Core Insights - The conference held in Wuxi focused on the development and protection of the micro-short drama industry, aiming to promote its standardized, legal, high-quality, and sustainable growth [1][2] Policy Support - Wuxi is implementing a "1+N" policy framework to support the micro-short drama industry, with specific initiatives like the "Lake Bay Eighteen Articles" providing financial backing and a comprehensive support system for the entire production cycle [2] - The "Taihu Talent Plan" offers extensive policy benefits to cultural talent, enhancing the local ecosystem for the industry [2] Industry Collaboration - Significant partnerships were formed during the conference, including the establishment of the "Wuxi Report Hollywood Micro-Short Drama Base" in collaboration with Jiangsu Hollywood Cultural Group, building on previous successful projects [3] Content Quality - The focus on high-quality storytelling is seen as essential for the industry's transition from traffic-driven to quality-driven development, with initiatives like the "Encounter·Lihu" script competition launched to encourage quality content creation [4] - The integration of micro-short dramas with urban development and tourism is highlighted, with successful projects gaining significant viewership and engagement [4] Copyright Protection - The conference emphasized the importance of copyright protection for the sustainable development of the micro-short drama industry, with discussions on creating a comprehensive copyright protection system from rights confirmation to enforcement [5][6]

Core Insights - The report titled "China Internet Literature International Communication Report (2025)" reveals that there are currently 1.3 million overseas local authors of internet literature, with over 2 million works created [1] - The report indicates that there are approximately 200 million active users of Chinese internet literature overseas, covering more than 200 countries and regions globally [1] - The Asia region accounts for 80% of the total readership, with a market share exceeding 50%, while North America represents about 30% [1] Group 1 - The report highlights that platforms like Webnovel operate websites in local languages overseas, establishing a complete ecosystem for content monetization, author contracts, and reader interaction [1] - As of mid-2025, Webnovel has nurtured 500,000 overseas original authors, producing a total of 770,000 original works across 15 major categories and over 100 subcategories [1] - The opening ceremony of the International Internet Literature Week featured remarks from the Iranian cultural attaché, noting that Chinese works have gained significant readership in Iran, with "The Color of Glaze" achieving 750 million reads [1] Group 2 - A proposal was made to establish a "China-Iran Digital Story Creator Alliance" to promote synchronized translation and serialized publication of works [2] - The initiative includes setting up joint awards to recognize the best interactive stories created with reader participation in the endings [2] - The event also released the "Initiative for Promoting International Communication of Internet Literature" along with various industry reports and writing plans [2]

Core Insights - The micro-short drama industry is characterized by short duration, low investment, rapid creation, and diverse themes, with a market size exceeding 634 billion yuan and a user base of 690 million, covering 68.4% of internet users [1] - The industry faces challenges such as content homogenization and reliance on established formulas, leading to viewer fatigue and sustainability issues in profitability [1] - The industry is exploring new development models, shifting from single monetization to multi-dimensional breakthroughs and from short-term gains to long-term value [1] Production Process - The production of a micro-short drama involves several stages, including topic selection, script writing, filming preparation, and post-production, with a focus on precision despite the fast-paced nature of the format [2][3] - The average script undergoes 8-12 revisions, with some projects requiring over 20 revisions, highlighting the complexity of coordinating multiple stakeholders [3] - The production timeline is tight, with filming needing to adapt to actors' schedules, increasing the difficulty of coordination [3] Cost and Profitability - The cost of producing micro-short dramas has increased significantly, with typical production costs now ranging from 50,000 to 150,000 yuan, influenced by factors such as script development, actor fees, and marketing expenses [4][5] - Traditional revenue models include free trials, paid subscriptions, and advertising partnerships, but the industry is evolving towards more diverse monetization strategies, including IP extensions and collaborations with live commerce [5][6] New Business Models - Companies are increasingly collaborating with local cultural and tourism projects to create content that attracts viewers while promoting regional attractions, leading to a more sustainable revenue model [6][7] - The integration of micro-short dramas with tourism initiatives has been supported by government policies, enhancing cultural heritage and economic development [6][7] Future Trends - The industry is shifting focus from mere traffic to content quality, with leading platforms investing in diverse themes and high-quality productions [8][9] - New operational models are emerging, such as using AI for animation and creating interactive content that appeals to younger audiences, thereby expanding commercial value [10][11] - The incorporation of advertising elements into storylines is creating a synergistic relationship between content and brand promotion, enhancing viewer experience while meeting marketing needs [11]