大概 新闻 vi i t in e . i . Sing ( re of 2 0 5 k / 0 ·邵智 s 8 7月6日晚，2025上合组织国家电影节在重庆永川科技片场第二期落下帷幕。这场以"科技光影·上合风采"为主题的影坛盛事，将走红毯的场景搬进了 3000平 方米的虚拟拍摄影棚，为全球影人呈现了一场突破传统的"未来式"闭幕礼。 a@@@@@@ වලලාවල 国创建" First 闭幕式红毯仪式创新运用VP弧形屏与XR拓展现实技术，演员嘉宾穿梭于浩瀚星际与赛博都市之间。永川科技片场凭借亚洲最大LED虚拟拍摄系统，实现动 态场景无缝切换，呼应电影节"科技+电影"的核心主题。现场数控舞台装置的数量与复杂度创下国际电影节新纪录，印证了中国电影工业的技术飞跃。而闭 幕式上国内外演员歌手同台献艺，也诠释着文明互鉴的"上合精神"。 p and and the childers . 2 的 are and a map 197 N the first No. North and of the deal 17 s th : a Stearch n 1977 i THE LEAST THE LEAST THE LEAST T ...

Group 1 - The 27th Shanghai International Film Festival commenced on June 13, 2025, marking 120 years of Chinese cinema, with a focus on "Technology + Film" and "AI + Film" as key discussion topics [1][3] - Over 400 films from 71 countries and regions were showcased, with approximately 1,500 screenings and more than 100 post-screening meet-and-greets for audience interaction [1][2] - The festival experienced a significant ticket demand, with 92 films and over 600 screenings sold out within the first hour of ticket sales, totaling 370,000 tickets sold [2] Group 2 - Eight thematic forums were held, discussing industry structure, film creation, technological advancements, talent cultivation, and cultural exchange, emphasizing the importance of "Technology + Film" [3][4] - Upcoming virtual reality films were highlighted, showcasing the integration of AR and VR technologies to enhance audience experience [3] - Major film companies, including Wanda Film, announced plans to add up to 27 new IMAX theaters nationwide by the end of 2029, indicating a push for improved visual effects [4] Group 3 - Industry leaders emphasized the need for self-reform and innovation in response to market pressures, with calls for a reassessment of the film's role as a cultural product [5][6] - The current revenue-sharing model was criticized for being unfavorable to producers, with suggestions to adjust profit distribution to better support production companies [6] - The rising production costs and longer content creation cycles were identified as challenges, necessitating a focus on talent development to ensure a steady supply of quality films [5][6]