Core Viewpoint - The exhibition "Su Wang: Everyday Folds," curated by UCCA curator Li Yanqiu, systematically reviews the artist's creative trajectory over the past eight years, with nearly half of the exhibition space dedicated to new works created after 2021 [1] Group 1: Exhibition Details - The exhibition features a global premiere of the video installation "Time on the Windowsill," supported by UCCA [1] - The exhibition runs from September 27, 2023, to January 4, 2026, at UCCA Center for Contemporary Art, located at No. 4 Jiuxianqiao Road, Chaoyang District, Beijing [1] Group 2: Artist's Work - Su Wang's work is rooted in everyday life, utilizing various media including photography, video, spatial installations, and community workshops [1] - A 2023 photography series titled "Reflections in the Elevator" captures the subtle expressions of strangers in an elevator, visualizing the alienation and secrecy of modern urban life [1] - The new video installation records seasonal light changes on a windowsill in a rental apartment, combined with recordings of neighbors' daily conversations, revealing hidden connections and contradictions in seemingly isolated individual lives [1]

Core Viewpoint - The "World Peace - Exhibition of Masterpieces of Modern Chinese Painting" showcases 30 art pieces from 22 renowned Chinese painters, emphasizing cultural exchange and public cultural development in Haidian District, Beijing [1][2]. Group 1: Exhibition Details - The exhibition features significant works such as Qi Baishi's "World Peace," Xu Beihong's "Portrait of Jiang Biwei," and others, highlighting masterpieces in Chinese art history [2]. - The exhibition is designed to integrate with the "Three Mountains and Five Gardens" culture, using classic color schemes and design elements inspired by traditional windows from the Summer Palace [2]. - The exhibition will run until December 16 [3]. Group 2: Cultural Significance - The event is part of a broader initiative by the Haidian District Cultural and Tourism Bureau and China Foreign Cultural Group to enhance public cultural services and promote traditional Chinese culture [2]. - The "Three Mountains and Five Gardens Cultural Art Center" aims to be a hub for research, display, education, and exchange of Chinese traditional culture, contributing to the cultural landscape of Haidian District [2].

Core Viewpoint - The exhibition "Reflections by the Neva River: The Art of Repin" is the first large-scale presentation of Repin's art in China, showcasing significant works and providing a comprehensive overview of his artistic career [2][4]. Group 1: Exhibition Overview - The exhibition features 92 oil paintings and sketches, organized into four main sections: "Riverboat Song: The Beginning of the Artistic Journey," "Vast Land: The Quest for Realism," "Epic of the Times: The Brilliance of National Spirit," and "Twilight Reflections: The Free Realm of Old Age" [2]. - Notable works include "The Religious Procession in Kursk Province," which is nearly 4 meters wide, depicting the collective fate and experiences of the Russian people [2]. - The exhibition includes eight important groups of Repin's works, illustrating the creative process from field sketches to completed masterpieces, such as the group related to "Barge Haulers on the Volga" [2]. Group 2: Interactive and Educational Aspects - The exhibition will feature portraits of contemporary figures created by Repin, highlighting the power and charm embedded in these works [3]. - An interactive section will invite visitors to engage with the artist's "circle of friends," showcasing the interplay between painting, literature, and music [3]. Group 3: Exhibition Details - The exhibition is co-hosted by the National Museum of China and the Tretyakov Gallery in Russia, with support from the Russian State Museum [4]. - It will run until January 11, 2026 [5].

Core Insights - The article highlights the transformation of Shijiazhuang from a small village to a bustling metropolis, driven by the development of transportation infrastructure [1] - It emphasizes the role of 44 local artists who contribute to the cultural narrative of the city through their artworks, showcasing the evolution of Shijiazhuang [1] Exhibition Details - The exhibition runs from August 16 to September 7 [2] - It is located at the Shijiazhuang Art Museum, situated in the Yansheng Park area of Qiaoxi District [2] Artistic Contributions - The exhibition features 67 pieces of artwork that reflect the artists' personal stories and the city's dynamic changes [1] - The artworks include traditional painting, calligraphy, and innovative designs, representing the local culture and landscape [1] Exhibition Experience - The exhibition is designed to create a cohesive experience, integrating lighting adjustments, interpretative texts, and discussions around the artworks [1] - This approach aims to connect individual pieces into a larger narrative about the city's past and present [1]

Group 1 - The Shanghai Museum's "Pearls Return to the Sea" exhibition showcases the "Liutu Xuan" collection donated by Filipino-Chinese entrepreneur Zhuang Wanli, featuring Song Dynasty's "Autumn Mountain Xiaosi Scroll" and Dong Qichang's calligraphy [1][3] - The Beijing Summer Palace Museum's new exhibition "Garden Narrative VII - The Migration and Return of National Treasures" innovatively tells the story of national treasures' journey from south to north through 160 artifacts [1][37] - The Xi'an Tang West Market Museum has launched the "Terracotta Warriors Meet the Tang Dynasty - The Splendor of Chang'an's Lychee Road" exhibition [1][92] Group 2 - The "Cultural Imagination and Historical Reality of Liangzhou" exhibition at Changsha Museum features 164 artifacts focusing on the cultural exchanges in the Hexi region [86] - The "Encountering Pompeii: The Eternal City" exhibition at Hunan Museum showcases 130 artifacts, including frescoes and sculptures, to recreate life in ancient Pompeii [88] - The "Alvaro Siza's Archives" exhibition at Shanghai Contemporary Art Museum presents over 800 items, marking the largest retrospective of the Pritzker Prize-winning architect in Asia [32]

Core Insights - The article discusses the decline of the "art exhibition girl" phenomenon, highlighting a shift in cultural values among younger generations who prioritize financial independence and practicality over artistic pursuits [1][9][10]. Group 1: Changing Trends in Art Exhibitions - Traditional art exhibitions are losing popularity, with galleries and museums closing down, while low-cost, trendy exhibitions like immersive light shows and brand collaborations are gaining traction [2][19]. - The social media appeal of art exhibitions has diminished, leading to a decline in attendance and interest among younger audiences [13][31]. - The shift in focus from highbrow art appreciation to more accessible, commercialized art experiences reflects broader societal changes [34][37]. Group 2: Economic Challenges for Art Institutions - Galleries primarily rely on sales to collectors for revenue, but the purchasing power of collectors has significantly decreased, impacting gallery sustainability [21][22]. - The financial performance of galleries has declined, with annual revenues dropping from 3 million to 1.5-2 million [23]. - The operational costs for art institutions, including rent and insurance for artworks, are substantial, making it difficult for many to survive without adequate funding [30][31]. Group 3: The Future of the Art Market - The art market is increasingly seen as a niche for the wealthy, with a disconnect between the general public and high-value art transactions [33][45]. - There is a growing trend of low-cost, experience-driven exhibitions that prioritize entertainment over artistic value, which may dilute the cultural significance of art [34][36]. - The need for art institutions to adapt to changing consumer preferences and explore new revenue streams, such as in-house cafes or merchandise, is becoming critical for survival [40][41].

Core Insights - The Pudong Art Museum will host the exhibition "Connecting Empires: Masterpieces from the Louvre Museum of the 16th to 19th Century" from December 13, 2025, to May 6, 2026, which has generated significant interest [1] - The current exhibition "Creating Modern: Artistic Treasures from the Musée d'Orsay" is also popular among audiences in Shanghai, reflecting a growing trend of Western masterworks being showcased to Chinese audiences [1] - The art industry is contemplating how to move beyond the homogenization of "masterpiece collections" while meeting public appreciation needs [1] Industry Trends - Over the past decade, the standards of exhibition venues have improved, and curatorial practices have become more professional [1] - The Musée d'Orsay exhibition features over 100 representative French artworks from the 1840s to the early 20th century, breaking the traditional isolated display of masterpieces by presenting works with similar artistic characteristics or themes together [1] - Public art museums are encouraged to explore dialogue exhibitions to activate traditional culture and their own collections, emphasizing "ancient and modern dialogue" as a means to enhance cultural confidence [1]

Group 1 - The exhibition titled "Russian Contemporary Art Masters Classic Works Exhibition" is being held at Hainan Provincial Museum as part of the "China-Russia Cultural Year" initiative [1] - The exhibition features works from 10 renowned Russian contemporary artists, including 5 sculptures and 30 oil paintings [1] - Notable artists showcased include sculptor Andrei Kovalyuk and painter Kuznetsov Nikolayevich, attracting a significant number of visitors [1]

Core Perspective - The exhibition "The Other City: Asian Artists in Paris from 1920 to 1940" at the National Gallery of Singapore highlights the significant yet often overlooked contributions of Asian artists during a vibrant period in Paris, showcasing over 200 works from more than 100 artists from various Asian countries [4][12][54]. Group 1: Historical Context - Paris was the cultural heart of the world from the 1920s to 1940s, attracting artists globally and forming the "Paris School," predominantly led by foreign artists [9][12]. - By 1931, foreign residents made up 9% of Paris's population, including hundreds of Asian artists who faced a dual identity as both inspired creators and cultural outsiders [9][12]. Group 2: Exhibition Details - The exhibition is the first systematic exploration of Asian artists from this period, featuring notable figures such as Zhang Liying, Liu Kang, and the legendary painter Pan Yuliang [12][36]. - The exhibition is divided into five thematic sections: "World Workshop," "Colonial Theater," "Performance and Stage," "Exhibition Scene," and "Studio and Street," reflecting the diverse experiences of these artists [12][13]. Group 3: Notable Artists - Chang Yu, known as the "Oriental Matisse," created works that blend Eastern aesthetics with Western techniques, achieving a record sale of 270 million for one of his nude paintings [21][30]. - Xu Beihong, a prominent figure among Chinese artists in France, aimed to revive Chinese painting and contributed significantly to art education upon his return to China [32][34]. - Pan Yuliang, a trailblazing female artist, overcame significant personal hardships to become a celebrated figure in the art world, with her self-portraits reflecting her unique cultural identity [36][39]. Group 4: Cultural Significance - The exhibition aims to challenge the narrative that Asian artists were merely apprentices in Paris, emphasizing their integral role in shaping the city's artistic landscape [54][56]. - The artists' works reflect a blend of cultural confidence and a deep connection to their heritage, showcasing their ability to navigate and contribute to the Western art scene while maintaining their Eastern roots [16][54].

Group 1 - The core theme of the exhibition is the 20th anniversary of Zhejiang's implementation of the "Lucid waters and lush mountains are invaluable assets" concept, showcasing artistic expressions of ecological civilization and traditional culture [1] - The "Mountain Water Action: New Media Image Installation Art Exhibition" features a collective of artists led by Gao Shiqiang, focusing on the revitalization of Chinese mountain water experiences and worldviews through contemporary art [2][4] - The exhibition includes various artistic actions, such as "Mountain Water Declaration" and "Mountain Water: Six Chapters," which explore metaphysical thoughts and traditional mountain water spirit through extensive fieldwork across multiple provinces [4][5] Group 2 - The "Great Earth Song: 2025 Beautiful China Chronicle" exhibition aims to integrate artistic practices with national strategies, presenting over a hundred cases of "Beautiful China" art practices from diverse perspectives [10][15] - The exhibition features interactive elements, allowing visitors to engage in cultural symbol design and contribute artistic solutions for environmental challenges [19][20] - The exhibition also highlights the establishment of the "Beautiful China Research Institute" by the China Academy of Art, which focuses on ecological construction and cultural activation through various collaborative centers [19] Group 3 - The "Wall Road Transmission: Research Exhibition of Dunhuang Art Collections and Documents" showcases 103 works and over 90 documents related to the protection and research of Dunhuang art, divided into three historical sections [21][26] - The first section emphasizes the contributions of the National Art College (now China Academy of Art) in the 1940s to the preservation of Dunhuang, featuring rare documents and artworks [21][26] - The second section illustrates the integration of Dunhuang art into the school's curriculum in the 1950s, providing resources for the development of Zhejiang-style figure painting [26][29]