这个春节，央视总台春晚合肥分会场的璀璨光影照亮庐州大地，天鹅湖畔作为取景地之一，从央视舞台的"高光时 刻"一路延伸到线下文旅市场的火热场景，让"春晚效应"持续释放，催生出一幅幅人潮涌动、烟火升腾的新春画卷。 数据显示，春节期间，蜀山区累计全域旅游人数166.61万人次，同比上升24%，全域旅游综合收入8.66亿元，同比上 升3.5%。 荧屏照进湖畔 "春晚同款"成打卡爆款 "快帮我拍一张，要把后面的'合'字和灯光秀一起拍进去!"大年初一晚上，天鹅湖畔流光溢彩，市民张女士招呼着家 人，在市民广场中央的"合"字艺术装置前排队留影。这个曾在央视春晚合肥分会场开场亮相的精美舞台，如今成为蜀 山最火的打卡点，手机闪光灯频频闪烁，欢声笑语萦绕湖畔。从成都远道而来的曾女士一家，刚放下行李就赶来打 卡："这个'合'字寓意太好了，既藏着中国人的新年期盼，也让我们感受到了合肥的温情。" 市民游客打卡春晚同款"合"字艺术装置。 春晚的镜头不仅点亮了城市地标，更"唤醒"了深藏在博物馆里的文化瑰宝。安徽博物院蜀山馆五楼新安画派展厅里， 清代画家查士标的《曳杖过桥图》前终日人头攒动——这幅在春晚上与演员黄轩实现"掌心相合"的古画，一跃成 ...

Core Viewpoint - The Spring Festival Gala of the Year of the Horse prominently featured elements of traditional Chinese culture, showcasing various historical artifacts and artistic expressions that reflect the richness of Chinese heritage [1][2][4]. Group 1: Cultural Elements - The Twelve Flower Gods were presented, each representing a month and inspired by Qing Dynasty jade carvings, specifically the "Yueling" jade pendant set, which symbolizes the ancient wisdom of observing nature [1][2]. - The performance "Chasing Shadows" included dance elements that embodied the spirit of horses, highlighting the significance of equine symbolism in Chinese culture [2][3]. Group 2: Historical Artifacts - The gala featured notable artifacts related to horses, such as the "Bai Ti Wu," a famous warhorse from the Tang Dynasty, and the "Copper Galloping Horse," which has become a symbol of cultural diplomacy for China [2][3]. - The "Winged Horse" from Dunhuang murals was also highlighted, representing success and the ancient aspiration for freedom, further emphasizing the cultural significance of horses in Chinese art [3][4]. Group 3: Artistic Expressions - The performance included a watercolor dance that reflected the charm of Anhui's cultural heritage, showcasing the artistic legacy of the Xuan paper, known for its quality and longevity [4]. - The integration of modern and ancient artistic styles was evident in the works presented, illustrating the continuity of Chinese artistic traditions and their relevance in contemporary culture [4].

Core Viewpoint - The Spring Festival Gala of the Year of the Horse prominently featured elements of traditional Chinese culture, showcasing various historical artifacts and artistic expressions that reflect the richness of Chinese heritage [2][10]. Group 1: Cultural Elements - The Twelve Flower Gods were presented, each representing a month and inspired by Qing Dynasty jade carvings, specifically the rotating jade pendants made from high-quality Hetian jade [2][4]. - Each flower petal of the jade pendants is unique, engraved with auspicious flowers corresponding to the respective month, such as plum blossoms for January and chrysanthemums for September [6][8]. Group 2: Historical Artifacts - The gala included references to three significant horse-related artifacts: the "White Hoof Wu," a warhorse from the Tang Dynasty, the "Winged Horse" from Dunhuang murals symbolizing success and freedom, and the "Bronze Galloping Horse," a cultural icon representing China internationally [10][12][16]. - The "Bronze Galloping Horse" has been a prominent symbol of cultural diplomacy, having been exhibited globally and attracting over 5 million visitors [16]. Group 3: Artistic Performances - The performance "Chasing Shadows" featured dancers embodying horses, blending grace and strength to depict the spirit of freedom and vitality associated with horses [10]. - The gala also included a watercolor dance reflecting the cultural essence of Anhui, showcasing the artistic heritage through the classic painting "Crossing the Bridge with a Cane" by renowned artist Cha Shibiao [18][21].