1 该用户被禁止关注 09:00 演员闫学品 v)演员 2011.8万 获赞 543 关注 356.6万 粉丝 演员 代表作:《小姨多鹤》《女人当官》《幸福36计》 国 已实名 IP: 海南 G 直播动态 设置开播通 ... 公开资料显示，闫学晶出生于1972年，代表作品有《刘老根》《都市外乡人》《俺娘田小草》等。闫学 晶的儿子林傲霏也是一名演员，母子俩曾一起出演电视剧《和妈妈一起谈恋爱》。 作品 62 ▼ 到了用的这个年死 十关注 近日，闫学晶在直播时谈儿子一家收入，称"就挣个几十万，无法维持家庭运转"，相关言论被指"哭 穷"、变相炫富，引发争议。相关视频显示，闫学晶在直播中说，"他（指儿子）一年不得个百八十万 的，这个家才能运转，但他挣不来，一个戏就挣几十万，关键两口子工资没有那么高。" ...

近日，演员闫学晶在直播中透露儿子拍一部戏"就挣几十万块钱"，需要负担家庭年开支百八十万，否则家庭无法运转。相关内容被部分网友解 读为"哭穷""脱离大众"，引发广泛讨论。 1月11日晚，闫学晶在朋友圈发文致歉。 文中提到，"我是闫学晶。我怀着十分沉重的心情，向大家诚恳道歉！" "事情刚出来那一两天，我整个人是懵的。看到网上那么多人说我，我第一反应是惊讶、委屈，但等我真正鼓起勇气，仔细看大家的批评时，才 一下子被戳醒了。" 闫学晶称："大家批评的，不是'闫学晶说错话'，而是'闫学晶怎么变成这样了'。想到这儿，我开始认真审视自己，这根本不是一句'没说对'或 者'没把握好'那么简单，而是我的思想出了严重的偏差。 她提到："我从小在普通家庭长大，是父老乡亲和生活的烟火气喂大了我的艺术生命。我一直以为我都记得，不会忘。可实际上时间长了，环境 变了，听着掌声、捧着鲜花，慢慢习惯了被人捧着，却忘了本，我见了更大的世面，却不知不觉把这当成了一种'优越感'，忘了自己的过去。" 以下为道歉全文： 真诚致歉 大家好: 我是闫学晶。我怀着十分沉重的心情,向大家诚 恳道歉! 事情刚出来那一两天,我整个人是懵的。看到网 上那么多人说我,我 ...

1月10日，不少媒体检索发现，演员闫学晶的抖音和快手账号均已被禁止关注。此前，她在直播中谈及 儿子一家收入时的言论被认为是"炫富""哭穷"，在近一段时间里引发了不小的争议。 在网络上，针对闫学晶的言论，确实出现了各种不同的声音。有人认为闫学晶一家的收入水平已经比普 通人好上不少，还讲出此类言论，纯属"何不食肉糜"；也有人认为，作为知名演员，这样的收入不 算"夸张"，而且在大城市确实生活不易，没必要对她太"较真"。 与其说这两种观点是针锋相对的，倒不如说，这可能只是不同的人，从不同的视角看待问题。就拿闫学 晶来说，她直播中发出的一番感叹，可能没有什么主观的"恶意"，但是有一点是可以肯定的，那就是她 在发表言论时并没有考虑到如今普通人的收入水平可能会是什么样的，老百姓听到这些话时心里会有怎 么样的心情。 也就是说，闫学晶始终还是没能走出自己的"小世界"，把个人视角当中对于生活的观察和看法"普遍 化"了。"一年不得个百八十万的，这个家才能运转"之类的说辞可能是她的真实感受，但对很多老百姓 来说，就完全不是一回事了。如果说，闫学晶能学会换位思考，在说话之前能够认识到，这个世界上有 很多和她"不一样"的人，也许事情的走 ...

Group 1 - The overall box office market for the summer of 2025 is bleak, but Chen Peisi's film "Xitai" has grossed over 100 million in just two days, surpassing "Nihang Nihang" which took nine days to reach the same figure [1][3] - The film "Xitai" has received mixed reviews, indicating a potential decline in the long-standing "Chen Peisi myth" [1][4] - The exit of national comedy kings like Chen Peisi and Zhao Benshan from the film industry has had a profound impact on the domestic box office market, which has shifted towards urban middle-class audiences [4][5] Group 2 - The film industry in China has faced structural issues since the 1990s, with a significant reliance on a few successful directors and their works, leading to a fragile middle market [5][6] - The transition from a planned economy to a market economy in the late 1980s and early 1990s led to a crisis in the film industry, with a decline in both the quantity and quality of domestic films [6][7] - The introduction of Hollywood films in the 1990s further exacerbated the challenges faced by domestic productions, as they struggled to compete with the precision and appeal of foreign films [19][20] Group 3 - The real estate boom in the 2000s provided a temporary revival for the film industry, leading to a surge in commercial cinemas and a renewed interest in local films [22][23] - However, the current film market is highly capitalized and entertainment-driven, making it difficult for traditional artists like Chen Peisi and Zhao Benshan to participate meaningfully [24][25] - The absence of crowd-pleasing films has resulted in a weak middle market, which is crucial for sustaining the industry and nurturing talent [25][26] Group 4 - The historical context of the film industry reveals a pattern of misalignment between production and audience interests, leading to a decline in viewership and engagement [10][14] - The lack of a robust middle market has resulted in a reliance on blockbuster films, which can be risky if they fail to perform [26][27] - The current state of the film industry reflects a departure from the grassroots, community-oriented storytelling that characterized earlier successful films [24][31]