国家博物馆馆员策展人黄茜：三星堆和金沙遗址是古蜀文明前后相继的两个文化遗址，代表了古蜀文明当中青铜时代的最巅峰状态。 一粒"人工培育"碳化水稻见证了古蜀人"舌尖上的生活"，而种类丰富的陶器则彰显出古蜀先民日常生活的智慧。在古代中国，"祭祀"在礼制中具有重要作 用。戴金面罩青铜人头像、戴冠纵目面具，以及玉璋、玉钺等各类祭祀礼器，共同谱写出"礼敬天地、人神共舞"的画卷；太阳形器、眼形器象征着太阳，反 映出古蜀人对光明的崇敬与向往，展现出他们瑰丽的想象与浪漫的宇宙情怀。 昨天，来自三星堆及金沙遗址的200余件珍贵文物亮相国家博物馆。这两大遗址曾双双入选"中国百年百大考古发现"，其出土文物极大丰富了我们对中华青 铜文明的认知。 这些看似神奇的造型，其中许多都能在中华文明的历史长河中找到渊源。兽面纹玉钺上的纹饰是商周时期中原青铜器上的典型纹样；古蜀人还吸收了中原的 青铜尊、罍等器形，将其运用于本地祭祀，用来盛装海贝、玉器等物品。这种借鉴与创新揭示出古蜀文明与中原及长江中下游地区的密切关联，展现了古蜀 文明强大的文化主体性和创造力。 ...

来源：央视新闻客户端 昨天，来自三星堆及金沙遗址的200余件珍贵文物亮相国家博物馆。这两大遗址曾双双入选"中国百年百大考古发现"，其出土文物极大丰富了我们对中华青 铜文明的认知。 国家博物馆馆员 策展人 黄茜： 三星堆和金沙遗址是古蜀文明前后相继的两个文化遗址，代表了古蜀文明当中青铜时代的最巅峰状态。 这些看似神奇的造型，其中许多都能在中华文明的历史长河中找到渊源。兽面纹玉钺上的纹饰是商周时期中原青铜器上的典型纹样；古蜀人还吸收了中原的 青铜尊、罍等器形，将其运用于本地祭祀，用来盛装海贝、玉器等物品。这种借鉴与创新揭示出古蜀文明与中原及长江中下游地区的密切关联，展现了古蜀 文明强大的文化主体性和创造力。 一粒"人工培育"碳化水稻见证了古蜀人"舌尖上的生活"，而种类丰富的陶器则彰显出古蜀先民日常生活的智慧。在古代中国，"祭祀"在礼制中具有重要作 用。戴金面罩青铜人头像、戴冠纵目面具，以及玉璋、玉钺等各类祭祀礼器，共同谱写出"礼敬天地、人神共舞"的画卷；太阳形器、眼形器象征着太阳，反 映出古蜀人对光明的崇敬与向往，展现出他们瑰丽的想象与浪漫的宇宙情怀。 ...

Core Viewpoint - The article discusses the unique cultural significance of the Sanxingdui archaeological site, highlighting its religious artifacts and the complex belief systems of the ancient civilization that created them [1]. Group 1: Archaeological Findings - The Sanxingdui site has revealed eight burial pits containing a wealth of bronze, jade, and ivory artifacts, with distinct characteristics that allow them to be categorized into two groups [2][3]. - The burial pits show evidence of intentional burning, with many artifacts charred or deformed, suggesting a ritualistic context rather than a violent burial [4]. - The artifacts' stratified arrangement within the pits indicates a systematic approach to their burial, closely linked to ritual practices [5]. Group 2: Ritual Significance - Experts largely agree that the burial pits are associated with sacrificial activities, rather than being the result of a violent conflict [6][7]. - The concept of "yi mai" (burial for sacrifice) is referenced, indicating a cultural practice of interring offerings as part of religious ceremonies [5]. - Different interpretations exist regarding the nature of the pits, with some experts categorizing them as direct products of sacrificial activities, while others view them as burial sites for sacrificial artifacts [6]. Group 3: Belief Systems - The Sanxingdui culture exhibits three primary forms of worship: nature, totem, and ancestor worship, reflecting a rich spiritual life [8]. - Nature worship is exemplified by artifacts such as the bronze sacred tree and sun-shaped vessels, indicating a deep reverence for natural elements [9]. - Ancestor worship is represented by the unique "Zongmu" masks, which are believed to connect the living with their ancestors [10]. Group 4: Artistic Expression - The bronze sacred tree, standing at 396 cm, is noted as the largest of its kind discovered, symbolizing a connection between the earthly and divine realms [11]. - The intricate design of the sacred tree, featuring multiple branches and symbolic elements, showcases the advanced bronze casting techniques and artistic imagination of the Sanxingdui civilization [12].