金秋时节，戏剧《哈姆雷特》正在北京首都剧场上演。空荡的舞台中央，一个工业风浓郁的废弃剧场呈 现在观众眼前。哈姆雷特、奥菲利亚身着兼具宫廷风格与现代审美、以黑白灰为主调的服装，穿梭于嵌 有悬梯、滑竿、秋千的巨大二层金属装置中，极简的舞美设计，冷峻的金属质感，令这部莎士比亚的不 朽经典成为北京人民艺术剧院（以下简称"北京人艺"）创新阐释外国经典剧目的再度启航之作。 北京人艺院长冯远征是《哈姆雷特》的导演之一，在他看来，新版《哈姆雷特》的题眼是"选择"，这是 当下观众能与剧中人发生情感连接与心灵共振的基点：你要如何直面现实，又要如何在困境中做出选 择？ 传承经典，同时融入与时代共鸣的更新思考，融合与传统接续的艺术风格，探索更具表现力的戏剧语 言，是北京人艺多年来在艺术道路上的执着追求。 "骆驼坦步"—— 去年10月，北京人艺赴上海巡演，《哗变》连演3场，一票难求。从1988年由朱旭、任宝贤等老一代艺 术家首演，到2006年由第二代演员接棒复排，《哗变》成就两代演员在经典剧目中的历史对话，也展现 北京人艺坚守经典的薪火传承。 "龙马风神"—— 经典剧作代际传承 "我们排演外国戏，不是模仿外国人，而是要用中国人的思维方 ...

金秋时节，戏剧《哈姆雷特》正在北京首都剧场上演。空荡的舞台中央，一个工业风浓郁的废弃剧场呈 现在观众眼前。哈姆雷特、奥菲利亚身着兼具宫廷风格与现代审美、以黑白灰为主调的服装，穿梭于嵌 有悬梯、滑竿、秋千的巨大二层金属装置中，极简的舞美设计，冷峻的金属质感，令这部莎士比亚的不 朽经典成为北京人民艺术剧院（以下简称"北京人艺"）创新阐释外国经典剧目的再度启航之作。 北京人艺院长冯远征是《哈姆雷特》的导演之一，在他看来，新版《哈姆雷特》的题眼是"选择"，这是 当下观众能与剧中人发生情感连接与心灵共振的基点：你要如何直面现实，又要如何在困境中做出选 择？ 传承经典，同时融入与时代共鸣的更新思考，融合与传统接续的艺术风格，探索更具表现力的戏剧语 言，是北京人艺多年来在艺术道路上的执着追求。 "骆驼坦步"—— 经典剧作代际传承 "我们排演外国戏，不是模仿外国人，而是要用中国人的思维方式和情感表达诠释人类共通的命题。"在 冯远征看来，北京人艺在排演世界经典剧目时，始终坚持对原作精神内核的深度挖掘与忠实呈现，同时 通过本土化的语言和表演，架设起外国作品与中国观众之间的情感桥梁。 上世纪80年代，北京人艺推出一批颇受欢迎的"洋 ...

Group 1 - The company, Jinlihua Electric, is focusing on creating classic Chinese drama works through its subsidiary, Central China Times [1] - The company aims to promote mainstream cultural consumption of drama while integrating with the development of the times and opportunities in the cultural and creative industry [1] - The exploration of the "drama + cultural tourism" integration model is a key strategy for the company [1]

Group 1 - The core theme of the news is the vibrant development of the children's theater market in Hangzhou during the summer, showcasing a blend of Chinese legends and Western fairy tales, along with various interactive activities [1][2][4] - The "Zhejiang International Children's Theater Festival" has been upgraded this year, reflecting a growing trend towards internationalization in children's theater, featuring productions from various countries [2][3] - The introduction of international productions has broadened the creative horizons for local children's theater, inspiring local creators and enhancing cultural confidence [3][6] Group 2 - The immersive experience in children's theater is becoming more prevalent, extending beyond traditional theater settings to include interactive performances and events that engage children directly [4][5] - The rise of drama education is evident, with many children participating in theater training programs, leading to successful performances such as the children's version of "Mulan" [6][7] - Schools and cultural institutions in Hangzhou are increasingly offering drama clubs and training programs, indicating a shift towards integrating drama education into broader educational frameworks [7]

Core Viewpoint - The modern Peking opera "Wildfire Spring Wind Fights Ancient City" premiered at Chang'an Grand Theatre, reviving memories of the wartime era through a new artistic form [1] Group 1: Story and Character Development - The story of "Wildfire Spring Wind Fights Ancient City" resonates with those born in the 1960s, evoking memories of heroic films from that era [1] - The character Guan Jingtiao is portrayed as complex, struggling between his role as a puppet army leader and his feelings of resentment towards invaders and traitors [1] - The narrative emphasizes the universal theme of personal choice during critical moments for the nation and the people [1] Group 2: Performance and Artistic Expression - Peking opera combines traditional performance techniques with modern storytelling, requiring actors to express character emotions through movement rather than close-up shots [2] - The challenge lies in balancing traditional stylization with modern elements, ensuring that performances remain believable and relatable [2][3] - The music composition for Guan Jingtiao is designed to enhance the character's portrayal and propel the narrative, creating a powerful emotional experience for the audience [3] Group 3: Cultural Significance - The production aims to pass on the red gene of revolutionary spirit in peacetime, maintaining the core message of honoring heroes and remembering history [3] - The evolution of "Wildfire Spring Wind Fights Ancient City" from novel to film to Peking opera reflects the enduring nature of its themes and the importance of cultural transmission [3]

Group 1 - The Zhejiang Wuju Art Research Institute has successfully performed in 69 countries and regions, attracting over 5 million audience members, showcasing its cultural export achievements [1] - The Wuju opera "Legend of the White Snake" was a highlight of the "2025 China Opera Performance Season and International Exhibition" held in Vienna, receiving enthusiastic applause from local audiences [1] - Wuju opera, originating from Jinhua, Zhejiang, is recognized as a national intangible cultural heritage, and its unique characteristics contribute to its international appeal [1] Group 2 - The journey of Wuju opera's international performances faced challenges, such as high transportation costs for traditional props, prompting the need for innovation in stage equipment [2] - The current performances utilize foldable aluminum props, allowing for easier transport, and the cast members are trained to perform multiple roles to adapt to international touring requirements [2] - To cater to overseas audiences, the Zhejiang Wuju Art Research Institute has incorporated innovative elements into performances, such as advanced stage techniques and real-time translations of lyrics in local languages [2] Group 3 - The director of the Zhejiang Wuju Art Research Institute emphasizes that cultural export is a long-term and challenging task, requiring deeper collaboration with local partners for effective communication and understanding [3]

Core Insights - The article highlights the transformation of Huichang, Jiangxi, into a vibrant cultural hub through the establishment of the Huichang Drama Town, which has hosted its third drama season in just over 500 days, attracting artists from around the world [1][2] - The involvement of young actors, referred to as "theatrical drifters," showcases the appeal of the town as a place for artistic expression and community engagement, driven by the influence of renowned director Lai Shengchuan [3][4] Group 1: Development of Huichang Drama Town - Huichang Drama Town has evolved rapidly, hosting its third drama season and featuring world premieres, thus establishing itself as a significant cultural venue [1][2] - The town's unique atmosphere, characterized by its natural beauty and historical architecture, has attracted young artists seeking a more meaningful connection to their craft [2][10] Group 2: Young Actors' Experiences - Young actors like Feng Fei and Zhao Yue have relocated to Huichang, drawn by the opportunity to work with Lai Shengchuan's team, which offers both artistic fulfillment and financial stability [3][6] - The audition process for the drama troupe was rigorous, emphasizing the potential of the actors and their ability to adapt to various roles under the guidance of Lai Shengchuan [4][5] Group 3: Artistic Environment and Community - The immersive performances held in historical settings, such as the Lai family ancestral home, enhance the audience's experience and create a unique atmosphere for the actors [2][9] - The daily life of the actors in Huichang is described as ideal, focusing solely on rehearsals and performances, fostering a sense of community and shared purpose among the troupe members [10]

Core Points - The 10th China Drama Award and the 32nd Plum Blossom Award are being held in Shanghai, featuring performances from 17 actors across various theatrical genres [1] - The awards emphasize a return to the essence of drama, prioritizing performances that adhere to the aesthetic of traditional Chinese opera while maintaining low production costs [2] - This year marks the first time that private theater troupes can apply for the Plum Blossom Award, broadening the scope of participation [2] Group 1 - The final evaluation of the Plum Blossom Award includes 62 outstanding drama actors, with 17 selected for the final round [1] - The opening performance of the final evaluation was "Taking Tiger Mountain by Strategy," which received enthusiastic applause from the audience [1] - The event is co-hosted by the China Federation of Literary and Art Circles, the China Theatre Association, and the Shanghai Municipal Committee of the Communist Party of China [1] Group 2 - The awards encourage participation from actors in less represented regions and genres, such as the Xinjiang Uygur Autonomous Region [2] - Award-winning actors will perform outreach shows in grassroots communities following the announcement of the winners [3]