明代镶红宝石金冠
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观器物之美 品长江之韵
Ren Min Ri Bao Hai Wai Ban· 2025-10-14 23:14
Core Viewpoint - The exhibition "Eternal Flow of the Yangtze: Treasures of Ancient Civilization" showcases 160 exquisite artifacts from the Yangtze River basin, highlighting the aesthetic styles and historical evolution of the region's ancient civilization [5]. Group 1: Exhibition Overview - The exhibition is part of the 2025 Yangtze Cultural Arts Season and features artifacts from over 30 cultural institutions across nine provinces, including Hubei, Hunan, Zhejiang, Jiangsu, Sichuan, and Chongqing [5]. - Artifacts are categorized into five sections: "Jade Elegance," "Lacquered Radiance," "Bronze Splendor," "Golden Glow," and "Earthly Art," tracing the craftsmanship and artistic achievements from the Neolithic era to the Ming and Qing dynasties [5]. Group 2: Cultural Significance - The exhibition emphasizes the harmonious coexistence of humans and nature, a core aspect of Yangtze civilization, reflected in the vibrant and life-filled artifacts [8]. - The unique jade artifacts from the Liangzhu culture, particularly the rare trident-shaped piece, symbolize deep cultural meanings and were likely used as hair ornaments in ancient burial practices [6]. Group 3: Artistic Craftsmanship - The exhibition features exquisite lacquerware from the Chu culture, such as the intricately carved phoenix and snake design, showcasing the high level of craftsmanship and spiritual beliefs of the Chu people [8]. - Notable artifacts include a pair of jade dragons and phoenixes from the Spring and Autumn period, symbolizing harmony and unity within Chinese civilization [9]. Group 4: Daily Life Reflections - Artifacts serve as direct representations of ancient lifestyles, with items like the pig-shaped wine vessel illustrating the banquet culture of the Chu nobility [11]. - The exhibition also includes a silver and gold lacquer box from the Western Han period, which connects to ancient beauty practices as depicted in historical paintings [11]. Group 5: Ceramics and Jewelry - The exhibition showcases exquisite ceramics from Jingdezhen, including vibrant colored vases that highlight the meticulous craftsmanship required in their production [10]. - A stunning Ming dynasty gold crown inlaid with rubies exemplifies the luxurious artistry of the time, drawing connections to historical depictions of similar adornments [12].
160件文物“聚会” 见证长江文明发展历程
Ren Min Wang· 2025-09-24 02:22
Core Viewpoint - The exhibition "Eternal Flow of the Yangtze: Treasures of Ancient Civilizations" showcases 160 exquisite artifacts related to the Yangtze civilization, highlighting the rich history and cultural exchanges along the Yangtze River [1][4]. Group 1: Exhibition Highlights - The exhibition features significant artifacts from 37 cultural heritage institutions, including jade artifacts, lacquerware, and bronze items, reflecting the continuous development of Chinese civilization [1][4]. - The "Jade Culture" section presents representative jade works from the Neolithic period to the Ming and Qing dynasties, emphasizing the connection between ancient and modern Chinese aesthetics [2][4]. - The "Lacquer Culture" section spans 8,000 years, showcasing exquisite lacquerware from the Spring and Autumn to the Qin and Han dynasties, illustrating the unique aesthetic of the Yangtze River region [4]. Group 2: Cultural Significance - The exhibition aims to enhance public understanding of Yangtze culture and emphasizes the importance of researching and disseminating the origins of Yangtze civilization [6]. - The display of 25 bronze artifacts represents the cultural dialogue and integration between the Yangtze and Yellow River civilizations, showcasing the historical significance of the region [4][6]. - The exhibition curator highlights the innovative approach of categorizing artifacts by material and era, revealing the cultural evolution and social life of the Yangtze civilization [6].
带你走进“大明的世界”
Ren Min Ri Bao Hai Wai Ban· 2025-04-28 22:36
Core Insights - The exhibition "Observing the World: The Ming Dynasty's Global Influence" at the Nanjing Museum showcases over 400 precious artifacts from more than 30 cultural institutions, highlighting the Ming Dynasty's interactions with foreign civilizations through five thematic sections [10][11][12]. Group 1: Historical Context - The Ming Dynasty, established in 1368 by Zhu Yuanzhang, implemented significant institutional reforms that influenced future generations, including a foreign policy centered on peaceful coexistence and tribute trade [11][12]. - The exhibition outlines the political, economic, and diplomatic systems of the Ming Dynasty, featuring artifacts such as the Ming Hongwu red-glazed vase and paintings depicting gatherings of scholars [11][12]. Group 2: Maritime Trade and Globalization - Zheng He's voyages from 1405 to 1433 significantly expanded China's influence, establishing trade routes and cultural exchanges that contributed to early globalization [13][14]. - The exhibition includes artifacts like blue and white porcelain, which reflect the maritime activities and trade during Zheng He's expeditions, showcasing the cultural and economic exchanges that occurred [13][14]. Group 3: Cultural Exchange - The exhibition highlights the cultural exchanges between China and the West, featuring portraits of Matteo Ricci and Xu Guangqi, who collaborated on scientific and mathematical translations, fostering knowledge transfer [16][17]. - The first colored Chinese world map, created by Ricci and Li Zhi, redefined the representation of global geography by placing China at the center, marking a significant moment in cartography [17]. Group 4: Artistic Influence - The exhibition presents artworks that illustrate the blending of Eastern and Western artistic styles, such as the "Wooden Beauty" oil painting and the "Wild Villa and Forest" screen, showcasing the influence of Western techniques on Chinese art [17][18]. - The display of Ming Dynasty artifacts, including cloisonné and lacquerware, reflects a synthesis of local and foreign artistic traditions, emphasizing the era's cultural openness [18].