中国经济导报、中国发展网讯 "第一次见到云和梯田的云雾奇观，仿佛走进了仙境。"近日，《沉默的 真相》编剧刘国庆在"剧游浙江"影视文旅融合创作调研丽水行的活动中感叹道。这场汇聚了全国40多位 影视界大咖的考察，再次印证了浙江丽水作为"天然摄影棚"的独特魅力。 盘点这些年的影视作品，丽水的身影频繁出现。从早年风靡一时的《仙剑奇侠传》《花千骨》，到近年 热播的《雪中悍刀行》《与凤行》，再到获全国"五个一工程"奖的电视剧《麦香》乃至爆款游戏《黑神 话：悟空》……这片"九山半水半分田"的土地，究竟蕴藏着怎样的魅力，能持续不断地吸引众多影视行 业的目光，展现出十足的"吸影力"？ 自然维度：未经雕琢的天然质感 丽水与影视的缘分，早在1957年便已结下。"山中的凤凰为何不飞翔，山下的红花为何不发香……"当 年，表演艺术家张瑞芳在缙云仙都的溪畔唱响《凤凰之歌》，让丽水的山水第一次通过银幕走向全国。 《凤凰之歌》开启了丽水作为影视取景地的历史。随后，中国大陆第一部彩色宽银幕立体声音乐歌舞故 事片《阿诗玛》也在缙云上章村的芙蓉峡取景。截至2025年，仅缙云一地就已接待600余部影视作品取 景。 "丽水是一个自带'仙气'的地方，原生 ...

新华网沈阳9月15日电 9月15日，第二届喀左紫陶产业发展大会暨首届陶瓷英雄会在辽宁省朝阳市喀喇沁左翼蒙古族自治县（简称喀左县）举行。 本届大会，以"紫陶幻彩・产业鎏金"为主题，来自全国各地的专家学者、企业及行业协会代表齐聚，通过搭建行业交流平台，构建"活态传承+产业升 级"双轮驱动机制，共同探讨中国陶瓷产业的未来发展方向，打造中国陶瓷产业新高地。 活动现场，举行了徐朝兴大师青瓷工作室、关宝琮大师辽瓷工作室、北方陶瓷文创研学基地、辽瓷研究中心喀左研究基地揭牌仪式，将通过建立大师工 作室，打造研究基地的方式，推动陶瓷产业实现长效发展。此外，现场还举行了"非遗进校园'小小传承人'专业实践计划"启动仪式，将通过在中小学开设陶 瓷专业实践课程，助力陶瓷技艺传承与发展。 本次活动亮点纷呈，大会期间还开展了多场产业交流活动。行业专家和企业代表分别围绕紫陶产业化发展、辽瓷创新发展以及人才建设助推文化产业发 展等话题进行交流。 活动期间，在利州古城举行了"瓷韵雅集・陶乐汇"古风市集。市集以喀左陶瓷文化为脉络，通过"陶瓷+茶品+美食+文创+互动体验"的多元业态，打造 沉浸式消费场景，成为传播陶瓷文化，激活区域消费的特色文旅IP ...

Group 1 - The core viewpoint highlights the strong resilience and potential of the consumption market in the East China region, driven by unique resource endowments, innovative development models, and vibrant consumer activity [1][2] - East China boasts rich tourism resources, with four main attractions for consumers: beautiful natural scenery, abundant specialty foods, convenient transportation, and deep cultural heritage [1] - The top three cities attracting consumers in East China are Hangzhou, Shanghai, and Xiamen, while popular small city destinations include Jingdezhen, Weihai, and Huangshan [1] Group 2 - Specialty products and unique foods from East China are widely favored by consumers nationwide, with significant growth in search volumes for intangible cultural heritage products like Shoushan stone carvings and Wuhu iron paintings, all showing over 100% year-on-year growth [1] - The second quarter of the year saw strong consumer vitality in East China, with Jiangsu, Shanghai, Shandong, and Zhejiang ranking among the top ten in national purchasing power [2] - The cities of Shanghai, Suzhou, Hangzhou, Nanjing, and Hefei recorded the highest consumption amounts, while cities like Wuhu and Xuancheng showed particularly significant year-on-year growth in consumption [2]

为助力浙江品牌国际化，"浙江有礼"平台为入驻企业打通三大核心资源：一是强化品牌认证，通过平台 首页推荐提升消费者信任度；二是推出消费直补政策；三是联动国内外供应链龙头工美集、上海史泰博 等，推动浙江产品进入自贸区展销及海外电商渠道，实现"文化出海"与"商业落地"双轮驱动。 8月10日，"浙江有礼·世界好礼"官方小程序"浙有礼"上线内测会暨城市合伙人全球招募启动仪式在浙江 举行。该项目以"礼"为媒，整合浙江省老字号、非遗产品及特色产业资源，通过数字化平台赋能、国际 化渠道拓展和创新化品牌传播，推动中国"礼"文化走向世界，助力浙江打造具有全球影响力的文明消费 新品牌。 浙江省作为文化大省和数字经济强省，近年来持续深化"浙江有礼"省域文明品牌建设，此次以"礼"为 媒，整合全省老字号、非遗产品及特色产业资源，打造国际化的文化消费新平台。 据浙江有礼选品中心主任彭钰介绍，此次城市合伙人实行零门槛招募，对入驻商户和消费者实行多重补 贴政策，降低参与门槛，激发市场活力。首批拟入选产品涵盖杭州万事利丝绸、湖州文房四宝、绍兴黄 酒、金华两头乌、龙泉青瓷等具有浓厚地域文化特色的优质商品，未来将通过全媒体矩阵向全球推广。 "知是行 ...

Group 1 - The core viewpoint is that technological innovation is fundamentally transforming the traditional arts and crafts industry, enhancing production efficiency and cultural value [1][2][4] - Technological advancements have led to a significant reduction in production cycles and an increase in yield rates, exemplified by the case of blue and white porcelain, where production time decreased from 15 days to 3 days and yield rates increased from 60% to 92% [1] - The introduction of digital production technologies has resulted in an average profit margin increase of 17.3 percentage points for arts and crafts enterprises compared to traditional methods [1] Group 2 - Technological innovation has restructured the dissemination and trading systems of traditional arts and crafts, expanding the boundaries of industry development [2] - Virtual reality technology allows users to explore museum collections in detail, overcoming time and geographical limitations, while blockchain technology has improved traceability in the arts and crafts market, leading to a 215% increase in online transactions in the jade carving industry [2] - The live-streaming sales of traditional arts and crafts are projected to reach 12.7 billion yuan in 2024, with 43% of consumers being from the post-95 generation, indicating a successful connection between traditional crafts and younger consumers [2] Group 3 - Technological innovation is accelerating the cross-industry integration of traditional arts and crafts with modern industries, fostering a high-end customization market [3] - The establishment of "pattern gene banks" across the country allows designers to utilize AI algorithms for innovative inspiration, significantly enhancing design efficiency [3] - By 2024, 124 digital industrial parks for traditional crafts have been established, attracting companies from AI and new materials sectors, creating a collaborative innovation ecosystem that has generated 280,000 new jobs [3] Group 4 - Traditional arts and crafts are dynamic and continuously evolving, influenced by cultural trends throughout history [4] - Technological innovation not only provides new tools but also initiates a journey of exploration and practice regarding heritage and breakthroughs [4] - The integration of 5G and the metaverse is creating broader development opportunities for the industry, allowing traditional crafts to flourish while preserving cultural heritage [4]

Group 1 - Lishui, known as "China's Ecological First City," boasts a forest coverage rate of 80.3% and has led Zhejiang in ecological environment quality for 20 consecutive years [1] - The year 2025 marks the 20th anniversary of the "Lucid Waters and Lush Mountains are Invaluable Assets" concept and the 25th anniversary of Lishui's establishment as a city [1] - Lishui's counties are leveraging their ecological endowments to transform high ecological value into high economic value, contributing to green and high-quality development [1] Group 2 - The Lishui district of Liandu has become the first mountainous island county in Zhejiang to be removed from the list, utilizing its ecological advantages to overcome development bottlenecks [4] - The "Xinghua Gongfu Workshop" in Dapengtou Town produces hand-painted oil paintings, generating nearly 1.7 billion yuan in total output for the local specialty industry [4] - The local economy is benefiting from the "art + industry" model, with artists earning up to 15,000 yuan per month [4] Group 3 - In the Chikeng Ethnic Village, the hazelnut base is expected to increase collective income by 600,000 yuan annually and boost over 100 villagers' income by more than 1 million yuan [5] - Lishui is diversifying into new industries such as semiconductors, renewable energy, and digital economy, with 13 projects in the beautiful health industry attracting a total investment of 12.642 billion yuan [5] Group 4 - Longquan, known as the "Sword and Porcelain Capital," has a rich history in sword-making and porcelain, with its techniques recognized as part of UNESCO's intangible cultural heritage [6] - The Longquan Sword and Porcelain industry has over 7,500 operating entities and employs more than 30,000 people, showcasing a wide age range among artisans [8] Group 5 - The rice-fish co-culture system in Qingtian County has transformed local agriculture, with rice prices increasing significantly since its recognition as a global agricultural heritage [10][11] - The establishment of a multi-party participation mechanism has enhanced the production and sales of rice-fish products, raising prices by over 10 yuan per kilogram [10] - Qingtian has developed over 30 categories and 200 creative products related to the rice-fish co-culture, illustrating a successful ecological cycle [13] Group 6 - In 2024, Lishui's GDP reached 218.1 billion yuan, with a year-on-year growth of 6.6%, leading the province in income growth for urban, rural, and low-income households [14] - The city is effectively demonstrating the concept of "Lucid Waters and Lush Mountains are Invaluable Assets" through diverse development paths [14]

Group 1 - The 2025 London Craft Week features the China Pavilion with the theme "Tian Gong Kai Wu," showcasing a series of traditional Chinese handicrafts that leave a deep impression on local audiences [1] - The exhibition includes three main sections: "Tian Gong Kai Wu Chinese Craft Boutique Exhibition," "Mom's Needlework," and "Anxi Tieguanyin: A Magical Leaf from the East," highlighting the cultural heritage and innovative development of Chinese traditional crafts [1] - Notable exhibits include the "Rainbow Blanket" woven by the Dulong ethnic group using seven plant dyes, a silver teapot engraved with a millimeter-level pattern of "Qianli Jiangshan Tu" by a Suzhou craftsman, and Longquan celadon pottery with a temperature control precision of 1230 degrees Celsius, showcasing the unique charm of Chinese craftsmanship [1] Group 2 - Guy Sother, Chairman of London Craft Week, emphasizes the importance of traditional crafts as a continuation of civilization and expresses excitement about seeing exhibits like the Dulong blanket [2] - David Francis, a lecturer at the School of Oriental and African Studies, praises China's commitment to preserving and developing traditional crafts, highlighting the blend of tradition and modernity [2] - London Craft Week, established in 2015, is one of the world's most important platforms for craft culture and exchange, with China participating for 11 consecutive years [2] Group 3 - Zhao Fei, Minister Counsellor of the Chinese Embassy in the UK, underscores the significance of traditional crafts in China's poverty alleviation, rural revitalization, and cultural tourism integration, promoting their creative transformation and innovative development [3] - China aims to continue promoting traditional crafts globally, facilitating dialogue between civilizations through theory, practice, and industry [3]

Core Viewpoint - The article highlights the introduction of a new cultural and educational product, "Wenbo E," in collaboration with museums across the country, aimed at enhancing public engagement with cultural heritage through daily interactions with artifacts [1]. Group 1: Product Introduction - "Wenbo E" is a cultural science product that allows users to learn about a different artifact each day and provides a one-click reservation feature for museum visits [1]. Group 2: Artifact Highlight - The featured artifact is the "Yingqing Chrysanthemum Petal Pattern Jar" from the Song Dynasty, measuring 4.8 cm in diameter and 8.3 cm in height, housed in the Nanhai Museum of China (Hainan) [2][10]. Group 3: Aesthetic Description - The jar is described as embodying the beauty of "Yingqing" porcelain, characterized by its thin, translucent quality and a glaze that appears between blue and white, often referred to as "fake jade" [17][14]. - The design features raised chrysanthemum petal patterns, symbolizing a blooming flower, and reflects the Song Dynasty's aesthetic principles of simplicity and elegance [16][19]. Group 4: Cultural Significance - The article emphasizes the historical appreciation of the color blue in Chinese culture, linking it to various forms of artistic expression, including ceramics and literature, showcasing the enduring legacy of blue porcelain [25][21].

Core Viewpoint - Longquan Celadon, a significant part of Chinese culture and history, has a legacy of over 1700 years and is recognized as a globalized Chinese product since the Song Dynasty, with its traditional firing techniques being the first ceramic item listed as a UNESCO intangible cultural heritage [1][20]. Group 1: Historical Significance - Longquan Celadon has been produced since the Three Kingdoms and Jin Dynasties, with the Longquan kiln becoming one of the five famous kilns in China during the Song Dynasty [9]. - The traditional firing technique of Longquan Celadon has been preserved in Xitou Village, Zhejiang, which houses the largest active ancient dragon kiln group in the world [1][2]. Group 2: Craftsmanship and Techniques - The firing process involves nearly 30 hours of wood-firing, resulting in over 1000 pieces of celadon being produced, showcasing the craftsmanship involved [2][4]. - The dragon kiln's unique structure allows for varying oxygen levels, which affects the quality of the ceramics produced, with temperatures reaching up to 1300 degrees Celsius [6]. Group 3: Cultural Heritage and Innovation - The Longquan Celadon firing technique is recognized as a national intangible cultural heritage, with efforts to ensure its continuation and understanding among the public [7]. - Recent innovations include the revival of lost techniques, such as the ice crack pattern, which was successfully restored after extensive research and experimentation [11][12]. Group 4: Modern Adaptations and Market Trends - Young artisans are integrating modern design with traditional techniques, aiming to connect Longquan Celadon with contemporary aesthetics and market demands [16][18]. - The introduction of digital modeling and 3D printing technologies is enabling personalized production, making Longquan Celadon more accessible to a broader audience [18]. Group 5: Global Recognition - Longquan Celadon has gained international recognition, being featured in high-profile events such as the G20 Summit and the Beijing Winter Olympics, symbolizing its journey from historical roots to global presence [20].

Core Viewpoint - The article highlights the revival and innovation of Longquan celadon, particularly focusing on the work of Ye Chenxi, who has successfully inherited and improved the ancient ice crack technique in celadon production, which had been lost for nearly a thousand years [4][5][8]. Group 1: Ye Chenxi's Background and Achievements - Ye Chenxi, born in 1993 in Longquan, is the head of Xihe Celadon Studio and has made significant contributions to the celadon sculpture process, addressing technical challenges in producing large sculptures [4][5]. - His works have received multiple awards, including the Gold Award at the China Arts and Crafts Boutique Expo and the Special Award at the "Earth Cup" China Ceramic Innovation and Design Competition [4]. - Ye has also been recognized with the "Zhejiang Youth May Fourth Medal" in April 2025 [4]. Group 2: The Art of Longquan Celadon - Longquan celadon has a rich history, being synonymous with Chinese celadon during its peak in the Song Dynasty, and was exported to over 30 countries and regions [6]. - The production of Longquan celadon involves meticulous processes, with ten steps that must be executed flawlessly to achieve the desired quality [7][10]. - The unique glaze colors of Longquan celadon, such as powder blue and plum green, are attributed to the local clay's mineral content, which varies and requires careful adjustment during production [7][8]. Group 3: Revival of Ice Crack Technique - The ice crack technique, which had been lost for nearly a millennium, was revived by Ye Chenxi's father, Ye Xiaochun, after extensive experimentation and research [8][9]. - The breakthrough came after thousands of trials, leading to the successful reproduction of the ice crack glaze, which was patented in 2004 [9]. - Ye Chenxi's return to Longquan in 2019 marked a new chapter in continuing his father's legacy and furthering the art of celadon [10]. Group 4: Modern Innovations and Market Appeal - Ye Chenxi emphasizes the importance of connecting with younger consumers, who prioritize aesthetic appeal and practical use over investment value [12]. - His collaboration with a luxury designer to create a set of porcelain for international exhibitions reflects a blend of traditional Chinese aesthetics with modern design sensibilities [13]. - The ongoing exploration of new materials and techniques ensures the sustainability and evolution of Longquan celadon in contemporary markets [13].