来源：中国青年网 今天，虎鲸文娱集团旗下优酷与华纳兄弟探索集团(Warner Bros. Discovery)亚太区宣布联合启动 "Script to Series国际剧创营"，面向全球招募新锐影视创作者，打造更多具有国际视野的中文原创剧本内容。 "国际剧创营"将以团队为单位进行全球招募，最终遴选至多五组创意团队，为其提供六个月的原创剧集 孵化支持。项目期间，入选团队将参与线下培训、线上创作研讨，并获得资深行业专家的一对一指导。 本次计划主要面向具备剧本创作经验的新锐创意人才，重点强化制片人、编剧、导演三大核心创作角色 的协作能力。六个月培训期结束后，每组团队需提交完整项目方案，包括剧集创作大纲、首集剧本及五 分钟概念验证短片，最佳项目将进入正式开发阶段·，并有机会制作成完整剧集在海内外发行。 该计划的申请通道已于今日开放，并将于2026年1月9日截止。申请主体须为三人创作团队，成员需涵盖 制片人、导演、编剧，且需要具备中英双语交流能力，所有申报材料须同步提交中英文版本。如需了解 详细申报条件及流程，可访问官方网站或邮件咨询。 优酷相关负责人表示，"国际剧创营"是优酷挖掘国际化影视人才的重要举措，将有助于培养 ...

Core Insights - The virtual filming technology is gaining traction in the industry, with companies like iQIYI showcasing its practical value and significant cost savings of over 40% compared to traditional setups [1] - The adoption of virtual filming is not limited to iQIYI; other major platforms like Tencent Video, Youku, and Mango TV are also investing heavily in this technology, indicating a growing trend in the industry [1][5] - Despite advancements in hardware and technology, the biggest challenge facing the industry is the severe shortage of skilled professionals who understand the new virtual filming processes [4][7] Group 1: Industry Trends - iQIYI reported a 125% year-on-year increase in virtual production projects, successfully engaging in the production of popular series and even feature films [1] - Major platforms are investing in state-of-the-art virtual studios and technologies, with Tencent Video planning to complete testing of its new virtual studio by the end of the year [1][5] - The industry is witnessing a shift towards virtual filming, with companies enhancing their technical capabilities and reducing costs, but the lack of trained personnel remains a significant barrier [1][4] Group 2: Challenges in Implementation - The introduction of virtual filming requires a complete overhaul of traditional filmmaking processes, necessitating new talent who can manage the integration of creative and technical teams from the project's inception [2][4] - There is a notable gap in understanding the new workflows among traditional production teams, leading to potential confusion and inefficiencies during filming [4][8] - The industry lacks clear cost expectations for virtual filming, making smaller production companies hesitant to invest in this new technology due to fears of high costs without guaranteed returns [4] Group 3: Talent Shortage - The industry is facing a critical shortage of professionals who can navigate the complexities of virtual filming, including producers who understand both creative and technical aspects [5][13] - Successful implementation of virtual filming requires a comprehensive talent system that includes CG producers, rendering engineers, and directors who can adapt to new creative processes [13] - The transition to virtual filming is not merely about acquiring technology but also about cultivating a workforce that can effectively utilize these advancements [13]

Group 1 - The core viewpoint of the news highlights the financial performance and trading activities of Zhongnan Culture, indicating a significant increase in revenue and net profit for the year 2025 [2] - On December 19, Zhongnan Culture's stock rose by 2.76%, with a trading volume of 244 million yuan, and a net financing buy of -6.45 million yuan, indicating a higher level of financing activity compared to the past year [1] - As of December 19, the total margin balance for Zhongnan Culture was 381 million yuan, accounting for 6.17% of its market capitalization, which is above the 50th percentile level for the past year [1] Group 2 - As of December 10, the number of shareholders for Zhongnan Culture increased by 32.78% to 66,300, while the average circulating shares per person decreased by 24.68% to 35,711 shares [2] - For the period from January to September 2025, Zhongnan Culture reported a revenue of 910 million yuan, representing a year-on-year growth of 40.10%, and a net profit attributable to shareholders of 82.23 million yuan, which is a 130.97% increase year-on-year [2] - Since its A-share listing, Zhongnan Culture has distributed a total of 147 million yuan in dividends, with no dividends paid in the last three years [3]

Group 1 - The core point of the article highlights that Litian Film and Television (09958) has transferred shares from Dahua Jixin (Hong Kong) to DBS Bank Hong Kong, with a market value of HKD 16.2931 million, accounting for 18.18% of the total shares [1] - Litian Film and Television had applied for a trading suspension for nearly two months due to a delay in financial report release, and resumed trading on November 24 after disclosing the financial results [1] - For the eighteen-month fiscal year ending June 30, 2025, Litian reported revenues of approximately RMB 133 million, but incurred a net loss of about RMB 554 million, primarily due to significant impairment losses from the inability to monetize certain drama copyrights in a timely manner [1] Group 2 - The company faced additional impairment losses due to difficulties in recovering payments for some already sold drama series, leading to accounts receivable impairment losses [1]

Core Viewpoint - The recent stock transfer of Litian Media (09958) from Dahua Jixin (Hong Kong) to DBS Bank Hong Kong indicates a significant shift in shareholder structure, with a market value of HKD 16.2931 million, representing 18.18% of the company [1] Financial Performance - Litian Media's financial results for the eighteen-month fiscal year ending June 2025 show revenues of approximately RMB 133 million [1] - The company reported a substantial net loss of around RMB 554 million, primarily due to impairment losses from unbroadcasted series copyrights and difficulties in collecting receivables from previously sold series [1]

Core Insights - The article discusses the launch of a new television drama titled "Immediate On Stage," which is inspired by the workplace variety show "The Offer That Moves the Heart," focusing on the internship experiences of Generation Z in law firms [1][6]. Group 1: Production and Creative Insights - The production team, led by chief producer Zhang Wei, emphasizes that the drama is a love letter to Beijing, reflecting the stories of young people striving in the city [1]. - The creative process involved extensive research, including interviews with nearly 100 lawyers and continuous communication with legal advisors to ensure the authenticity of the plot [1]. - The show incorporates a unique format that combines elements of drama and reality, allowing viewers to learn workplace skills while enjoying the narrative [3]. Group 2: Thematic Elements and Character Development - The drama features seven interns from diverse backgrounds competing in the "Recognizing Jun Plan," ultimately realizing that true growth comes from finding their passion rather than just securing a job offer [6]. - The characters are designed to reflect the complexities of modern youth, balancing practicality and idealism, as well as the desire for independence and connection [1][6]. - The actors prepared extensively for their roles, with specific training to embody the characteristics of real lawyers, enhancing the show's realism [5]. Group 3: Visual and Cultural Representation - The series captures the essence of Beijing, showcasing its urban landscape and cultural nuances, with over 50 iconic locations featured, contributing to the show's aesthetic appeal [5]. - The production team aimed to blend realism with dramatic storytelling, using different filming techniques to convey the competitive nature of the legal profession [3][5].

中新网曼谷12月21日电 (李映民 刘宇博)中泰合拍电视剧《曼波奇缘》20日在泰国阿玛林电视、We TV、海外版优酷、海外版爱奇艺、YouTube等海外平台上线；同日也在中国内地优酷、人人视频、咪 咕、华数、天翼视讯同步播出，腾讯、红果、快手、抖音也将陆续上线，安徽电视台同步播出。 中泰合拍电视剧《曼波奇缘》海报。主办方供图 男一号由泰国人气演员徐志贤(别旭)饰演，他曾主演多部中国热播剧并出演网飞剧集《疯狂独角兽》。 剧集还汇聚原艺展、陈慧妍、董子鸣、尹国华、沈晓海等演员阵容，在剧集中首次系统呈现跨境电商产 业形态，探索影视内容与品牌营销的商业模式。 凭借创新的国际合拍模式与跨文化表达，《曼波奇缘》于11月5日在好莱坞TCL中国六大剧院举行的国 际短剧节IS DF2025上荣获"最佳国际合拍短剧奖"。 出品方代表、艺鼎传媒集团董事长张栋表示，《曼波奇缘》是在长期内容积累基础上的阶段性成果。未 来，艺鼎传媒将继续推动中泰及亚洲内容共创，为文明互鉴与影视创新探索更多路径。(完) 《曼波奇缘》由安徽亿品众合影视文化有限公司、北京艺鼎传奇文化传播有限公司、天际真人(泰国)有 限公司出品，芜湖亿品众合文化影视产业有限公 ...

2009年，侯鸿亮、孔笙、兰晓龙联手打造了战争剧《生死线》。十六年过去，豆瓣8.6的评分见证了其 穿越时间的不俗口碑，但一个淡淡的遗憾始终留存：它成了正午阳光作品中未曾获奖的一枚"遗珠"。 2025年，三人再度聚首，交出的作品是电影《得闲谨制》，正午阳光的"首部院线电影"为何是它？影片 总制片人侯鸿亮近日在接受北京青年报记者专访时坦言，这背后确有他们的"《生死线》情结"。那部未 曾被奖项加冕的作品，如同一个未完成的约定，催促着他们在更冒险的电影领域，完成一次时隔多年的 回答。 惊喜于没有想法的地方 也被观众解读出了含义 《得闲谨制》故事发生于1938 年到 1943 年的湖北宜昌。机械厂钳工莫得闲（肖战 饰）带家人逃难，与 被大部队遗忘的防空炮长肖衍（彭昱畅 饰）及手下在"戈止镇"落脚。然而，莫得闲和妻子夏橙（周依 然 饰）、老太爷（杨新鸣 饰）以及儿子莫等闲（严知度 饰）的平静生活因为一小队日本侦察兵的意外 到来被打破。 据悉，《得闲谨制》这个片名，经历了反复推敲，侯鸿亮透露兰晓龙写的剧本初稿并未起名，他们最初 定的片名是《命运谷》，后来一直为片名斟酌，有人建议换成《血战宜昌》，但被他们三人拒绝了，他 们仨 ...

转自：北京头条 2009年，侯鸿亮、孔笙、兰晓龙联手打造了战争剧《生死线》。十六年过去，豆瓣8.6的评分见证了其穿越时间的不俗口碑，但一个淡淡的遗憾始终留存： 它成了正午阳光作品中未曾获奖的一枚"遗珠"。 惊喜于没有想法的地方，也被观众解读出了含义 《得闲谨制》故事发生于1938 年到 1943 年的湖北宜昌。机械厂钳工莫得闲（肖战 饰）带家人逃难，与被大部队遗忘的防空炮长肖衍（彭昱畅 饰）及手下 在"戈止镇"落脚。然而，莫得闲和妻子夏橙（周依然 饰）、老太爷（杨新鸣 饰）以及儿子莫等闲（严知度 饰）的平静生活因为一小队日本侦察兵的意外到 来被打破。 据悉，《得闲谨制》这个片名，经历了反复推敲，侯鸿亮透露兰晓龙写的剧本初稿并未起名，他们最初定的片名是《命运谷》，后来一直为片名斟酌，有人 建议换成《血战宜昌》，但被他们三人拒绝了，他们仨喜欢的是《得闲谨制》，"好多人和我们说要是换个名字，可能票房会多一亿。但团队坚持了下来， 看完电影之后你会觉得，《得闲谨制》 是非常合适的片名。" 谈及首部院线电影上映后的感受，侯鸿亮坦言"刺激"，除了票房，更让他感到"刺激"的是观众对电影的解读，"开始我们还在担心我们的想法，大 ...

Core Viewpoint - The second China Film Producer Honor Ceremony was held in Guangzhou, recognizing outstanding domestic films and producers from November 2024 to November 2025, highlighting the strength of Chinese cinema [1][3]. Group 1: Event Overview - The ceremony awarded ten production companies, including those behind "Ne Zha" and "Detective Chinatown 1900," for their contributions to diverse film genres [3]. - The event is part of the 2025 Guangzhou Film Industry Expo, emphasizing the importance of domestic film production [1]. Group 2: Notable Achievements - "Ne Zha" set a new box office record for domestic films and is regarded as a milestone in Chinese animation, showcasing the vitality and relevance of Eastern stories [3]. - The film's success is attributed to the collaborative efforts of over 4,000 animators and the support from audiences, as stated by the president of Light Chaser Animation [3]. - "The Adventures of the Little Monster" by Shanghai Film Group also received recognition for its innovative blend of traditional animation techniques and modern filmmaking [5].