《反人类暴行》也是国内第一部同时使用虚拟拍摄技术和影视制作车的剧集。 天寒地冻的东北，卖货郎佟长富的马车突然被日军拦下，说是马病了，直接牵走。佟家就靠着马拉货挣钱，怎么 突然就病了？佟长富到处打听马的下落，所有线索都指向关东军防疫给水部——一个隐秘而恐怖的地方。 12月13日，时值第十二个南京大屠杀死难者国家公祭日，电视剧《反人类暴行》在江苏卫视和优酷等平台同步开 播，一开场，就以冷峻而悬疑的方式，让观众跟着小人物佟长富的脚步和目光，探入透着寒意的历史现场。 该剧取材自侵华日军第七三一部队真实罪证史料，由算执导，算、孟扬编剧，江奇霖、章宇、尹正、兰西雅、韩 静等实力派演员主演，一上线就成为年末国产剧的口碑之作，豆瓣评分从开播时8.5分涨到8.7分。 在弹幕和评论区，"美剧质感""纪录片一样冷峻克制""隔着屏幕都能闻到硝烟味"，是诸多网友对剧集的感受。 《反人类暴行》的导演兼编剧算，又一次被推向公众视野。去年，算执导的悬疑犯罪剧《边水往事》就被视为国 产剧的标杆，用强情节、快节奏、大尺度拍出鱼龙混杂的边境黑色地带，展现他几乎偏执的美学追求和复杂叙事 功底。 算撰文回忆去年冬天的创作历程，主创团队在侵华日军第七三 ...

Core Insights - The virtual filming technology is gaining traction in the industry, with companies like iQIYI showcasing its practical value and significant cost savings of over 40% compared to traditional setups [1] - The adoption of virtual filming is not limited to iQIYI; other major platforms like Tencent Video, Youku, and Mango TV are also investing heavily in this technology, indicating a growing trend in the industry [1][5] - Despite advancements in hardware and technology, the biggest challenge facing the industry is the severe shortage of skilled professionals who understand the new virtual filming processes [4][7] Group 1: Industry Trends - iQIYI reported a 125% year-on-year increase in virtual production projects, successfully engaging in the production of popular series and even feature films [1] - Major platforms are investing in state-of-the-art virtual studios and technologies, with Tencent Video planning to complete testing of its new virtual studio by the end of the year [1][5] - The industry is witnessing a shift towards virtual filming, with companies enhancing their technical capabilities and reducing costs, but the lack of trained personnel remains a significant barrier [1][4] Group 2: Challenges in Implementation - The introduction of virtual filming requires a complete overhaul of traditional filmmaking processes, necessitating new talent who can manage the integration of creative and technical teams from the project's inception [2][4] - There is a notable gap in understanding the new workflows among traditional production teams, leading to potential confusion and inefficiencies during filming [4][8] - The industry lacks clear cost expectations for virtual filming, making smaller production companies hesitant to invest in this new technology due to fears of high costs without guaranteed returns [4] Group 3: Talent Shortage - The industry is facing a critical shortage of professionals who can navigate the complexities of virtual filming, including producers who understand both creative and technical aspects [5][13] - Successful implementation of virtual filming requires a comprehensive talent system that includes CG producers, rendering engineers, and directors who can adapt to new creative processes [13] - The transition to virtual filming is not merely about acquiring technology but also about cultivating a workforce that can effectively utilize these advancements [13]

Group 1 - The total box office for the 2025 National Day holiday has exceeded 1.741 billion yuan as of October 8, including pre-sales [1] - The film market remains robust during the National Day holiday, with many audiences opting for special effect theaters for a better viewing experience [4] - IMAX theaters have seen a significant increase in attendance, with 35 million viewers choosing IMAX screenings by September 30, marking a 60% year-on-year increase [6] Group 2 - The Chinese film market has experienced continuous growth in 2025, driven by content innovation, technological breakthroughs, and synchronized policies and market dynamics [7] - The diversity of film genres during the National Day holiday caters to various audience preferences, with "The Volunteer Army: Blood and Peace" leading the box office [7] - Technological advancements in film production are being pushed by the variety of film genres, with notable innovations such as IMAX-specific filming and AI-driven sound design in films like "Assassination Novelist 2" and "Deafening" [9] Group 3 - China holds over 52% of global virtual shooting technology patents, leading the world in this area, with 80 patents compared to Japan's 60 and the USA's 20 [10] - Chinese companies occupy six of the top ten positions in the global virtual shooting patent rankings, indicating a strong presence in this innovative field [10]

Group 1 - The world's largest single LED virtual photography studio has been unveiled in Deqing, Zhejiang, featuring a 270-degree curved screen with a diameter of 50 meters and a height of 12 meters, covering a total area of 5000 m² and a screen area of approximately 1700 m², equivalent to four standard basketball courts, achieving a record of 600 million pixels [1] - Absen is committed to promoting the application of LED virtual photography studios and driving innovation in film production technology, having successfully overcome key challenges in image quality under camera conditions, including HDR display, color reproduction, high frame rates, and moiré pattern optimization [3][6] - The collaboration between Absen and Bochai has a long history, with both parties having accumulated rich practical experience in the field of virtual shooting, ensuring close cooperation throughout the project from design to installation and debugging [5] Group 2 - Absen's LED digital virtual studio solutions have been implemented in major countries such as the USA, China, the UK, France, Russia, and Canada, with dozens of benchmark projects completed and positive market feedback received [6] - The launch of the world's largest LED virtual photography studio not only represents a breakthrough in physical space but also signifies a new milestone in technological innovation and application for Absen's virtual shooting solutions [6] - Absen aims to continue serving the film industry through technological innovation, enhancing quality and efficiency, and expanding the boundaries of artistic creation and expression [6]