我们为什么想沉浸式地看一场好剧？我们生活在固定的时间空间里，而好剧会打开一扇窗口，让我们可以暂时进入别人的精神世界。这不仅意味着感同身 受，也意味着用另一个人的眼光看世界。它是高风、吴飞飞、曲梦这些人物眼中的世界，也是李路（《人之初》导演/总制片人）、陈宇（《人之初》原 著/编剧）这些创作者眼中的世界。 在这个短剧来势汹汹、长剧争相短剧化、同时长短剧都开始爆款欠奉的时节，我们反复追问长剧的特殊性与不可替代性究竟在哪里。最终发现，谜底只能 在谜面上。这个问题，只能由具体的长剧和具体的观剧感受来回答。 看《人之初》第一集时，我觉得这是典型的叙事创新精品罪案剧，具有较强的内向性和深度解读空间；看《人之初》第二集时，我觉得它像一度风靡的豪 门悬疑韩剧，狗血、迅疾、好看；看到《人之初》第六集时，我惊觉其在前期埋藏的很多线索开始共同推进，久违地找回了当年看《人民的名义》的紧 张；而当看到结局处，我才真正把故事的主题和标题对应上，人之初，是善恶、是血缘、是母亲，伟大的女性引领我们上升。 如果说腾讯视频X剧场的"一剧一格"是每部剧都具有独特性，那么《人之初》就是每一集都在拆开新的盲盒。其疑问不止是表层的谁是谁的孩子、谁杀了 ...

Core Viewpoint - The upcoming surge of historical dramas on screen, with over 9 major productions set to be released, highlights the genre's enduring popularity and potential for audience engagement [1] Group 1: Upcoming Historical Dramas - A total of more than 9 historical dramas are awaiting release, including titles such as "The Great Businessman," "The Year of Peace," and "The Long Peace of the World" [1] - "The Great Businessman," set in the late Qing Dynasty, has already surpassed one million pre-bookings on video platforms, indicating strong viewer interest [2] - "The Wind and the Rise of Zhang Juzheng" focuses on the reforms during Zhang Juzheng's tenure, while "Zhang Jian" portrays the life of a late Qing scholar who turned to business for national salvation [4] Group 2: Themes and Appeal of Historical Dramas - Historical dramas are characterized by rich plots and vivid character portrayals, often involving power struggles, court intrigues, and legendary heroes, which captivate audiences [8] - The deeper appeal of historical dramas lies in their ability to resonate with modern viewers through the dilemmas and choices faced by historical figures [11] Group 3: Challenges and Innovations in Production - The historical drama market requires a balance between fidelity to historical facts and innovative storytelling methods, as emphasized by the creators [12] - The complexity of historical figures demands higher creative standards, as seen in "The Wind and the Rise of Zhang Juzheng," which navigates the tension between traditional culture and emerging economic forces [12] - Production costs for historical dramas are significant due to the need for authentic costumes, props, and sets, which can deter some creators [12] - New approaches are being explored, such as focusing on commercial themes in "The Great Businessman" and avoiding traditional imperial narratives in "The Year of Peace" [12]