《大东北我的家乡》
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2026年吉林卫视春晚将于2月13日播出
Xin Lang Cai Jing· 2026-02-12 13:25
剧《满江红》则以铿锵节奏与匠心创编,诠释家国同心的赤诚情怀,抒发守土保家的时代豪情,让家国 大义直抵人心、激荡共鸣。 欢乐喜庆,热闹吉祥!《回家过年——2026年吉林卫视春节联欢晚会》将于2月13日(腊月二十六) 19:30在吉林卫视与全国观众温暖相见。 今年吉林卫视马年春晚延续"回家过年"核心主题,以创新编排、细腻表达与温暖呈现,勾勒喜气洋洋、 吉祥如意的新春氛围;更邀请全国各地关心热爱吉林的朋友参与录制,以多元视角全景展现吉林风貌, 传递这片土地日新月异的发展活力与吉林人民热情好客的人间烟火气。 今年吉林卫视春晚依旧"吉味"拉满,将浓郁东北风情巧妙融于节目演绎之中,通过新编歌曲、创意舞 蹈、国粹演绎、精彩视觉等多元呈现形式,让浓浓年味与吉地特色交织碰撞,勾勒出一幅热闹喜庆、温 情幸福的生活图景,为观众奉上一席家国同庆的文化盛宴。 歌舞《黑马驾到》《午福临门》《马力全开》以热闹的氛围与昂扬的旋律,唱响新时代吉林人民蒸蒸日 上的幸福生活,诉说对未来的美好向往;《天下雪长白》《大东北我的家乡》《梦中的冰凌花》《蝶舞 千年》等节目,以细腻的情感演绎搭配创意舞美,将吉林之美涓涓细流般浸润进观众心底;文旅快闪 《时空 ...
袁娅维成功对打AI,人类Diva为何无可替代?
3 6 Ke· 2025-12-16 11:35
Core Insights - The article discusses the cultural phenomenon surrounding the AI-generated versions of the song "My Hometown in Northeast China," particularly focusing on the competition between AI and human artists, exemplified by Yuan Yawen's rendition [1][3][4]. Group 1: AI and Human Artist Interaction - The initial excitement was sparked by AI versions of the song that closely mimicked Yuan Yawen's vocal qualities, leading to public demand for a live performance by the original artist [1][4]. - Yuan Yawen's decision to respond to the challenge posed by AI versions reflects a spirit of innovation and adaptability within the music industry [8][19]. - The competition between AI and human artists is framed not as a zero-sum game but as an opportunity for collaboration and co-creation in the music space [19]. Group 2: AI's Impact on the Music Industry - A recent survey indicated that 97% of listeners could not distinguish between AI-generated songs and those created by humans, highlighting concerns about AI's potential to disrupt traditional music creation and consumption [14]. - The volume of AI-generated music submissions has surged, with over 50,000 daily submissions on platforms like Deezer, accounting for one-third of total uploads, reflecting a significant trend in the industry [17]. - The industry is shifting its focus from merely discussing AI technology to establishing comprehensive frameworks that address ethical and commercial aspects of AI in music [17]. Group 3: Future of Music Creation - The article suggests that the future of music will involve a redefined relationship between human and AI contributions, emphasizing that both can coexist and enhance the creative process [19]. - Historical technological advancements in art have often led to a re-evaluation of artistic boundaries, and AI is expected to similarly elevate the value of human creativity rather than diminish it [19]. - The success of Yuan Yawen's new rendition serves as a powerful example of how artists can leverage technology to explore new creative avenues [19].
年轻人的“发疯”BGM,又变异了
3 6 Ke· 2025-11-11 10:23
Core Viewpoint - The rise of abstract background music (BGM) in short videos has captivated young audiences, characterized by illogical lyrics and electronic sounds, creating a new cultural phenomenon that thrives on absurdity and instant gratification [1][16][30] Group 1: Characteristics of Abstract BGM - Abstract BGMs lack traditional musical structure and emotional logic, instead focusing on absurdity, sound effects, and rhythm, which resonate with the audience's desire for immediate emotional stimulation [19][24] - Popular tracks like "Bird Shake" have achieved massive engagement, with nearly 40 billion topic views on Douyin, showcasing the viral nature of these abstract compositions [1][3] - The phenomenon has led to various adaptations and interactions in live performances, further embedding these BGMs into popular culture [3][5] Group 2: Cultural Impact and Trends - The trend of abstract BGM reflects a broader cultural shift among young people, who increasingly favor content that is immediate and devoid of deep narrative or emotional complexity [24][30] - The emergence of "Italian brainrot" music, characterized by bizarre and nonsensical elements, parallels the rise of abstract BGM in China, indicating a global trend towards absurdist entertainment [21][25] - This cultural movement is marked by a rebellion against traditional aesthetics, with young audiences embracing the chaotic and nonsensical as a form of identity and expression [27][30] Group 3: Market and Commercialization - Brands are quickly adapting to this trend, with campaigns that incorporate elements of popular abstract BGMs, such as JD's "Skill Buy Furniture" event, indicating a recognition of the commercial potential of this cultural wave [5][24] - The gaming industry is also capitalizing on this trend, integrating popular dance moves from abstract BGMs into gameplay, further blurring the lines between music, gaming, and social media [5][24] Group 4: Future Considerations - As the novelty of abstract BGM begins to wear off, there is a concern about audience fatigue and the potential for a decline in engagement with similar content [29][30] - The overconsumption of low-quality, absurdist music may lead to a cultural shift where young audiences become increasingly reliant on instant gratification, potentially diminishing their capacity for deeper engagement with more traditional forms of art and music [29][30]