艺术创新
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让技术为艺术扩容 “时代审美与艺术创新”新春学术研讨会在宁举办
Yang Zi Wan Bao Wang· 2026-02-26 13:38
去年初,DeepSeek火爆全网,江苏省当代艺术创作研究会敏锐把握时代脉动,在全省率先成功举办"AI 背景下文艺创作研讨会";今年新春伊始,研究会赓续学术薪火再度举办专题研讨,持续深耕这一前沿 议题。 文艺创作不仅要有当代生活的底蕴,而且要有文化传统的血脉。陈军引领观众从《诗经》中管窥文学经 典的魅力。"作为一部文学经典,《诗经》穿越几千年,为什么仍然让我们着迷?"陈军认为,在词汇方 面,它是穿越时空的精灵;在题材上,《诗经》里有鲜活的人文画卷;在思想层面,《诗经》是丰厚的 生活积淀。陈军强调,作为中华民族的"元典"之一,《诗经》不仅属于中国,还属于世界。 2月26日,"时代审美与艺术创新"新春学术研讨会在南京洋河文化艺术中心举行。来自相关领域的专家 学者及各界嘉宾近百人出席本次研讨会。活动由江南时报社原社长、总编辑,省当代艺术创作研究会执 行秘书长管云林主持。 上午,复旦大学国家文化创新研究中心主任、教授孟建,南京艺术学院党委常委、副院长张捷先后作 《对我国当代艺术创新发展的思考》《数字媒介下的艺术创作:变化、探索与选择》主题分享。 "一半是哲人、一半是诗人。当代艺术家置身于巨大的社会变革中,感受时代、人性 ...
省评协举办“大地艺术展”品评导赏与学术沙龙活动
Xin Lang Cai Jing· 2026-02-10 16:59
本报讯 2月5日,恰逢立春时节,万物复苏、大地焕新,由省评协主办的"艺术唤醒乡土·评论连接大 众"——"大地艺术展"品评导赏与学术沙龙活动在澄迈县福山镇保良古村举办。本次活动是省评协落实 中国文艺评论家协会"中国有品——评论在现场"主题活动的具体实践,旨在通过深入艺术现场,以多元 视角解读作品,探讨新大众文艺时代艺术与乡土、艺术与大众的深层联系,推动文艺评论走向实践、融 入现场。 活动邀请了省文联作协党组成员、省文联副主席王雄,省文联副主席、省评协主席刘复生,澄迈保良古 村第一届大地艺术展策展人、海南评协理事、海南大学教授邓菡彬,中国评协会员、海南师范大学教授 韩潮,海南大学副教授、国际传播与艺术学院传播学系主任朱杰,中国评协会员、海南大学副教授于晓 华,澄迈保良村新村民、文旅博主高晓晓等多领域嘉宾参与。 当天,评论家们带领观众环村而行,在古村落与田野间,对展览作品进行即兴品评与导赏。 导赏结束后,评论家们围坐村中茶轩,开展学术沙龙。大家以保良古村和大地艺术展为案例,多角度聚 焦"新大众文艺",深入探讨艺术乡建、艺术创新与乡村振兴的融合路径,为海南乃至全国的艺术实践提 供了理论参照与行动启示。 此次学术沙龙观 ...
徐渭:一代宗师的坚守与艰难
Xin Lang Cai Jing· 2026-02-08 15:29
Core Viewpoint - Xu Wei, a master of the freehand brushwork style in Chinese painting, was not widely recognized during his lifetime, facing poverty and illness, which highlights the disconnect between artistic innovation and contemporary acceptance [1][3]. Group 1: Artistic Style and Reception - Xu Wei's freehand brushwork style deviated from the mainstream aesthetics and creative paradigms of the late Ming dynasty, which favored meticulous and refined techniques [3][4]. - The dominant styles of the time, such as the court style and the Wu School, emphasized precision and elegance, which Xu Wei's work rejected in favor of emotional expression and spontaneity [4][6]. - His works, characterized by chaotic brush strokes and abstract forms, were seen as lacking refinement and were often dismissed as "wild" or "unorthodox" by the literati class [4][7]. Group 2: Emotional Expression in Art - Xu Wei's art was a direct projection of his emotional turmoil, channeling feelings of depression, anger, and solitude into his brushwork, contrasting sharply with the restrained emotional expression typical of the literati paintings [6][10]. - The emotional intensity and rawness of Xu Wei's work were perceived as incompatible with the aesthetic values of the literati, who preferred subtlety and moderation in emotional expression [6][12]. Group 3: Historical Context and Legacy - The primary consumers of art during the late Ming dynasty were the court, aristocrats, and literati, who favored styles that aligned with their social status and aesthetic preferences, making Xu Wei's work less marketable [6][7]. - Xu Wei's innovative approach to art was not appreciated until later generations, such as the Eight Eccentrics of Yangzhou and Qi Baishi, recognized and further developed his freehand style [10][12]. - His life story reflects the broader challenges faced by traditional literati artists, who often struggled to find a sustainable livelihood outside the officialdom and mainstream artistic circles [12][13].
【视线】第三届“京韵天桥”文化活动启幕
Xin Lang Cai Jing· 2026-01-24 20:40
(来源:工人日报) 本报讯(记者赖志凯 实习记者沙剑青)"以前逛天桥只图个热闹,转头就忘。现在能带着孩子近距离看 口技、听昆曲,街坊们茶余饭后也有了好去处。"北京市西城区天桥街道禄长街社区居民张桂兰攥着折 得整齐的节目单,牵着孙辈穿梭在展演区,目光追随着台上非遗传承人的指尖技艺。 台下像张桂兰这样的居民不在少数,他们笑意满面,满是对天桥街区文化新生的欣慰。从昔日锣鼓喧 天、艺人零散摆摊的杂耍市集,到如今常态化、高品质的文化服务阵地,这场融合非遗、高雅艺术与跨 文化元素的活动,展现了老天桥文化在传承创新中质的飞跃。 现场发布的《天桥有绝活》新书,追溯了老天桥市场的流变,对天桥文化进行了全面而深入的总结。书 中记录了老天桥杂耍戏场说、演、练、变、戏五门艺术的绝活,也描绘了昔日在天桥卖艺的一众艺术家 风采。西城区相关负责人手持新书,细致解读传承故事,希望让更多人参与非遗传承。 同时,天桥地区与8地非遗友城合作、区街校思政基地两大机制落地,山西武乡县将组织非遗互展,北 京联合大学将派学生走进胡同工坊,用青春创意为老技艺注入新活力。 "搞文化不求场面造势,关键是让非遗走进巷陌、融入生活,把文化惠民落到实处。"相关负责人 ...
经典“常演常新” 的密码是什么?
Xin Lang Cai Jing· 2026-01-14 16:32
Core Viewpoint - The article highlights the innovative approaches of director Chen Wei in revitalizing traditional Chinese opera and theater, showcasing her ability to blend contemporary themes with classical art forms to attract modern audiences [1][7]. Group 1: Performance Highlights - Chen Wei's 2025 performance schedule is packed, featuring multiple productions across various genres, including opera, musical theater, and traditional Chinese drama, with significant audience engagement [2][4]. - The opera "Jiang Ge Er" and the musical "Bay Top Moonlight" are among the notable works that have achieved high ticket sales and audience demand [2][5]. Group 2: Artistic Innovation - Chen Wei breaks the boundaries of traditional art forms, integrating modern multimedia techniques into classical genres like Qin opera, enhancing the audience's experience [5][9]. - The use of AR technology in "Life's Oasis" exemplifies her commitment to merging traditional art with contemporary aesthetics, making it appealing to younger audiences [5][11]. Group 3: Revitalizing Classics - Chen Wei emphasizes the importance of making classic works resonate with contemporary audiences, as seen in her successful adaptation of "The Wild" and "Eugene Onegin," which maintain their relevance through innovative staging and thematic depth [7][13]. - Her approach to adapting foreign classics involves a return to literary and poetic roots, creating immersive experiences that connect with Chinese cultural perspectives [7][12]. Group 4: Creative Ecosystem - Chen Wei fosters a collaborative creative environment by assembling high-level teams tailored to each production's needs, ensuring a blend of professional and local talent [9][12]. - Her method of integrating local cultural elements into productions, as demonstrated in "Wooden Song of Love," showcases her commitment to preserving and innovating traditional art forms [11][12]. Group 5: Audience Engagement - Chen Wei believes in the significance of connecting with audiences through meaningful content that reflects contemporary societal values, ensuring that her works convey positive messages and emotional depth [13][14]. - The continuous evolution of her productions, including adjustments based on audience feedback and venue conditions, highlights her dedication to maintaining high artistic standards and audience satisfaction [14][15].
近600件中外作品将汇聚第十届中国北京国际美术双年展
Zhong Guo Xin Wen Wang· 2025-12-22 12:59
Group 1 - The 10th China Beijing International Art Biennale will open on December 29, showcasing approximately 600 contemporary art pieces from nearly 120 countries and regions [1][4] - The theme of this year's biennale is "Symbiosis," aimed at promoting cultural exchange and artistic innovation through international art collaboration [3] - The exhibition structure includes thematic exhibitions, special exhibitions, and country exhibitions, focusing on issues such as peaceful development and ecological civilization [3] Group 2 - The exhibition will feature traditional art forms like painting and sculpture, as well as modern categories such as digital and video art, to explore new concepts in art creation [3] - An international digital art special exhibition and a contemporary ink painting special exhibition will be introduced, highlighting the contemporary vitality and international influence of ink painting [3] - The event will elevate the academic seminar to the "1st Beijing Biennale International Art Conference," focusing on three major topics related to art expansion and future development in the intelligent era [3]
音乐剧《风声》北京保利剧院开演,顶配卡司演绎沉浸式信仰之战
Xin Lang Cai Jing· 2025-12-21 13:27
Core Viewpoint - The musical "Wind Sound," adapted from Mai Jia's novel and produced by Ayunga, will be performed in Beijing from December 19 to 22, 2023, as part of the "Great Drama in Beijing" cultural creation incubation platform, aiming to connect contemporary audiences with the historical context of the Anti-Japanese War [1][3]. Group 1 - The musical focuses on the espionage battles in Qiu Village during 1941, commemorating the 80th anniversary of the victory in the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War [3]. - Ayunga leads a strong cast, taking charge of the creative direction and performing the core role, while also composing the original theme melody [3]. - The production features a rich array of performances from notable actors, enhancing the depth of character portrayals and encouraging audience engagement through cast rotations [3]. Group 2 - The integration of stage design, lighting, multimedia, and music creates a seamless transition of time and space, with key musical segments like "Confidant" and "Fog" effectively conveying the characters' internal struggles and faith choices [3]. - The innovative incorporation of "script murder" style suspense elements and reflective monologues strengthens the female characters' agency while preserving the essence of the original work [3]. - The emotional impact of the performance is highlighted by prolonged applause and audience tears, reflecting the strong resonance of the themes of faith and sacrifice [4]. Group 3 - Following the Beijing performances, "Wind Sound" will continue its national tour and plans to reach international stages, aiming to share Chinese stories with a broader audience [6].
只有不断创新,才能真正扩大剧院的影响力
Ren Min Ri Bao· 2025-12-18 07:22
Core Viewpoint - The National Centre for the Performing Arts (NCPA) celebrates its 18th anniversary, showcasing its commitment to "people-oriented, artistic, and international" principles through various performances and cultural initiatives [3][12]. Group 1: Achievements and Impact - The NCPA has hosted approximately 1,400 performances annually, produced 119 original productions, and achieved over 7 billion online performance views [3]. - The establishment of the "World Theatre Alliance" with 41 art institutions from 26 countries highlights the NCPA's international collaboration efforts [3][13]. - The NCPA's initiatives reflect significant achievements in China's cultural development, serving as a vibrant example of cultural construction [3]. Group 2: Audience Engagement and Cultural Trends - The NCPA aims to create a comprehensive cultural function, blending art with technology, heritage, and tourism to enhance cultural experiences [4][8]. - Recent trends show that younger audiences (ages 45 and below) make up 75% of attendees for various performances, indicating a shift towards a more vibrant and engaged viewing demographic [8]. - The audience's preference has evolved from merely attending performances to seeking high-quality, impactful artistic experiences [8]. Group 3: Strategic Development and Innovation - The "One Theatre, Three Venues" strategy allows for differentiated presentations of the same production and targeted outreach for various performances [7]. - The NCPA emphasizes the importance of artistic quality over celebrity status, focusing on the emotional impact and influence of the art [8][10]. - Continuous innovation is a core principle for the NCPA, with efforts to adapt to changing cultural demands and enhance audience engagement through online and offline experiences [11][14]. Group 4: Cultural Exchange and Global Influence - The NCPA has successfully conducted international tours, achieving an average attendance rate of 95% during performances in Europe, showcasing its global appeal [12]. - The NCPA's role as a cultural ambassador is reinforced through initiatives that promote Chinese art globally while inviting international artists to engage with Chinese culture [12][13]. - The NCPA's commitment to creativity and innovation is seen as essential for expanding its influence and establishing a unique "Chinese coordinate" in the global performing arts landscape [15].
艺术舞台盛宴含金量含新量再提升 中国上海国际艺术节跻身世界一流节展 首演驻演汇演 中外艺术精品荟萃金秋上海
Jie Fang Ri Bao· 2025-10-15 01:48
Core Insights - The Shaanxi People's Art Theatre is showcasing five realistic plays in Shanghai from October 17 to November 5, highlighting its strength in the theater industry and the cultural appeal of Shanghai as an international cultural metropolis [1][2] - The 24th China Shanghai International Arts Festival features over 500 events and 1,200 performances, with nearly 60% of the main performances being international projects and almost 90% being premieres in Shanghai [1][3] Group 1: Shaanxi People's Art Theatre Performances - The performances include notable works such as "White Deer Plain," "Ordinary World," "Main Character," "Book of Life," and "Starry Sky and Half a Tree," showcasing the integration of traditional culture and modern stage art [2][3] - The festival serves as a platform for cultural exchange, with the "Guangdong-Hong Kong-Macao Greater Bay Area Cultural Week" featuring 14 performances, highlighting the rich cultural heritage of the region [3][4] Group 2: Cultural Exchange and Innovation - The festival emphasizes the dialogue between different cultures, as seen in the collaboration between Kunqu and Cantonese opera, showcasing the ongoing cultural exchange between Shanghai and Guangzhou [4][5] - The festival also supports young artists and original works, providing a nurturing environment for new creative talents, as demonstrated by the original dance theater "The Rite of Spring" [9][10][12] Group 3: Audience Engagement and Experience - The festival aims to create an immersive experience for audiences, encouraging them to engage with live performances rather than digital formats, as highlighted by the unique atmosphere of live music events [6][8] - The presence of renowned international artists and ensembles, such as the Mariinsky Theatre and the Stuttgart Ballet, enhances the festival's reputation as a premier cultural event [7][8]
齐铁偕109件水墨画创新作品亮相 “能与观众交流的画才有生命”
Jie Fang Ri Bao· 2025-09-12 01:45
Core Points - The exhibition "Water Made Jiangnan - Qi Tiexi's Ink Painting Academic Series Exhibition" opened in Shanghai, showcasing 109 innovative ink paintings and sketches by Qi Tiexi, providing an aesthetic experience that blends poetry, calligraphy, and painting [1] - Qi Tiexi's artistic creation maintains tradition while boldly incorporating Western artistic elements, presenting a unique aesthetic characteristic that is both figurative and non-figurative, imaginative yet grounded [1] - The first series "Water Made Jiangnan" features works that preserve the essence of traditional ink painting while integrating elements from various art styles, including British watercolor, French Impressionism, German black-and-white prints, American abstract art, and Italian design, resulting in a distinctive modern ink painting style [1] Exhibition Details - The exhibition will run until October 12 [2] - Qi Tiexi emphasizes the importance of color in his works, with pieces like "Early Spring" capturing the ethereal essence of Jiangnan through vibrant greens and ink lines [1] - A water ink swan artwork serves as a preview for the next exhibition series titled "Five-Color Swan Lake," which promises a more modern feel and will be launched subsequently [1]