杨彭年款紫砂飞鸿延年壶 陈鸣远做紫砂东陵壶 当时文人之间的走访、交游极为风行，甚至形成了"雅集"，因此读书、吟诗、填词、作画、焚香、烹 茶、饮酒、插花、抚琴、赏石、置园、游山等等，原本一人独享的生活乐趣，逐渐发展成众乐乐的雅 事；米芾在《西园雅集图记》中感叹："水石潺湲，风竹相吞，炉烟方袅，草木自馨，人间清旷之乐， 无过于此。"而李公麟所绘《西园雅集图》更是流传千秋，成为佳话。 受到理学兴盛的影响，加上文人间的广泛交谊，士大夫们博雅好古，热衷考究金石彝鼎、观摩字画碑 帖、赏玩收藏古器，如欧阳修收集古器碑铭，编纂《集古录》；米芾爱砚痴石成癖，"米南宫拜石"传为 趣谈，展现出前所未有的文化品位，逐渐实现文人艺术与生活日常的融合，使得宋代美学成为后世的典 范，对于明、清时期的紫砂艺术、金石学发展，影响尤为深远。 滥觞 到了明代嘉靖至崇祯年间即晚明时期，江南地区的生活文化再次带动了文人艺术的风潮。由于当时政治 腐败、社会动荡，文人入仕艰难；而东南沿海的海上贸易盛况却造就了江南经济的繁荣，加上受到王阳 明心学理论影响，彼时出版业兴起，知识传播普及，在社会环境与民间思潮的剧烈碰撞下，促使一批诗 人、画家、剧作家、收藏家、 ...

Core Perspective - The article emphasizes the aesthetic and philosophical significance of Li Di's painting "Snowy Tree and Cold Bird," reflecting the Song Dynasty's ideals of quiet observation and inner contemplation amidst the harshness of winter [2][3]. Summary by Sections Artistic Analysis - The painting, created in 1187, showcases a resilient thorn tree and a solitary bird, symbolizing strength and perseverance in a desolate winter landscape [2]. - The use of negative space and minimalistic elements in the artwork conveys a sense of tranquility and depth, allowing viewers to feel the essence of winter [2]. Historical Context - The year the painting was completed coincided with a period of personal loss for Emperor Xiaozong, which may have influenced the themes of solitude and resilience depicted in the artwork [3]. - The painting reflects the broader aesthetic pursuit of the Song Dynasty, emphasizing not just technical skill but also the profound exploration of existential themes [3]. Philosophical Implications - The artwork embodies the Song Dynasty's philosophy of "external barrenness with internal richness," illustrating the contrast between the starkness of the scene and the underlying vitality of life [3]. - The enduring message of the painting is one of dignity and hope, suggesting that even in the face of adversity, the spirit of life remains unyielding [3].

Core Viewpoint - The article highlights the introduction of a new cultural and educational product, "Wenbo E," in collaboration with museums across the country, aimed at enhancing public engagement with cultural heritage through daily interactions with artifacts [1]. Group 1: Product Introduction - "Wenbo E" is a cultural science product that allows users to learn about a different artifact each day and provides a one-click reservation feature for museum visits [1]. Group 2: Artifact Highlight - The featured artifact is the "Yingqing Chrysanthemum Petal Pattern Jar" from the Song Dynasty, measuring 4.8 cm in diameter and 8.3 cm in height, housed in the Nanhai Museum of China (Hainan) [2][10]. Group 3: Aesthetic Description - The jar is described as embodying the beauty of "Yingqing" porcelain, characterized by its thin, translucent quality and a glaze that appears between blue and white, often referred to as "fake jade" [17][14]. - The design features raised chrysanthemum petal patterns, symbolizing a blooming flower, and reflects the Song Dynasty's aesthetic principles of simplicity and elegance [16][19]. Group 4: Cultural Significance - The article emphasizes the historical appreciation of the color blue in Chinese culture, linking it to various forms of artistic expression, including ceramics and literature, showcasing the enduring legacy of blue porcelain [25][21].