整台戏没有盲目追求声光电，所有的舞美设计都服务于艺术表现。全剧收尾时，白骨精被悟空一棒打 中，从高台上一个"硬僵尸"凌空摔下，"白骨骷髅"的舞美吊景同时轰然炸裂，效果震撼。剧院里的连连 叫好，网络上"浙婺不养闲人""个个能唱能打""锣鼓卡点舒适"的好评，都是对创作者深厚功底与真诚演 绎的热情反馈。 这台戏的"新"，在于对观众喜好的积极回应，对全媒体传播的有效运用。在市场环境下，只有持续培育 新的观众群体，兼具艺术价值与市场活力，传统戏曲才能走进大众视野，走向更广阔的舞台。《三打白 骨精》的创作与传播，始终带有强烈的观众意识，特别是积极吸引年轻人的意识。白骨精的"变脸变 装"绝活，具象展现其"皮、肉、骨"三重形态，极具视觉冲击力。而其幻化出的"英姿飒爽女天神"形 象，面容姣好、身手矫健，很是贴合年轻观众审美。 9月17日晚，第十九届中国戏剧节参演作品婺剧《三打白骨精》亮相杭州东坡大剧院，一票难求、座无 虚席。这台戏不仅在剧院里叫好叫座，在网络上近来也是国潮"网红"、戏曲"顶流"。许多账号发布"白 骨精变脸变装"短视频，其中不少点赞破百万，网友直呼"太惊艳"。 婺剧俗称"金华戏"，拥有500多年历史，2008年被 ...

Core Viewpoint - Traditional Chinese opera is embracing modern elements and innovative expressions, leading to a resurgence of interest among younger audiences [2][4][6] Group 1: Innovation in Traditional Opera - The collaboration between Chongqing Sichuan Opera and the Unqi Dance Troupe resulted in a unique performance titled "Yao Bu Dao Tai," blending Sichuan opera with street dance and local dialect rap [3] - Various traditional opera forms are borrowing from each other, creating new artistic effects, such as the integration of Sichuan opera's "face-changing" technique in the Wuju opera "Three Strikes of the White Bone Spirit" [4] - Original works like the modern narrative of "Late Blooming Mountain Dan Dan" retain traditional elements while innovating in storytelling and presentation [4][5] Group 2: Youth Engagement and Development - A new generation of actors, particularly those born in the 1990s and 2000s, is emerging in the traditional opera scene, as seen in performances like the youth version of "Peony Pavilion" featuring a cast of students with an average age under 22 [6][9] - Young performers are increasingly integrating contemporary themes and popular culture into traditional performances, making them more relatable to younger audiences [9][10] Group 3: Technological Integration - The integration of digital technology is enhancing audience engagement, transforming the experience from passive viewing to interactive participation [11][12] - Innovative uses of technology, such as AR and AI, are being employed to preserve and revitalize traditional opera, making it more accessible and appealing to modern audiences [12][13]

Group 1 - The 16th Zhejiang Provincial Drama Competition will take place from August 16 to September 26 in Ningbo, featuring 25 major plays and 7 minor plays, showcasing the new landscape of Zhejiang's drama industry [1][3] - The opening performance will be the youth-oriented Yue Opera "My Grand View Garden," which aims to ignite a new wave of interest in traditional drama [2][3] - This year's competition expands the eligibility period for participating works from three years to ten years, inviting new creations from the past decade, with a diverse range of themes and styles [3] Group 2 - The competition aims to promote both major and minor plays, encouraging the development of smaller, impactful productions that can engage younger audiences and enhance drama consumption [3] - A special ticket pricing policy has been introduced, with prices starting at 50 yuan and not exceeding 380 yuan, with an average ticket price around 100 yuan, to make the event more accessible [4]

Group 1 - The Zhejiang Wuju Art Research Institute has successfully performed in 69 countries and regions, attracting over 5 million audience members, showcasing its cultural export achievements [1] - The Wuju opera "Legend of the White Snake" was a highlight of the "2025 China Opera Performance Season and International Exhibition" held in Vienna, receiving enthusiastic applause from local audiences [1] - Wuju opera, originating from Jinhua, Zhejiang, is recognized as a national intangible cultural heritage, and its unique characteristics contribute to its international appeal [1] Group 2 - The journey of Wuju opera's international performances faced challenges, such as high transportation costs for traditional props, prompting the need for innovation in stage equipment [2] - The current performances utilize foldable aluminum props, allowing for easier transport, and the cast members are trained to perform multiple roles to adapt to international touring requirements [2] - To cater to overseas audiences, the Zhejiang Wuju Art Research Institute has incorporated innovative elements into performances, such as advanced stage techniques and real-time translations of lyrics in local languages [2] Group 3 - The director of the Zhejiang Wuju Art Research Institute emphasizes that cultural export is a long-term and challenging task, requiring deeper collaboration with local partners for effective communication and understanding [3]