Core Insights - The series "赴山海" has become a new flow password in the internet space, marking a significant event in the drama market for the second half of 2025 [1] - Despite high initial viewership and popularity, the series has faced criticism regarding its quality, leading to a complex evaluation of the lead actor 成毅's ability to carry a show [3][12] - The phenomenon of "black-red" (negative publicity leading to increased attention) has emerged, indicating that the series' flaws have generated significant online discussion, overshadowing its actual quality [9][11] Group 1: Series Performance and Reception - "赴山海" achieved over 700 million views within 10 days of its release, topping the drama popularity charts for 10 consecutive days [1] - The lead actor 成毅's character has garnered over 200 million views on iQIYI, showcasing his significant role in driving the series' initial success [1] - However, the series has been criticized for its production quality, with common complaints about the plot, pacing, and technical errors, leading to a decline in audience reception [6][11] Group 2: Actor's Market Position and Future Projects - 成毅 is set to star in the upcoming series "两京十五日," indicating that despite the current setback, he continues to secure high-profile projects [3] - The market's perception of an actor's ability to carry a show has become increasingly complex, with traditional metrics of success being challenged [3][18] - The concept of "single-person approval" has emerged, where top actors can secure projects based on their individual influence, reflecting a shift in how projects are evaluated in the industry [20][22] Group 3: Industry Trends and Actor Dynamics - The dual nature of flow (popularity) and its backlash has created a cycle where actors can quickly rise and fall based on a single project's reception [11][12] - The industry is witnessing a trend where both flow actors and established talent must continuously prove their worth, as the market allows for limited mistakes [29] - The emergence of a new generation of actors who can balance both popularity and acting skills is reshaping the competitive landscape, with a focus on diverse roles and strong performances [30]

Core Viewpoint - The upcoming surge of historical dramas on screen, with over 9 major productions set to be released, highlights the genre's enduring popularity and potential for audience engagement [1] Group 1: Upcoming Historical Dramas - A total of more than 9 historical dramas are awaiting release, including titles such as "The Great Businessman," "The Year of Peace," and "The Long Peace of the World" [1] - "The Great Businessman," set in the late Qing Dynasty, has already surpassed one million pre-bookings on video platforms, indicating strong viewer interest [2] - "The Wind and the Rise of Zhang Juzheng" focuses on the reforms during Zhang Juzheng's tenure, while "Zhang Jian" portrays the life of a late Qing scholar who turned to business for national salvation [4] Group 2: Themes and Appeal of Historical Dramas - Historical dramas are characterized by rich plots and vivid character portrayals, often involving power struggles, court intrigues, and legendary heroes, which captivate audiences [8] - The deeper appeal of historical dramas lies in their ability to resonate with modern viewers through the dilemmas and choices faced by historical figures [11] Group 3: Challenges and Innovations in Production - The historical drama market requires a balance between fidelity to historical facts and innovative storytelling methods, as emphasized by the creators [12] - The complexity of historical figures demands higher creative standards, as seen in "The Wind and the Rise of Zhang Juzheng," which navigates the tension between traditional culture and emerging economic forces [12] - Production costs for historical dramas are significant due to the need for authentic costumes, props, and sets, which can deter some creators [12] - New approaches are being explored, such as focusing on commercial themes in "The Great Businessman" and avoiding traditional imperial narratives in "The Year of Peace" [12]