Group 1 - The third National Skills Competition will be held from September 19 to 23 in Zhengzhou, Henan, featuring 106 competition projects with 3,420 contestants and 3,275 judges from across the country [1] - The Beijing delegation includes 105 contestants competing in 96 projects such as hairdressing, graphic design, and traditional Chinese pastry [1] - The event showcases both advanced technology and traditional craftsmanship, including the revival of a 20-year-lost animation production technique and demonstrations of robotics and traditional glass-making skills [1][4][6] Group 2 - The hairdressing competition consists of seven modules over three days, testing various skills such as cutting, coloring, and styling, aligning with international standards [2] - Young contestants, particularly those born after 2000, make up over 60% of the participants, indicating a trend of increasing youth involvement in skilled trades [3] - The competition features innovative technologies like a hydrogen-powered robot dog capable of navigating complex terrains and an AI examination system that can recognize over 40 dialects with 99% accuracy [4][5] Group 3 - The event includes a showcase of 40 selected traditional skills and crafts, highlighting the importance of preserving cultural heritage [6] - The revival of the cel animation technique, once a dominant method in animation production, is being led by a team from Beijing, emphasizing the educational value and craftsmanship involved [7][8]

琉璃是一种常用于古代宫殿、宝塔等建筑的装饰材料。山西是我国琉璃的主产地，琉璃烧制技艺有着悠久的历史，2008年，琉璃烧制技艺列入国家级非物质 文化遗产名录。一起走进山西太原，了解古老技艺创新传承的故事。 《礼乐华夏》展正在山西考古博物馆举行，首次公开展出了多组新近出土的明代琉璃制品。山西高平市米山镇出土的一组琉璃俑，展现了明代中后期的生活 状态和场景。这组琉璃俑器型丰富、种类多样。 山西省考古研究院民族融合研究所所长 白曙璋：我们看到不光有单一色彩的琉璃、黄绿釉的琉璃，同时还有难以制作的蓝紫色色调。代表了山西在明代甚 至更早的元代，琉璃烧造的技术已经非常成熟。 琉璃生产在山西分布广泛，山西的琉璃烧造始于北魏，至明清达到鼎盛。琉璃制作，涵盖了备料、成型、素烧、施釉等多个环节，最终使得琉璃制品呈现出 五彩斑斓的效果。琉璃制作原料选用当地的坩子土，釉色常见黄、绿、蓝、紫、黑、白等色，制作方法均为二次烧成，即先烧好素胎再上釉，然后烘烧成 器。 琉璃烧制技艺在一代代匠人的口口相传中得以延续，由于时代的变迁，技艺中的孔雀蓝釉的制作却不幸失传。20世纪80年代，当时40多岁的传承人葛原生， 开启了尝试恢复孔雀蓝釉的探索之路 ...