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“熊猫带你看世界” 在光影中共创未来
Si Chuan Ri Bao· 2025-09-12 06:49
现场,国际影视节展战略合作备忘录签署、优秀影视项目发布推介、成都影视产业集中签约等相继 上演。"熊猫带你看世界"能看到什么?金熊猫奖又能为全球影视产业带来什么?记者在现场寻找答案。 上台路演 6个企业和影视项目登台,印度嘉宾期待作品能赢得中国观众青睐 身着一袭藏青色传统长衫,印度梦想影视制作公司创始人穆克实·库马尔走上舞台,用不太标准的 普通话做了自我介绍,接着改用英语推介其执导的电影《一千公里》。这是一部基于真实事件改编的社 会剧情片,并力邀印度知名编剧、歌手等加盟,将在孟买贾格兰电影节举行全球首映。导演详细分享了 影片的创作历程,"我们热切期待它能赢得中国观众的青睐。" 与穆克实·库马尔一道登台路演的,还有其他5个企业和影视项目。华策影视集团一口气带来了3部 新作,包括历史题材电视剧《太平年》和《家业》,以及定档今年国庆的电影《刺杀小说家2》。"我们 始终秉持'讲好中国故事,传播中国文化'的使命,海外发行覆盖全球180多个国家和地区,积极推动'华 流出海'。"华策影视集团剧盟中心发行总监张怡表示。 "本次活动,聚焦搭建高效、专业的影视产业合作桥梁,全力推动全球影视产业开展深度合作,充 分彰显金熊猫奖对全球 ...
在光影中共创未来
Si Chuan Ri Bao· 2025-09-11 22:15
投资额超120亿元。人工智能(AI)深度介入影视产业,在本次签约中展露无遗。"成都文化艺术 科技城数字科技文创园"由科技机构、地方政府、高校联合推进,将建设AIGC(生成式人工智 能)数字内容创作中心、文化遗产数字化中心等,提供从数字剧本创作到后期影视制作的全流程 服务。另一签约项目、真人AI科幻武侠剧《峨眉》融合数字人、虚拟制作技术,讲述"智械战 争"中峨眉宗门拯救世界的故事。近年来流行的微短剧,同样成为本次签约中的"香饽饽"。"全域 短剧基地建设运营项目"拟在成都打造不少于3个不同类型的短剧基地,联动20余个地标景点作为 拍摄地。交 流 互 鉴与多个国际顶尖影视节展及行业机构签署战略合作备忘录如何让更多全球优 秀影视作品提升"能见度"?金熊猫奖自创立以来,始终致力于搭建中外影视文化交流的桥梁,以 影像为媒,共同构建全球影视合作的新平台。当天,金熊猫奖与多个国际顶尖影视节展及行业机 构代表,现场签署国际影视节展战略合作备忘录,共建作品互推、合作制片与发行长效机制。开 罗国际电影节便是其中之一。开罗国际电影节主席侯赛因·法赫米透露,今年的开罗国际电影节 上,有一部中国电影入围主竞赛单元,还有一位来自中国的评委 ...
待播大剧超过9部,历史题材剧迎来“上新热”
Qi Lu Wan Bao Wang· 2025-06-30 12:22
Core Viewpoint - The upcoming surge of historical dramas on screen, with over 9 major productions set to be released, highlights the genre's enduring popularity and potential for audience engagement [1] Group 1: Upcoming Historical Dramas - A total of more than 9 historical dramas are awaiting release, including titles such as "The Great Businessman," "The Year of Peace," and "The Long Peace of the World" [1] - "The Great Businessman," set in the late Qing Dynasty, has already surpassed one million pre-bookings on video platforms, indicating strong viewer interest [2] - "The Wind and the Rise of Zhang Juzheng" focuses on the reforms during Zhang Juzheng's tenure, while "Zhang Jian" portrays the life of a late Qing scholar who turned to business for national salvation [4] Group 2: Themes and Appeal of Historical Dramas - Historical dramas are characterized by rich plots and vivid character portrayals, often involving power struggles, court intrigues, and legendary heroes, which captivate audiences [8] - The deeper appeal of historical dramas lies in their ability to resonate with modern viewers through the dilemmas and choices faced by historical figures [11] Group 3: Challenges and Innovations in Production - The historical drama market requires a balance between fidelity to historical facts and innovative storytelling methods, as emphasized by the creators [12] - The complexity of historical figures demands higher creative standards, as seen in "The Wind and the Rise of Zhang Juzheng," which navigates the tension between traditional culture and emerging economic forces [12] - Production costs for historical dramas are significant due to the need for authentic costumes, props, and sets, which can deter some creators [12] - New approaches are being explored, such as focusing on commercial themes in "The Great Businessman" and avoiding traditional imperial narratives in "The Year of Peace" [12]
用更多温暖有深度作品回应期待 上海电视节开幕仪式及开幕论坛举行 超高清创制片单发布
Jie Fang Ri Bao· 2025-06-24 01:57
Group 1 - The 30th Shanghai Television Festival opened with the theme "Thirty and Striving, New Journey of Light and Shadow," gathering television professionals from home and abroad [1] - The White Magnolia Award, established in 1988, has recognized significant works in Chinese television, marking milestones in the industry’s development [1] - The award has become synonymous with high-quality productions, showcasing notable series such as "The Hidden" and "The World" [1] Group 2 - The Shanghai Television Festival continues to serve as an "industry barometer," with the release of a new ultra-high-definition production list featuring six works [2] - The ultra-high-definition dramas are described as "pleasing" and "visually appealing," aiming to reshape aesthetic standards and enhance creative imagination [2]
一家杭州影视企业的突围——华策用“科技+内容”驱动“华流出海”
Hang Zhou Ri Bao· 2025-04-27 03:14
Core Viewpoint - The article highlights the success of Huace Film & TV in expanding its international presence through innovative content and technology, particularly in the context of the cultural flash event in Moscow driven by the popularity of the drama "The Colors of the Country" [1] Group 1: Company Strategy and Innovation - Huace Film & TV has adopted a "Huayu Going Global" strategy, showcasing key projects like "The Colors of the Country" and "Splendid Blossoms" to promote Eastern aesthetics internationally [1] - The company has rebranded its data center to "Technology Digital Growth Center" and established an AIGC application research institute to leverage AI technology in film production [2] - Huace launched its first self-developed large model "Youfeng" and the second model "Guose," enhancing content extraction, translation, and generation, significantly improving overseas distribution efficiency [1][2] Group 2: Global Expansion and Market Presence - Since 2009, Huace has maintained the largest export share in China's film industry, distributing 150,000 hours of Chinese content to over 200 countries [3] - The company operates the China (Zhejiang) Film Industry International Cooperation Experimental Zone, recognized as a national cultural export base, and has developed a global film copyright trading cloud platform [3] - Huace is enhancing its global footprint by participating in international exhibitions and utilizing its "Guose" model to support multiple languages, thus improving operational efficiency abroad [3] Group 3: Industry Development in Hangzhou - The film industry in Hangzhou, represented by Huace, is experiencing rapid growth, with projects like the Tonglu Fuchunjiang Film and Television Industry Demonstration Zone underway [4] - The city has prioritized film industry development, aiming to establish itself as a global digital content production center, supported by various local policies [5] - In 2024, the cultural industry in Hangzhou is projected to reach a value of 344.8 billion yuan, with a year-on-year growth of 6.5%, indicating a vibrant film industry ecosystem [5]