Group 1 - The forum "Drama and Cultural Communication" was held in Beijing, co-hosted by the China Dramatists Association and the China Foreign Languages Publishing Administration, focusing on the importance of cultural confidence in international dissemination of Chinese drama [1] - Chen Yongquan, a key speaker, emphasized that the international spread of Chinese drama must be rooted in cultural confidence and artistic integrity, advocating for "creative transformation and innovative development" to showcase national art on the global stage [1] - Wang Yong, Vice Chairman of the China Dramatists Association, shared that from 2019, the National Peking Opera Company has conducted 176 performances and exchange activities in over 20 countries, reaching an audience of 150,000, highlighting the need for cultural confidence in international outreach [1] Group 2 - Bian Wentong, a professor at the Central Academy of Drama, discussed the need for contemporary perspectives and empathy in the international dissemination of classic works, advocating for creative transformation to rejuvenate traditional art [2] - Zhu Jiejing from the Shanghai Dance Theatre noted that successful dance dramas emerge from distilling traditional culture and innovating expressions, emphasizing the importance of cross-cultural resonance and modern narrative techniques [2] - Various speakers shared insights on the relationship between cultural innovation and international communication, including the success of Huiju Opera at the Sahara International Theatre Festival and new pathways for traditional culture's dissemination through music and new media [2]

中新网上海12月23日电 (记者 陈静)记者23日从上海市消保委方面获悉，上海近年来以演出经济为核心 抓手，不断丰富文化消费供给、创新消费场景、优化消费体验，逐步形成"演出引领、场景延伸、权益 保障"的文化消费生态。一场大型演出的关联消费(餐饮、住宿、文创等)占比可达总消费的30%-50%， 有效激活了城市消费活力。 当日，上海市消保委发布题为《破圈与赋能：文化消费激活上海国际消费中心城市新动能》的文化消费 调研报告(简称：报告)。根据报告，文化消费(演出经济)对上海国际消费中心城市建设具有赋能作用。 演出经济作为文化消费的核心载体，具有极强的"消费带动效应"。消费者参与演出活动时，不仅产生票 务消费，还会衍生出"演出+餐饮""演出+住宿""演出+文创""演出+交通"等关联消费，形成"1+N"的消费 链条。 报告指出，上海通过集聚国际级演出资源、培育本土优质演出IP、发展多元演出场景，逐步形成"国际 +本土""专业+大众"的演出产业生态。这种生态既吸引了全球顶尖艺术家与演出机构落地，又推动了本 土演出产业升级，助力形成具有国际竞争力的文化IP，进而提升城市文化产业的全球话语权，强化国际 消费中心城市所需的"全 ...

Core Viewpoint - The rise of performance economy in Zhengzhou is transforming the travel habits of young people, linking cultural events with consumption in various sectors such as dining, accommodation, and entertainment [1][19][30] Group 1: Performance Economy Growth - Zhengzhou's performance economy is experiencing rapid growth, with a reported 96.6% increase in revenue from performing arts venues in the first five months of the year compared to the previous quarter [1] - The city has become a hub for major concerts, attracting large crowds, with over 40,000 attendees at a recent concert featuring popular artists [7][10] - The overall performance market in China is projected to generate a total revenue of 796.29 billion yuan in 2024, with a year-on-year growth of 7.61% [19] Group 2: Consumer Behavior and Trends - Young audiences, particularly those aged 18-34, dominate the performance market, accounting for over 70% of attendees [19] - The emotional value derived from live performances is driving a new trend in consumer behavior, where experiences are prioritized over material goods [19] - The integration of performances with local culture and tourism is enhancing the overall consumer experience, leading to increased spending in related sectors [21][30] Group 3: Economic Impact - The performance economy is referred to as "walking GDP," as attendees contribute to various sectors including dining, transportation, and accommodation, creating a domino effect on local consumption [21] - In 2024, Zhengzhou hosted 47 large concerts, attracting 970,000 attendees and generating nearly 1 billion yuan in ticket sales, which in turn stimulated over 6 billion yuan in overall consumption [25] - The local government is actively promoting the development of the performance economy as a key component of cultural and tourism consumption strategies [30][31] Group 4: Future Development Strategies - The government plans to enhance the performance industry by improving the approval process for large events and encouraging the hosting of major concerts [30] - There is a focus on creating high-quality content and experiences that resonate with audiences, leveraging unique cultural resources in Henan [32] - The development of supporting industries, such as stage production and artist management, is essential for sustaining the growth of the performance economy [32]

Core Viewpoint - The dance drama industry is experiencing a significant resurgence, with a growing number of productions and interest from audiences, but there are concerns about the impact of a fast-paced approach on artistic quality and creativity [1] Group 1: Industry Trends - The dance drama market is witnessing an explosive growth, with many regions eager to capitalize on this trend [1] - There is a prevailing mindset among some regions to quickly achieve success in dance drama, which is negatively affecting the artistic creation process [1] Group 2: Artistic Quality and Performance - Artists emphasize the importance of time and effort in honing their craft, suggesting that true artistry requires patience and dedication [1] - The need for actors to understand the nuances of their roles and the intentions behind the script is highlighted, indicating that mere technical proficiency is insufficient [1] Group 3: Evaluation and Recognition - The selection process for prestigious awards like the Plum Blossom Award is rigorous, with a significant number of actors evaluated, reflecting the competitive nature of the industry [1] - There is a distinction made between different levels of actors based on their performance styles, with a call for actors to strive for excellence and resilience in their careers [1]

Group 1 - The 10th China Drama Award - Plum Blossom Performance Award (32nd China Drama Plum Blossom Award) is being held in Shanghai, with activities designed to engage the public and promote the event [1][2] - The event features performances by nominated actors, including Zhu Jieqing and Lan Tian, showcasing various traditional Chinese operas and dramas [1][2] - The event aims to enhance public appreciation of Chinese theatrical arts and provide a platform for artists to connect with audiences [1][2] Group 2 - The final evaluation activities for the Plum Blossom Award will take place from May 8 to 21, organized by multiple cultural institutions [2] - Various interactive activities, including flash performances and exhibitions, are planned to attract more visitors and immerse them in the theatrical experience [2] - The event includes a creative market featuring unique cultural products related to different theatrical genres, enhancing the overall cultural experience for attendees [2]