我天呢，试问谁刷到下面这组图，还能挪得开眼。 有人用AI技术，制作 敦煌神女造型 ，评论区 直接炸了。 "好美、好高贵~这才叫飞天神女。" 也有人说， 敦煌的美，又一次被复活了 。 我简直不能更赞同！ 敦煌才不是死了一千年的标本，而是 活了一千年的生命 。 从2005年征服无数人眼球的 《千手观音》 到2024年春晚收视第一名 《年锦》 。 敦煌美学 连续7次登上央视春晚 ，每一次惊艳亮相都美出新境界！ 作为 中原、印度、希腊、伊斯兰，四大文明 唯一的交汇地， 世界上再也没有任何地方像 敦煌 一 样 。 直到1937年， 梁思成和林徽因在敦煌61窟《五台山图》指引下 ，终于发现"第一国宝"山西佛光寺 。 横跨十六国、北魏、西魏、北周、隋、唐、五代、宋、回鹘、西夏、元朝至明清， 十多个历史朝 代 。 50000+平方米壁画， 完整记录了整个中华文明的美学高峰 。 它是 多元文化的熔炉 、 艺术灵感的藏宝洞 ，也是每个人 一生绕不过的美学宇宙 。 如果没有敦煌壁画 ，我们大概永生永世都不会知道。 白居易笔下"弦鼓一声双袖举，回雪飘摇转蓬舞"的 胡旋舞 ，如此婀 娜多姿。 如果没有敦煌壁画 ，我们恐怕还在被日本学者 ...

我天呢，试问谁刷到下面这组图，还能挪得开眼。 有人用AI技术，给 刘亦菲 换上了 敦煌飞天造型 ，评论区 直接炸了。 "好美、好高贵~这才叫飞天神女。" 也有人说， 敦煌的美，又一次被复活了 。 我简直不能更赞同！ 敦煌才不是死了一千年的标本，而是 活了一千年的生命 。 从2005年征服无数人眼球的 《千手观音》 到2024年春晚收视第一名 《年锦》 。 敦煌美学 连续7次登上央视春晚 ，每一次惊艳亮相都美出新境界！ 作为 中原、印度、希腊、伊斯兰，四大文明 唯一的交汇地， 如果没有敦煌壁画 ，我们大概永生永世都不会知道。 白居易笔下"弦鼓一声双袖举，回雪飘摇转蓬舞"的 胡旋舞 ，如此婀 娜多姿。 如果没有敦煌壁画 ，我们恐怕还在被日本学者嘲讽： 中国已经没有唐朝及以前的木构建筑。 直到1937年， 梁思成和林徽因在敦煌61窟《五台山图》指引下 ，终于发现"第一国宝"山西佛光寺 。 也只有在敦煌壁画中，我们才能有幸见到：早已失传的 40多种中式乐器 。 世界上再也没有任何地方像 敦煌 一 样 。 横跨十六国、北魏、西魏、北周、隋、唐、五代、宋、回鹘、西夏、元朝至明清， 十多个历史朝 代 。 50000+平方米 ...

Core Viewpoint - The article emphasizes the enduring beauty and cultural significance of Dunhuang, highlighting its artistic heritage and the urgent need for preservation efforts as the murals face deterioration due to environmental factors [32][33][35]. Group 1: Cultural Significance - Dunhuang is described as a unique convergence point of four major civilizations: Central Plains, India, Greece, and Islam, spanning multiple historical dynasties [11]. - The murals in Dunhuang, covering over 50,000 square meters, encapsulate the peak of Chinese aesthetic civilization [12]. - The artistic expressions found in Dunhuang are portrayed as a treasure trove of cultural inspiration, representing a living legacy rather than a mere historical artifact [5][14]. Group 2: Artistic Heritage - The article mentions the continuous representation of Dunhuang aesthetics on major platforms like the CCTV Spring Festival Gala, showcasing its evolving beauty [6][7]. - Specific murals, such as the Northern Liang Bodhisattva and the Western Wei Flying Apsara, are noted for their artistic excellence, predating Western masterpieces by centuries [27][28]. - The intricate designs of over 400 types of Dunhuang coffered ceilings are highlighted as exemplary of aesthetic achievement [22]. Group 3: Preservation Urgency - The murals are described as fragile and vulnerable to irreversible damage from light, air, and moisture, with no current technology available to halt their deterioration [33]. - The article expresses concern that without immediate action, Dunhuang's artistic legacy may become a relic of the past [35][36]. - The narrative stresses the emotional impact of potentially losing this cultural heritage, which has survived through centuries of turmoil [36]. Group 4: Publication Promotion - A new publication titled "The Great Dunhuang" is introduced, featuring 116 caves and over 400 murals, aimed at reviving and preserving Dunhuang's artistic legacy [38][40]. - The book employs advanced restoration techniques to present the murals in their original glory, making them accessible to a wider audience [42][121]. - The publication is positioned as an essential resource for understanding and appreciating Dunhuang's art, offering detailed insights into its historical and cultural context [134][141].

Core Viewpoint - The article emphasizes the cultural and artistic significance of Dunhuang, highlighting its rich history and the urgent need for preservation efforts as its artworks face deterioration due to environmental factors [32][33][35]. Group 1: Cultural Significance - Dunhuang is described as a unique convergence point of four major civilizations: Central Plains, India, Greece, and Islam, spanning multiple historical dynasties [11]. - The murals in Dunhuang, covering over 50,000 square meters, encapsulate the peak of Chinese aesthetic civilization [12]. - The artistic legacy of Dunhuang is portrayed as a living entity that has thrived for over a thousand years, rather than a mere relic of the past [5][14]. Group 2: Artistic Achievements - The article notes that Dunhuang aesthetics have been featured in major events like the CCTV Spring Festival Gala, showcasing their enduring appeal [6][7]. - It highlights specific artworks, such as the exquisite sculptures and murals that predate Western art movements, demonstrating the advanced artistic techniques of ancient Chinese artisans [27][30]. Group 3: Preservation Concerns - The article warns that the murals are aging and vulnerable, with no current technology able to prevent irreversible damage from light, air, and moisture [33]. - It expresses concern that without immediate action, the Dunhuang aesthetic may become a mere historical memory [35][36]. Group 4: Publication Promotion - A new publication titled "The Great Dunhuang" is introduced, which collaborates with the Dunhuang Research Institute to present a comprehensive history of Dunhuang aesthetics through high-quality reproductions of the murals [38][41]. - The book aims to make the beauty of Dunhuang accessible to a wider audience, compensating for the limitations faced by visitors to the actual site [47][50].

Core Viewpoint - The vitality of cultural arts lies in innovation and creation, exemplified by the enduring legacy and continuous evolution of Dunhuang art, which has become a significant cultural symbol of China [1][5]. Group 1: Historical Context and Development - Over 80 years, generations of artists have followed in the footsteps of Chang Shuhong, integrating Dunhuang aesthetics into their work, leading to significant contributions in various art forms [2]. - The establishment of the Dunhuang Research Institute in 1944 marked a pivotal moment in the preservation and promotion of Dunhuang art, with Chang Shuhong advocating for the study and creation of new art styles rooted in Dunhuang traditions [1][2]. Group 2: Modern Innovations and Applications - The application of digital technology has become a focal point for the creative transformation of traditional Chinese culture, with numerous exhibitions showcasing Dunhuang art through high-precision digital reproductions and immersive experiences [3]. - Recent exhibitions, such as "Like This Mogao," highlight the use of multimedia to enhance the presentation of Dunhuang art, making it accessible to a global audience [3]. Group 3: Contemporary Artistic Practices - Contemporary artists, including Chang Shuhong's daughter, Chang Shana, have successfully incorporated Dunhuang elements into modern architecture and design, reflecting the ongoing relevance of Dunhuang aesthetics [4]. - The collaboration between fashion designers and the Dunhuang Research Institute has led to innovative clothing designs that blend traditional aesthetics with modern sensibilities, showcasing the versatility of Dunhuang art in various cultural contexts [4]. Group 4: Insights and Future Directions - The ongoing practices surrounding Dunhuang aesthetics provide valuable insights into the importance of understanding and applying Chinese styles and spirit in cultural and artistic innovations aimed at future audiences [5].

如果要问一生一定要去一次的地方，许多人的答案都是敦煌。 它是经历风沙依旧璀璨的中国千年旧梦，中国、印度、希腊、伊斯兰四大文化体系在此融合交 汇。 45000+平方米的壁画、735个洞窟、2410+尊彩塑雕像， 万万恒沙流淌于此，千千世界尽绘其间。 一代又一代艺术匠人和供养人的虔诚信仰，让我们能见证一千六百多年的历史风云。 尤其是敦煌壁画，被盛赞为："墙壁上的图书馆"。 从早年的张大千、常书鸿，到美术家董希文、吴作人，艺术家在敦煌寻找着文化的根；箜篌、 排箫、羯鼓、琵琶、琴、笙……音乐家在这里聆听着远古妙音； 敦煌，是无数人放逐精神的远方，也是无数人安放心灵的归属。 如果没有敦煌壁画 ，我们大概永生永世都不会知道。 白居易笔下"弦鼓一声双袖举，回雪飘摇转蓬舞"的 胡旋舞 ，如此婀娜多姿。 如果没有敦煌壁画 ，我们恐怕还在被日本学者嘲讽： 中国已经没有唐朝及以前的木构建筑。 直到1937年， 梁思成和林徽因在敦煌61窟《五台山图》指引下 ，终于发现"第一国宝"山西佛 光寺。 《五台山图》局部 也只有在敦煌壁画中，我们才能有幸见到：早已失传的 40多种中式乐器 。 400多种敦煌藻井，每一处纹饰、图案、线条，都生动 ...