随着电视剧《太平年》的热播，吴越国纳土归宋的始末以历史正剧方式被还原。其实，很多人不知道， 吴越国末代国主钱弘俶与南阳邓州颇有渊源。 "'利在一身勿谋也，利在天下者必谋之'，这是钱弘俶在邓州期间编著的《钱氏家训》的核心要义之 一，其所追寻的为民大义与家国情怀，超越了一族一姓的局限，至今仍激励着众多钱氏后人。"2月25 日，在南阳钱氏后裔钱明绪家中，随着这位75岁老人的讲述，历史一角被再次掀起。 五代十国的动荡历史，自907年朱温篡唐自立开始，至北宋代周而终，城头变幻大王旗，短短53年间14 位皇帝轮番登场。乱世中宫阙万千都做了土，人口锐减七成，安稳太平成了彼时最大的奢望。 连日来，记者通过采访南阳钱氏后人追寻的家族记忆，并实地走访邓州古城相关遗迹，勾勒出一份值得 细读的历史清单。 邓州福胜寺塔。 段晨曦 摄 古塔下触摸厚重历史的"年轮" 在乱世的权谋与厮杀中，吴越政权及钱弘俶犹如一股清流。 据《宋史》《续资治通鉴长编》等官方文献记载，太平兴国三年（公元978年），钱弘俶赴开封献表纳 土归宋，获宋太宗颁诏表彰和多次嘉奖。同年七月，吴越国钱氏宗室3000余人也前往开封，后由宋王朝 予以妥善安置。 归宋后的钱弘俶并 ...

21世纪经济报道记者 彭新 春节长假，巡游大好河山成了许多人的期盼。有人偏爱海南的椰林海风，有人钟情东北的冰天雪地，也有人流连于川渝与潮汕的烟火人间，或是醉心于云贵 的别样风情。在诸多热门选项之外，年轻人中正悄然流行起一种隐藏玩法——"访古"。不需要门票或预约，避开喧嚣人潮，去探寻岁月留下的历史遗存，在 斑驳旧迹中触摸历史时光，寄托情感。 那么，究竟该去哪里访古探幽？许多历史遗迹原本隐匿于岁月深处，鲜少有详尽笔墨记载。然而，近年来爆款文化IP的崛起，如同引路明灯，让这些"隐藏 款"地点重回大众视野。从《黑神话：悟空》中惊艳世界的古建取景地，到近期随着历史剧《太平年》热播而走进大众视野的"五代十国"风云遗存、唐宋交 替间的金戈铁马和历史现场，正成为新一代热门的旅行打卡地。 不仅如此，乘着文旅热潮东风，各地也开始积极活化那些沉睡的文保单位，让沉默已久的古迹真正"活"了起来。 （永昌陵镇陵将军石像 本报记者 彭新/摄） 文化IP带热冷门古迹 "趁着太平年的热度，来看看后周太祖郭威和后周世宗柴荣的陵墓。"一位来到新郑郭威墓前的游客告诉记者，在一块雕刻着"后周皇陵之太祖郭威嵩陵"的墓 碑前，摆满了鲜花、水果、酒等供品。 ...

Core Insights - The popularity of cinema during the Spring Festival has led to a surge in online viewership, with iQIYI's movie channel experiencing a 44% increase in average daily viewing time compared to the pre-holiday period [5] - Users are increasingly engaging with immersive content, such as AI interactions and themed parks, indicating a shift towards a more interactive entertainment experience [1][6] Group 1: Movie and Series Performance - The film "Flying Life 3" topped the box office, driving significant increases in viewership for its predecessors, with "Flying Life 2" seeing a 371% rise and "Flying Life 1" a 591% increase in daily viewing time [5] - The series "Years of Emotion" achieved a peak heat value exceeding 8000 after its release, entering the "Hall of Good Films" [4] - The series "What Kind of Body" became a standout during the festival, topping the drama channel with both daily viewing time and heat value [4] Group 2: User Engagement and Content Trends - The use of classic IPs remains strong, with shows like "Journey to the West" and "Romance of the Three Kingdoms" seeing viewing time increases of 36% and 12% respectively [2] - The interactive experience at iQIYI's theme park in Yangzhou has attracted over 3 million user interactions, with a notable increase in visitor numbers [1] - The comedy variety show "Tonight's Happy Friends Show" quickly rose to the second spot in the variety channel rankings during the festival [3] Group 3: Overall Viewing Trends - iQIYI's overall user viewing time continued to grow during the Spring Festival, with a 13% increase in daily viewing time on large screens [4] - The variety channel saw a dramatic 256% increase in daily viewing time, driven by popular shows and events [4] - The short drama channel also experienced an 18% year-on-year increase in user viewing time during the festival [5]

商报讯（记者 杨伊琳）春节假期刚刚落下帷幕，杭州交出了一份令人瞩目的"双料"成绩单：据杭州市 文广旅游局数据，春节期间，全市景区景点（含乡村旅游、博物馆）共接待游客1974.36万人次，按可 比口径增长29.39%，实现旅游收入127.1亿元，按可比口径增长26.1%；全市接待外地来杭游客约为 1053.1万人次（日均117万人次），按可比口径同比增长21%。 据"杭州消费在线"监测统计，春节期间全市批发、零售、餐饮、住宿、娱乐五大行业消费总金额达 177.49亿元，同比增长7.6%。 从西湖边的断桥残雪到钱塘江畔的数字光影，从钱王祠的吴越遗风到武林商圈的时尚潮流，杭州这一场 全城狂欢的消费盛宴，离不开央视热播大剧《太平年》引发的文化共振。 今年春节，杭州以"宋"福为主题，将文旅流量精准转化为消费增量，为每一位消费者打造了一个既有历 史厚度、又有科技温度、更充满人间烟火气的别样新年。 荧幕照进现实：一部剧带火一座城 "吴越之旅"成新打卡 "本来只是陪父母看《太平年》，没想到剧里的吴越国故事这么吸引人，索性买票来了杭州。"来自北京 的游客李女士在钱王祠前感慨。今年春节，电视剧《太平年》的热播成为了杭州旅游的强劲 ...

临平超山风景名胜区首次开启夜游专场。 灵山景区新春庙会，机器人互动环节深受游客喜爱。 《国色芳华》IP主题沉浸式灯会暨桐乐汇生活市集在桐庐举行。 萧山"河上龙灯胜会"。 刚刚过去的"最长春节假期"，许多人停下匆匆脚步，在家门口寻一份"最杭州"的年味。 光影里触摸千年文脉 春节期间，漫步临安街头，《太平年》"刮"起的"吴越风"依然浓烈。在临安衣锦街钱武肃王陵园的 入口处，义乌游客徐永刚正与儿子徐梓宸分享着钱镠与吴越国的点滴过往。父子俩上午先后打卡了吴越 文化博物馆和衣锦城遗址博物馆，准备在离开临安之前参观钱王陵园，深度了解一下吴越国王钱镠。钱 王陵园管理所副所长周龙介绍，春节期间，每天前来参观的游客有近2000人次，比往日增加了五到七 成。在与钱王陵园一路之隔的衣锦城遗址博物馆，前去参观的市民游客更是摩肩接踵。"初一至初四， 日访客量均超过5000人次。"票务处工作人员贾先生介绍，超过一半的游客都是看了《太平年》之后来 临安"寻根"。 "太平年"游主题线路是余杭在春节期间打造的复合型消费场景之一，串联历史遗址、文化场馆与民 俗体验，吸引了大批游客循着"钱氏印记"深度探访安乐塔、安乐禅寺、通济桥、苕溪等沿线景点。 ...

游人了解雷峰塔的历史。中新社记者 王刚 摄 游人在钱王祠拍摄名为《太平年》的新年装饰。中新社记者 王刚 摄 2月23日， 2月23日，游人在钱王祠了解纳土归宋剧情场景复刻。近日，随着影视剧《太平年》热播，不少游客在 浙江杭州西湖打卡钱王祠、雷峰塔等景点，感受剧中的吴越文化。中新社记者 王刚 摄 2月23日， 2月23日， 游人在钱王祠了解"纳土归宋"的历史。中新社记者 王刚 摄 游人在钱王祠了解其历史。中新社记者 王刚 摄 2月23日， 2月23日， 游人登上雷峰塔欣赏西湖景色。中新社记者 王刚 摄 2月23日， 2月23日， 游人在钱王祠观看《太平年》中的人物。中新社记者 王刚 摄 游人登上雷峰塔欣赏西湖景色。中新社记者 王刚 摄 2 月23日， 游人在钱王祠观看《太平年》中的人物。中新社记者 王刚 摄 ...

Core Insights - The integration of film and tourism has become a significant trend during the Spring Festival, with movies like "Flying Life 3" and the historical drama "Taiping Year" driving cultural tourism in various regions [3][4][5] Group 1: Film Impact on Tourism - The movie "Flying Life 3" has achieved both box office success and positive reviews, showcasing numerous Shanghai landmarks, which has led to increased tourist visits to these locations [3] - The film's scenic locations, including the highland canyons of Ganzi, Qinghai's remote bends, and industrial sites in Ningbo, have garnered significant attention, enhancing local tourism [3] - "Taiping Year" has stimulated cultural tourism in both Shanghai and Zhejiang, with sites like the Qian Family Ancestral Hall and Wang's Shrine becoming popular tourist destinations [4] Group 2: Broader Cultural Tourism Trends - Various films have revitalized local tourism markets, with initiatives in Shandong promoting patriotic education through film-related activities [5] - The concept of "film + tourism" has evolved into a deeper integration phase, with proactive measures taken by regions like Zhejiang to promote tourism alongside film releases [5] - The emotional narratives provided by films enrich the cultural significance of tourist sites, transforming visitors from mere spectators into participants in the stories [5]

Core Viewpoint - The article discusses the success of the drama "Tai Ping Nian," highlighting its unique narrative style and the historical context it portrays, while also critiquing its approach to storytelling and character development [5][22]. Summary by Sections Historical Context and Themes - The drama "Tai Ping Nian" reflects on the tumultuous period of the Five Dynasties and Ten Kingdoms, emphasizing the struggles and aspirations of people living in chaotic times, which resonates with modern audiences [6][12]. - The narrative explores the duality of peace and chaos, showcasing the fragile nature of stability in the Wu-Yue Kingdom amidst external threats and internal conflicts [12][13]. Narrative Techniques - The show employs a dual narrative structure, contrasting the chaotic power struggles in the central plains with the seemingly stable yet internally conflicted Wu-Yue Kingdom [12]. - The use of "strange history" and "strong stimulation" in storytelling captures audience attention, making historical events feel fresh and engaging [8][9]. Character Development - Key characters like Feng Dao and Zhang Yan Ze are designed to embody the themes of the narrative, but their development raises questions about coherence and depth in storytelling [11][14]. - The portrayal of historical figures is critiqued for being overly simplistic, reducing complex historical events to personal relationships and moral choices [16][17]. Critique of Artistic Approach - The article warns against the superficiality of the drama's success, suggesting that it prioritizes entertainment over meaningful historical representation [19][20]. - It highlights the danger of creating a narrative that sacrifices historical accuracy for dramatic effect, leading to a diluted understanding of the past [21][22].

近日，历史题材电视剧《太平年》热播。该剧以五代十国时期为宏大背景，通过吴越王钱弘俶与宋太祖 赵匡胤推动"纳土归宋"的故事，紧扣"和平和统一"主题，深度呈现中华民族"尚和合、求大同"的文化基 因，引发广大观众对历史文化、家国情怀、民族统一的共鸣。在国内热播的同时，该剧在国际发行方面 覆盖全球70多个国家和地区，海外热度持续升温。可以说，《太平年》在主题表达、创作方法、制作传 播等方面为当下历史剧创作生产提供了有益经验，成为近期值得关注的文化现象。 历史题材剧通常分为历史题材正剧和历史题材传奇剧。历史题材正剧以广阔的历史背景和丰富的历史人 物回溯历史深处，讲述历史中的重大事件、重要人物，兼顾"真实的历史"和"历史的还原"。历史题材传 奇剧以历史真实为背景，或写实或虚构历史人物，艺术想象主要情节，于历史语境中观照现实，视角更 加多元，人物更加多样，在创作上更加灵活。近年来，在各方共同努力下，涌现出一大批广受好评的精 品历史剧。比如，《琅琊榜》以诗意叙事为载体，在虚实之间承托古典风骨，让东方美学意蕴自然浸润 大众审美。《风起陇西》将谍战的精密逻辑植入三国背景，跳出"三国叙事"的传统框架，演变为一曲关 于信念与牺牲的史 ...

一主一从，一刚一柔，赵健的"稳"衬出王志鹏的"浮"，在权谋交锋中彼此成就，铸就了剧中至暗时 刻"最闪耀"的反派双子星，将五代十国权力场的至暗时刻展现得淋漓尽致。 观众在恨其奸猾的同时，也窥见了乱世人性的复杂与无奈。 来源：大众电影杂志 在《太平年》那盘波诡云谲的乱世棋局中，赵健与王志鹏以"程昭悦"与"何承训"这对主从，演绎了一场 教科书级别的权谋双簧。 赵健的"文吃"之道，是裹着糖衣的砒霜——表面谦卑逢迎，实则步步为营，无论是纵火灭证的狠绝，还 是构陷忠良的阴鸷，皆精准踩中乱世权力的痛点。 王志鹏的"墙头草"之姿，则是裹挟在怯懦中的残忍，每一次倒戈都是对生存的极端妥协。 ...