首次到访富阳的台湾青年导演邱庆龄来到大陆已12年。他表示："我特别希望更多的台湾青年能来大陆 看看，感受这里的发展和变化，这里有广阔的天地、无限的可能。未来我会继续用镜头，记录下这片土 地的美好。" 浙江省台办相关负责人表示，希望两岸青年新媒体人以此次活动为契机，深耕中华优秀传统文化，创新 叙事表达，讲好浙台融合发展故事，为深化两岸融合发展注入持久的新媒体活力。(完) 600多年前，元代画家黄公望在富阳结庐隐居，创作《富春山居图》。《富春山居图》"剩山图"现藏于 浙江省博物馆，《富春山居图》"无用师卷"则藏于台北故宫博物院。这幅跨越海峡的传世名画，让"黄 公望隐居地"成为两岸同胞共同的情感纽带。 中新网杭州12月12日电 (钱晨菲 吴怡欣)12月11日至12日，"缘聚公望圆缘园 共绘融合新篇章——两岸青 年新媒体交流沙龙"在浙江杭州富阳举行，两岸新媒体人共访《富春山居图》实景地，互学互鉴、共话 发展。 2022年，公望两岸圆缘园在"黄公望隐居地"开园，"圆缘园"三字寓意"以画为缘，共盼团圆，共建家 园"。三年来，越来越多台胞循"缘"而来，在此落地生根：台青邱榆芳创办陶艺工作室，将两岸的山水 意境融入陶瓷创作； ...

转自：北京日报客户端 南下的冷空气，终于驱散了江南持续的炎热，富阳也有了些许秋天的模样。清晨的富春江，人未至，江 水湿润的气息便随着江风飘散过来，乍起乍落的凉意，像是不断往咖啡里续着冰块，让人清醒许多。富 春江水面宽阔如大江，却不似大城里熙熙攘攘的黄金水道，它苏醒时，是清爽的自然醒，不会拖泥带水 携着喧嚣任性的床气。一切都慢条斯理、轻言慢语，江水轻拍着河岸，江风摇曳着岸边的树木，时不时 从树冠深处传出几声鸟鸣，动静怡然间，日光一点点洒满江面。 天还早，江边已聚了一些钓鱼人。天渐凉，他们也穿上了厚实些的衣服，看着他们的身影，想起了富阳 最知名的历史遗迹严子陵钓台。东汉开国名臣严子陵，拒绝了光武帝的邀请，执意隐居江南山野，留下 了在富春江边垂钓的传说。富春江多鱼虾，相信自古便是如此。几位钓鱼人是富春江的常客，每天早上 天不亮就从杭州城里赶到富阳垂竿，我问其中一位，"能钓得到鱼吗？"那人把两手往外摊开，操着浓浓 的乡音作答，"能啊，能钓到这么大的。"我有些惊讶，"那得有一米多！"另一个渔者，怕我不信，抢话 道："那种大鱼前几天我就钓到过。"声音很大，不远处的几位钓鱼者听见，也转头侧目过来。 一阵攀谈后，我大概知道了 ...

Core Viewpoint - The article emphasizes the importance of patience and steady progress over the pursuit of quick success, highlighting that rushing can lead to mistakes and setbacks in personal and professional endeavors [4][14][42]. Group 1: The Dangers of Impatience - Impatience and the desire for immediate results can trap individuals in a cycle of chaos and dissatisfaction, leading to poor decision-making and missed opportunities [6][15][20]. - The story of Wang Peiyu illustrates how a hasty decision to leave a stable job for independence resulted in the failure of her studio due to a lack of experience in management [8][9]. - The experience of author Mai Jia shows that rushing to produce work for financial gain can compromise quality, resulting in negative feedback and long-term damage to one's career [11][12]. Group 2: The Importance of Steady Progress - The article advocates for a gradual approach to achieving goals, suggesting that consistent, small improvements lead to significant outcomes over time [18][30]. - It cites the example of Zeng Guofan, who achieved success through persistent effort and a methodical approach to learning, demonstrating that patience can lead to mastery [28][30]. - The narrative of painter Huang Gongwang emphasizes that true artistry and quality come from taking the time to develop skills and understanding, rather than rushing to complete a work [34][36]. Group 3: Balancing Speed and Quality - The article warns against the modern tendency to equate busyness with productivity, suggesting that this mindset can lead to burnout and inefficiency [20][21]. - It highlights the importance of finding a personal rhythm and pace in work and life, advocating for a balance between urgency and thoroughness [38][44]. - The conclusion stresses that long-term success is built on a foundation of patience and careful cultivation, rather than a frantic chase for immediate results [40][41][45].

Core Viewpoint - The article emphasizes the significance of the "Top Ten Masterpieces of Chinese Calligraphy and Painting," highlighting their cultural and historical value as treasures of Chinese civilization [1][3][8]. Group 1: Overview of the Top Ten Masterpieces - The "Top Ten Masterpieces of Chinese Calligraphy and Painting" includes renowned works such as "Lo Shen Fu Tu," "Qian Li Jiang Shan Tu," "Qing Ming Shang He Tu," "Fu Chun Shan Ju Tu," "Han Gong Chun Xiao Tu," "Bai Jun Tu," "Bu Nian Tu," "Hui Shan Shi Nu Tu," "Wu Niu Tu," and "Han Xi Zai Ye Yan Tu" [4][24]. - These masterpieces are considered the pinnacle of ancient Chinese art, embodying the unique artistic spirit of the Chinese nation and reflecting thousands of years of history and culture [6][8][28]. Group 2: Cultural and Historical Significance - The article describes these paintings as "living history" and "silent symphonies," representing the heights of Chinese art history and serving as cultural landmarks [8][10]. - The masterpieces are rare treasures, with each piece being a product of meticulous craftsmanship and historical significance, dating from the Eastern Jin to the Northern Song dynasties [28][84]. Group 3: Accessibility and Preservation - Access to these artworks is limited, with exhibitions occurring infrequently, making it a once-in-a-lifetime opportunity for many to view them in person [14][17]. - The article discusses the challenges of preserving ancient paintings, noting that restoration efforts can lead to damage, and viewing them online often results in a loss of detail and color accuracy [11][13]. Group 4: The "Handscroll of China" Collection - The "Handscroll of China" collection features high-quality reproductions of the ten masterpieces, allowing more people to appreciate these national treasures [21][30]. - This collection is produced under the supervision of the Chinese Cultural Relics Association, utilizing advanced reproduction techniques to ensure high fidelity to the original works [30][35]. Group 5: Features of the Collection - The collection boasts five key features: authoritative supervision, high-definition reproduction, full-length restoration, limited official release, and accompanying certification, making it a valuable collectible [30][78]. - Each reproduction is crafted with care, using materials that closely match the originals, and is presented in a high-quality gift box, enhancing its aesthetic and collectible value [45][73].

Core Points - The article highlights the emotional and historical significance of the relocation of cultural artifacts from the Palace Museum during the war, focusing on the life of Zhuang Yan and his son Zhuang Ling, who were deeply involved in the preservation of these treasures [1][3][12]. Group 1: Historical Context - In 1933, over 10,000 boxes of artifacts were relocated from the Palace Museum to avoid destruction during the war, showcasing the commitment of museum staff to protect cultural heritage [1][3]. - Zhuang Yan was one of the key figures responsible for the safe transport of artifacts during the tumultuous years of the Second Sino-Japanese War, demonstrating the perilous conditions under which these items were moved [3][4]. Group 2: Personal Narratives - Zhuang Ling, born during the artifact relocation, reflects on his childhood experiences amidst the hardships of war, emphasizing the cultural education he received from his father [6][10]. - The article describes the family's efforts to maintain a connection to Chinese culture through storytelling and games, despite the challenging circumstances they faced [9][10]. Group 3: Cultural Significance - The ongoing exhibition at the Palace Museum commemorates the migration of artifacts, highlighting the shared cultural heritage between the two sides of the Taiwan Strait [12][13]. - The article notes that the artifacts have fostered a sense of cultural identity among Taiwanese people, while also representing a longing for reunification of cultural treasures [12][14]. Group 4: Future Aspirations - Zhuang Ling expresses hope that the regrets of the previous generation regarding the separation of cultural artifacts will not be passed on to future generations [15].

Core Viewpoint - The article emphasizes the significance of Chinese aesthetics and its historical depth, showcasing how traditional Chinese art and design have influenced global standards of beauty and creativity [2][7][39]. Group 1: Chinese Aesthetics and Global Influence - The article highlights the transformation of Zhao Liying's image through the adoption of new Chinese styles, which have garnered admiration from both domestic and international audiences [3][5]. - It points out that many Western artists and designers have drawn inspiration from Chinese aesthetics, indicating a long-standing appreciation for Chinese art in Western culture [10][18]. - The article mentions specific historical instances where Western figures, such as Louis XV and George IV, expressed their admiration for Chinese art and aesthetics, further solidifying its global impact [18][21]. Group 2: Historical Context and Artistic Masterpieces - The article discusses a comprehensive book that compiles nearly 200 masterpieces from Chinese art history, emphasizing its significance as a cultural treasure [25][41]. - It notes that over 35% of the artworks included are rare pieces that are difficult to encounter, showcasing the book's unique value [27]. - The text elaborates on the detailed analysis of famous artworks, such as "Qianli Jiangshan Tu" and "Qingming Shanghe Tu," revealing the intricate techniques and cultural narratives embedded within them [31][49]. Group 3: Educational Value and Accessibility - The article promotes the book as an essential resource for families, particularly for educating children about Chinese art and aesthetics [52][65]. - It emphasizes the book's luxurious presentation and affordability, making it accessible for a wider audience while encouraging the appreciation of Chinese culture [54][93]. - The article concludes by positioning the book as not just a collection of art but as a personal museum that can enrich one's understanding of Chinese aesthetics and history [95].

Core Viewpoint - The article emphasizes the significance of Chinese aesthetics and its historical depth, showcasing how traditional Chinese art and design have influenced global trends and continue to hold value in contemporary culture [4][10][40]. Group 1: Chinese Aesthetics and Global Influence - The article highlights the transformation of Zhao Liying's image through the adoption of new Chinese styles, which have garnered admiration from both domestic and international audiences [6][8]. - It points out that many Western designers and artists have drawn inspiration from Chinese aesthetics, indicating a long-standing appreciation for Chinese art in Western history [19][22]. - The article mentions specific historical instances where Western figures, such as Louis XV and George IV, expressed their admiration for Chinese art and aesthetics, further solidifying its global influence [19][22]. Group 2: Historical Art and Cultural Significance - The article discusses a comprehensive art book that encapsulates 8000 years of Chinese aesthetics, featuring nearly 200 masterpieces from various dynasties, emphasizing its educational value for understanding Chinese culture [38][42]. - It details the rarity and significance of the artworks included in the book, with over 35% being unique pieces that are rarely seen, thus enhancing the book's value as a cultural artifact [28][42]. - The article also highlights the meticulous reproduction quality of the book, which allows readers to appreciate the intricate details of the artworks, making it a valuable resource for art enthusiasts and educators [83][91]. Group 3: Educational Value and Accessibility - The article advocates for the importance of educating future generations about Chinese aesthetics, suggesting that this art book serves as an essential tool for cultivating artistic appreciation and understanding [52][66]. - It emphasizes the book's affordability and accessibility, making it a practical choice for families looking to enrich their children's cultural education without significant financial burden [55][93]. - The article concludes by positioning the book not just as a collection of art but as a personal museum that can enhance one's living space and provide a deeper connection to Chinese cultural heritage [95].

Core Insights - The article discusses the historical context and significance of Chinese painting during the Yuan, Ming, and Qing dynasties, particularly focusing on the works of artists like Zheng Sixiao and Gong Kai, who expressed their sentiments as "remnant subjects" after the fall of the Song dynasty [1][2][3] Group 1: Artists and Their Works - Zheng Sixiao's painting "Molan Tu" symbolizes the nostalgia for the Song dynasty, depicting a rootless orchid that reflects the artist's emotional state and the broader sentiment of loss among the literati [2][3] - Gong Kai's "Junma Tu" similarly embodies the remnant spirit, showcasing a horse that represents the pain of lost identity and the passage of time [3] - The article highlights the contrasting approaches of artists like Zhao Mengfu, who sought to transcend their circumstances through a revival of ancient styles, thus maintaining their cultural identity despite the political changes [3][4] Group 2: Cultural Gatherings and Their Impact - The article describes the flourishing of cultural gatherings (Yaji) during the Yuan dynasty, where literati would convene in private gardens to share art and poetry, fostering a rich cultural exchange [4][5] - Notable figures such as Gu Ying and Ni Zan played significant roles in these gatherings, contributing to the development of literati painting and the preservation of cultural heritage [4][5] - The gatherings served as a platform for artists to express their feelings about the changing political landscape while also allowing for the continuation of artistic traditions [5][6] Group 3: Legacy and Reflection - The remnants of these cultural practices, such as the fragmented "Fuchun Mountain Residence" painting, symbolize the enduring legacy of the literati spirit and their connection to history [5][6] - The article emphasizes the importance of these historical narratives in understanding the emotional and cultural landscape of the time, as well as their relevance to contemporary reflections on identity and heritage [6]

Core Viewpoint - The article highlights the cultural and natural significance of the Fuchun River, emphasizing its historical, artistic, and literary importance, particularly in relation to famous figures like Yu Dafu and Huang Gongwang [3][5][11]. Group 1: Cultural Significance - Fuchun River is celebrated for its rich cultural heritage, being the birthplace of numerous literary works and home to over a thousand poets who have composed more than two thousand poems praising the river [11]. - The region has a long history, with the county of Tonglu established during the Three Kingdoms period, retaining its ancient charm and cultural essence [6]. Group 2: Artistic Importance - The Fuchun River is the inspiration behind the renowned painting "Fuchun Mountain Residence," created by Huang Gongwang, which captures the beauty of the river and its surroundings [3][4]. - The artistic techniques employed in the painting reflect the unique characteristics of Chinese art, showcasing the interplay between nature and human creativity [3]. Group 3: Natural Beauty - The Fuchun River flows through picturesque landscapes, characterized by lush mountains and clear waters, creating a serene environment that attracts visitors [5][8]. - The river's ecosystem supports diverse flora and fauna, contributing to its reputation as a natural treasure [5][8].

Core Viewpoint - The article emphasizes the cultural and historical significance of the Forbidden City, highlighting its architectural beauty and the rich history behind its artifacts, while promoting a special book that encapsulates this heritage. Group 1: Cultural Significance - The colors red, yellow, and blue symbolize the grandeur and history of the Forbidden City, representing 600 years of imperial legacy and timeless craftsmanship [2][4]. - The Forbidden City is not just an architectural marvel but a living history of Chinese civilization, housing 1.86 million artifacts that reflect the aesthetic values and artistic achievements of ancient China [15][18]. Group 2: Historical Narratives - The article recounts poignant historical moments, such as Emperor Shunzhi's grief for his wife and Emperor Yongzheng's dedication to his work, illustrating the human stories behind the palace [6][9][11]. - It critiques the portrayal of the Forbidden City in media, which often focuses on sensationalized narratives, overshadowing the true historical depth and the significance of its collections [14][15]. Group 3: Book Promotion - A special book titled "The Most Beautiful Forbidden City" is introduced, featuring a comprehensive collection of artifacts from four major palaces, aiming to provide an immersive experience of Chinese art and history [27][28]. - The book is presented as a lifelong treasure, designed to enhance understanding of architectural aesthetics and Eastern art, making it suitable for both personal enjoyment and as a gift [30][71]. Group 4: Visual and Artistic Value - The book includes over 400 representative works, showcasing the evolution of Chinese aesthetics from various dynasties, and is described as a visual feast that captures the essence of Chinese culture [115][139]. - It features high-quality reproductions and detailed photography, allowing readers to appreciate the intricate details of the artifacts and artworks [142][146]. Group 5: Accessibility and Pricing - The book is offered at a promotional price of 399 yuan, significantly lower than its original price of 1298 yuan, making it more accessible to a wider audience [63][160]. - Additional gifts are included with the purchase, enhancing the value proposition for potential buyers [67][164].