Core Viewpoint - G.E.M. (邓紫棋) released a re-recorded album titled "I AM GLORIA," which includes her representative works, amidst a long-standing copyright dispute with her former label, Hummingbird Music [1][5][6]. Group 1: Background of the Re-recorded Album - The re-recorded album is a response to a copyright statement issued by Hummingbird Music, which claimed ownership of over 100 songs released during G.E.M.'s contract with them [6][7]. - G.E.M. revealed that her first contract, signed at age 15, was a buyout agreement, resulting in her losing ownership of her works despite retaining the right to be credited as the author [7][8]. Group 2: Legal Framework and Challenges - G.E.M.'s legal team found a basis for re-recording under Article 42 of China's Copyright Law, allowing recording producers to use previously recorded music without the copyright owner's permission, provided they pay reasonable compensation [8][10]. - The re-recorded album allows G.E.M. to regain control over the distribution of her works' income, which had previously been a source of frustration due to the lack of royalties from her past works [10][12]. Group 3: Industry Context and Implications - The struggle for control over recording rights is a significant challenge in the music industry, where record labels typically retain ownership of the master recordings, making it difficult for artists to reclaim their rights [12][13]. - The situation reflects a broader trend in the music industry where artists are increasingly aware of their rights and are taking steps to regain control over their works, as seen with other artists like Taylor Swift [15][16]. Group 4: Artist Empowerment and Industry Evolution - G.E.M.'s actions symbolize a growing awareness among artists regarding their rights, emphasizing that music is not just a product but an extension of their identity and creative sovereignty [16][17]. - The industry is witnessing a shift where artists are challenging traditional copyright systems through re-recording, repurchasing, and independent releases, aiming to highlight the importance of creative ownership [16][17].

Core Viewpoint - The article discusses the ongoing legal battle between G.E.M. (邓紫棋) and her former management company, Hummingbird Music, focusing on her recent release of a re-recorded album "I AM GLORIA" amidst copyright disputes and the implications for her career and the music industry [1][2][11]. Group 1: Legal and Copyright Issues - Hummingbird Music claimed ownership of G.E.M.'s 103 songs, prohibiting unauthorized performances and commercial use, which jeopardized her music career [1][2]. - G.E.M. successfully released a re-recorded version of her album, leveraging a legal loophole that allows creators to re-record their works if not explicitly prohibited during the initial release [9][10][24]. - The legal battle has lasted over six years, highlighting the complexities of copyright law in the music industry and the importance of protecting artists' rights [17][21]. Group 2: Market Impact and Artist Recognition - G.E.M. is recognized as one of the most marketable artists in the Chinese music scene, with her concerts achieving significant ticket sales, including a total revenue of 2.5 billion yuan from her tours [4][5]. - The re-recorded album includes 10 classic songs and 2 bonus tracks, showcasing her ability to revitalize her music and connect with fans [2][25]. - The article emphasizes the power of fan support in G.E.M.'s journey, as her loyal fanbase has rallied behind her during the legal disputes [12][13]. Group 3: Industry Reflection and Future Implications - The case serves as a cautionary tale for artists regarding the importance of understanding contract terms and copyright ownership when signing with management companies [17][19]. - It suggests a potential shift in the industry towards more equitable partnerships between artists and management, emphasizing shared decision-making and resource allocation [17]. - The article concludes with a hopeful message about resilience and the possibility of overcoming challenges in the music industry, encouraging artists to advocate for their rights [25][26].