Core Viewpoint - G.E.M. (邓紫棋) released a re-recorded album titled "I AM GLORIA," which includes her representative works, amidst a long-standing copyright dispute with her former label, Hummingbird Music [1][5][6]. Group 1: Background of the Re-recorded Album - The re-recorded album is a response to a copyright statement issued by Hummingbird Music, which claimed ownership of over 100 songs released during G.E.M.'s contract with them [6][7]. - G.E.M. revealed that her first contract, signed at age 15, was a buyout agreement, resulting in her losing ownership of her works despite retaining the right to be credited as the author [7][8]. Group 2: Legal Framework and Challenges - G.E.M.'s legal team found a basis for re-recording under Article 42 of China's Copyright Law, allowing recording producers to use previously recorded music without the copyright owner's permission, provided they pay reasonable compensation [8][10]. - The re-recorded album allows G.E.M. to regain control over the distribution of her works' income, which had previously been a source of frustration due to the lack of royalties from her past works [10][12]. Group 3: Industry Context and Implications - The struggle for control over recording rights is a significant challenge in the music industry, where record labels typically retain ownership of the master recordings, making it difficult for artists to reclaim their rights [12][13]. - The situation reflects a broader trend in the music industry where artists are increasingly aware of their rights and are taking steps to regain control over their works, as seen with other artists like Taylor Swift [15][16]. Group 4: Artist Empowerment and Industry Evolution - G.E.M.'s actions symbolize a growing awareness among artists regarding their rights, emphasizing that music is not just a product but an extension of their identity and creative sovereignty [16][17]. - The industry is witnessing a shift where artists are challenging traditional copyright systems through re-recording, repurchasing, and independent releases, aiming to highlight the importance of creative ownership [16][17].

首先，让我们恭喜邓紫棋！ 2024年1月16日，邓紫棋前经纪公司蜂鸟音乐的一纸版权声明，在当时掀起了一股舆论风波。彼时，正值邓紫棋全球巡演项目"I AM GLORIA"启动。 在声明中，蜂鸟音乐宣称拥有邓紫棋103首歌曲的词曲、录音及表演者权，禁止任何未经授权的翻唱、复制或商业使用。这一举动，直接切断了邓紫棋演 唱《泡沫》《光年之外》等代表作的合法性，甚至威胁到她未来音乐生涯的根基。 然而，就在今日，蜂鸟音乐收到了来自邓紫棋一记最强大的反击——邓紫棋的"重录版"《I AM GLORIA》正式登陆音乐平台，再度引发舆论的轩然大 波，多个话题相继登上热搜，包括"邓紫棋六年没有收到版税"、"众星发文挺邓紫棋"、"邓紫棋回复李荣浩"、"邓紫棋与蜂鸟音乐的诉讼还没有结果"等。 平台资料显示，这张重制专辑收录了10首经典作品+2首Bonus曲，流媒体平台上，专辑所属的唱片公司，正是她的个人工作室"G Nation"。 专辑收录了《泡沫》《睡公主》《回忆的沙漏》等经典作品，但通过重新编曲、演唱，赋予歌曲新的生命力。显然，《I AM GLORIA》重录版的诞生， 也是一次叙事的重构。在专辑文案中，邓紫棋强调："这不是一个复仇 ...