山一边感慨道， ...