央广网北京12月11日消息（总台中国之声记者江晓晨）据中央广播电视总台中国之声《新闻纵横》 报道，大家有没有刷到过这样的视频？明明是经典影视剧的名场面，被一些脑洞大开的创作者把台词通 过AI技术"魔改"成了自创的文本内容，甚至片中人物的口型都能对得上，看不出一点"违和感"。 此前，广电总局网络视听司曾发布《管理提示（AI魔改）》认为，一些AI魔改视频为博流量，毫 无边界亵渎经典IP，冲击传统文化认知，与原著精神内核相悖，且涉嫌构成侵权行为。即便有相关规定 的约束，通过修改台词进行所谓"二创"的影视作品仍有一定规模，并在各大短视频平台有着可观的流 量。 融入独创性表达的"二创"行为是否存在侵权风险？它的法律边界是什么？ 北京互联网法院曾对全国首例"AI声音侵权案"进行一审宣判，认定作为配音师的原告，其声音权益 及于案涉AI声音，被告方使用原告声音、开发案涉AI文本转语音产品未获得合法授权，构成侵权，书 面赔礼道歉，并赔偿原告各项损失25万元。配音演员陈喆告诉记者，原告殷某是自己的学生，多年的维 权举步维艰，而自己同样是声音被盗采的受害者。 陈喆说："我在给一个公司录小说的时候声音被盗采了，这些声音最早被做了'二 ...

Core Insights - The event "New Public Literature: UGC Empowering a New Ecosystem in Film and Television" highlighted the revolutionary changes in the film industry driven by User Generated Content (UGC) and technology [1][3] Group 1: UGC and Its Impact - UGC has evolved from a simple dissemination relationship to a profound mutual nurturing between professional creators and users [3] - The relationship between UGC and professional content creators is likened to that of a rhinoceros and a bird, indicating a symbiotic connection [3] - Creators are now proactively designing their works to invite audience interaction, transforming the creative process from merely telling stories to building a creative ecosystem [3][5] Group 2: AI's Role in the Industry - The influence of AI in the film industry is increasing, prompting creators to reflect on maintaining authenticity and originality in their work [5] - AI should be viewed as a partner in the filmmaking process rather than the sole creator, emphasizing the importance of human experience in storytelling [5] - Creators are encouraged to embrace AI as a tool to enhance their craft rather than resist its integration into the creative process [5]