国潮里撞色设计并不少见 但你知道吗 5000年前的良渚古人 已经把色彩搭配融入了日常生活 今天一起认识 嵌玉漆杯 5000年前的东方色 红白撞色暗藏祝福密码 朱红描绘的外壁上 镶嵌着141颗莹润的玉粒 红白色彩碰撞 让人眼前一亮 这件漆杯瘦长、鼓腹 外壁图案以大颗玉粒为中心 周围画出重圈、螺旋纹 点点玉粒嵌于其上 如星空璀璨 在我国，红色自古以来 都象征着好运、喜庆 而白玉 一般代表着吉祥、高尚 朱红+玉白的撞色搭配 让这件漆杯自带"幸运buff" 它不仅是古人的审美体现 更承载着他们对美好生活的祈愿 古今共创 "3D"工艺再现良渚工匠智慧 良渚博物院展出的这件嵌玉漆杯 是一件仿制品 原件在1986年在发掘出土时 木胎已腐朽 仅存漆皮玉粒 △嵌玉漆杯出土时状态图样 但这个仿制品并不完全是现代产物 它的用料来自更久远的河姆渡时期： 1. 选用河姆渡遗址脱水木料做木胎，雕琢浅浮雕纹样； 2. 以朱砂漆彩绘，埋藏数千年仍色泽艳丽； 3. 精准"定位"141颗玉粒，形成鸟、蛇等图腾，完成"3D"效果。 △左：反山王陵出土的嵌玉漆壶（整体提取）；右：良渚博物院展厅展示的嵌玉漆杯仿制品 对5000年前的古人来说 这种"3 ...

1936年，当时西湖博物馆的助理干事施昕更首先发现了良渚遗址；1959年，著名考古学家夏鼐首先提出 了"良渚文化"的命名；2019年，良渚古城遗址被列入《世界遗产名录》。这一距今五千多年的早期国家 与中国文明的形成是什么关系，我们如何认识良渚文化中的王权与神权？良渚文化与同时代中原文化有 怎样的互动和影响？在良渚遗址发现九十周年之际，《上海书评》采访了南京师范大学历史文博学院徐 峰教授，请他谈了谈良渚文化及其与周边的关系。徐峰教授多年从事先秦考古学研究，近年重点关注区 域文明的起源与形成，2021年出版有《建构神圣——良渚文化的玉器、图像与信仰》。他在访谈中指 出：当今考古学界的文明探源研究在不同的区域会遇到不同的文明化模式。每一个区域里都有"重瓣花 朵"，我们不能只是盯着美丽的花朵欣赏，别忘了红花周边还有绿叶。 徐峰（蒋立冬 绘） 《建构神圣——良渚文化的玉器、图像与信仰》，徐峰著，浙江古籍出版社，2021年11月出版，262 页，58.00元 您在《建构神圣》一书中说："良渚文化的历史可以被解读为玉器和仪式被群体视作神圣的历史。"我们 该如何理解这句话？与同时期其他考古学文化相比，这是良渚文化最大的特点吗 ...

Core Viewpoint - The exhibition "Jade Meets Civilization: Special Exhibition of Liangzhu Culture" opened at Shanghai University Museum, focusing on the relationship between jade artifacts and social culture through three thematic sections [1] Group 1: Exhibition Details - The exhibition features a total of 126 pieces (sets) of exhibits [1] - It is guided by the Institute of Archaeology of the Chinese Academy of Social Sciences and hosted by Shanghai University [1] - The exhibition will run until January 23, 2026, and is free to the public [1] Group 2: Collaborative Institutions - The exhibition is co-organized by Shanghai University Museum, Zhejiang Provincial Institute of Cultural Relics and Archaeology, Liangzhu Museum, and Huzhou Museum [1] - Support is provided by the Shanghai Jade Research and Appraisal Laboratory and the Shanghai University Cultural Heritage Science and Technology Research Institute [1]

Core Viewpoint - The article discusses the archaeological significance of the Maqiao culture in the Yangtze River Delta, highlighting its historical context and cultural characteristics as the last recognized archaeological culture in the region before the emergence of historical cultures like Wu and Yue [2][10]. Summary by Sections Discovery and Excavation - The Maqiao site was discovered in the late 1950s during the Great Leap Forward, with significant findings including various pottery and stone tools [3][4]. - The first scientific excavation was conducted by a small team of archaeologists, marking the beginning of scientific archaeology in Shanghai [3][4]. - Subsequent excavations revealed a stratified cultural layer, confirming the presence of Maqiao culture alongside earlier cultures like Liangzhu and Wu-Yue [4][5]. Cultural Characteristics - The Maqiao culture is characterized by its unique artifacts, including pottery, stone tools, and early bronze items, with a notable absence of high-grade jade artifacts [8][11]. - The culture reflects a transition from the advanced Liangzhu culture to a more primitive state, influenced by environmental changes and cultural exchanges with neighboring regions [10][11]. - The pottery from Maqiao culture includes various types such as red pottery and impressed pottery, showcasing a diversity of forms and decorative techniques [8][9]. Historical Context - The Maqiao culture dates back approximately 3,900 to 3,200 years, placing it in the early to mid Shang Dynasty, and is considered part of the Bronze Age cultural landscape of the Taihu basin [5][10]. - The findings suggest a decline in agricultural practices and a shift in subsistence strategies, with hunting becoming more prominent compared to earlier periods [10][11]. - Recent discoveries indicate the existence of urban settlements associated with Maqiao culture, challenging previous notions of its societal structure [12]. Archaeological Impact - The excavation of the Maqiao site has significantly advanced the understanding of Shanghai's historical timeline, suggesting human habitation as far back as 6,000 years ago [12]. - The research conducted at Maqiao has contributed to the broader understanding of cultural development in the Yangtze River Delta, emphasizing the importance of archaeological evidence in reconstructing historical narratives [12].

Core Viewpoint - The article discusses the significance of the Guangfulin culture, which emerged after the decline of the Liangzhu civilization, highlighting its archaeological importance and cultural connections in the Shanghai region [2][11]. Group 1: Archaeological Significance - The Guangfulin site is the largest archaeological site in Shanghai, with extensive excavations revealing a wealth of artifacts and cultural layers spanning from the Neolithic to the Zhou dynasty [3][4]. - Initial discoveries at Guangfulin began in 1958, with formal excavations starting in 1999, confirming an area exceeding 100,000 square meters, later expanded to approximately 150,000 square meters [3][4]. - The site has yielded evidence of multiple cultural layers, including the Songze culture, Liangzhu culture, Qianshanyang culture, and Guangfulin culture, providing insights into the region's historical development [5][8]. Group 2: Cultural Characteristics - The Guangfulin culture, identified as a local cultural phenomenon, existed for a brief period of about 200 years, connecting the late Neolithic Liangzhu culture with the early Xia and Shang dynasties [11][18]. - Artifacts from the Guangfulin culture include distinctive pottery types, such as tripod vessels and jade cong, which show influences from both local and northern cultures, indicating a blend of cultural elements [9][17]. - The burial practices and settlement structures of the Guangfulin culture reflect a lack of centralized authority and a diverse social structure, with evidence of rice cultivation and resource utilization from aquatic environments [15][20]. Group 3: Historical Context - The Guangfulin culture is positioned as a bridge between early civilizations along the Yangtze and Yellow Rivers, filling gaps in the archaeological record of the Yangtze River Delta [11][18]. - The transition from the Liangzhu culture to the Guangfulin culture is marked by significant environmental changes and cultural interactions, leading to the eventual emergence of the Maqiao culture [20]. - The findings at Guangfulin contribute to understanding the socio-economic conditions and technological advancements in the region during the Zhou dynasty, including the development of bronze casting techniques [10][19].

Core Insights - The article highlights the significance of the Liangzhu site, known as "China's First City," due to its extensive archaeological findings, including large city sites, high-status burial grounds, altars, and exquisite jade artifacts, which date back 5,300 to 4,300 years [1][7]. Archaeological History of Liangzhu - The discovery of the Liangzhu site began 90 years ago in 1936 when archaeologist Shi Xinger identified ancient artifacts, leading to extensive excavations that revealed a rich cultural heritage [2][3]. - The Liangzhu culture was formally named in 1959, with ongoing archaeological work clarifying its characteristics, including distinctive pottery and jade artifacts [3][4]. Characteristics of Liangzhu Culture - Liangzhu culture is marked by its advanced jade craftsmanship, with over 7,000 jade items discovered, including ritual objects and burial goods, reflecting a complex social structure and belief system [11][12]. - The site features a sophisticated urban layout, including a central palace area, city walls, and a water management system, indicating a highly organized society [7][8]. Decline of Liangzhu Culture - The decline of Liangzhu culture, which thrived for over a millennium, is attributed to both natural disasters, such as flooding, and social factors, including internal strife and external pressures [13][14][15]. - Evidence suggests that after the culture's decline, remnants of the population may have migrated to other regions, leading to the emergence of new cultural identities, such as the Qianshanyang culture [16][17].

Core Points - The Liangzhu Ancient City site has been officially listed as a UNESCO World Heritage site, recognized as a testament to 5,000 years of Chinese civilization and a treasure of world civilization [1][3] - The site has implemented advanced protection systems using new technologies and traditional culture to enhance economic and social development [1][4] - The Liangzhu Forum has been established as a platform for cultural exchange and dialogue, promoting the understanding and appreciation of Chinese civilization [1][13] Group 1: Heritage Protection and Research - The Liangzhu site is utilizing plant essential oils as a "skincare product" to inhibit moss growth, which can damage the site [3][4] - A new laboratory dedicated to the protection of earthen sites in humid environments is set to open in 2024, enhancing preservation efforts [3][4] - Recent archaeological findings at the site include over 20 water dams and four north-south earth mounds, showcasing the social mobilization capabilities of the Liangzhu civilization [4][5] Group 2: Cultural and Economic Development - The Liangzhu cultural corridor is being developed, integrating various cultural and creative projects, with 74 key cultural projects launched this year [9][13] - The local economy is benefiting from the cultural heritage, with over 1,500 enterprises established in the Liangzhu New Town, contributing to the digital cultural industry [8][9] - The Liangzhu culture has inspired numerous creative products, with hundreds of items available across various categories, enhancing local cultural identity [9][10] Group 3: International Collaboration and Dialogue - The Liangzhu site has engaged in international dialogue with other world heritage sites, promoting cultural exchange and understanding [11][12] - The Liangzhu Forum has become a significant platform for civilizational dialogue among countries involved in the Belt and Road Initiative [13] - The Liangzhu culture is increasingly recognized globally, serving as a window for the dissemination of Chinese culture [13]

Core Points - The Liangzhu Ancient City site has been officially listed as a UNESCO World Heritage Site, highlighting its significance in the history of Chinese civilization and its value as a global cultural treasure [1] - The site management has implemented advanced protection measures, including the use of plant essential oils to prevent moss growth, which can damage the site [2] - Digital technologies are enhancing the protection efforts, with a real-time monitoring system in place to ensure the preservation of the site [3] - Ongoing archaeological research has led to significant discoveries, including the identification of water dams and earthworks that demonstrate the social mobilization capabilities of the Liangzhu civilization [3][4] - The publication of over 600 works related to Liangzhu culture has enriched the understanding of its historical significance [5] - The Liangzhu cultural corridor is being developed to integrate cultural heritage with modern industries, attracting numerous cultural enterprises and enhancing local economic development [7] - International dialogue and exchanges are being fostered through events like the Liangzhu Forum, promoting cultural understanding and collaboration [10] Summary by Sections Heritage and Cultural Significance - Liangzhu Ancient City is recognized as a vital part of Chinese civilization, with its recent inclusion in the World Heritage List underscoring its historical importance [1] - The site serves as a testament to the rich cultural heritage of China, with ongoing research deepening the understanding of its value [4][5] Preservation Efforts - Innovative preservation techniques, such as the application of plant essential oils, are being utilized to protect the site from environmental damage [2] - A digital monitoring system has been established to provide real-time oversight of the site's condition, enhancing protection measures [3] Archaeological Discoveries - Recent archaeological findings, including the discovery of water management systems, highlight the advanced societal organization of the Liangzhu civilization [3][4] Cultural and Economic Development - The Liangzhu cultural corridor is being developed to promote cultural industries, with over 1500 enterprises established in the area, contributing to local economic growth [7] - The integration of cultural heritage into modern products and services is fostering a vibrant cultural economy in Hangzhou [7] International Collaboration - The Liangzhu Forum serves as a platform for international dialogue, facilitating cultural exchanges and enhancing the global presence of Liangzhu culture [10]

Core Insights - Recent archaeological discoveries at the Fanshan Royal Tomb site suggest the existence of a possible "cemetery" surrounding the site, indicating the early formation of burial systems during the Liangzhu culture period [1][3] - The findings reveal a rectangular wall structure forming an enclosed courtyard, with carbon-14 dating indicating it dates back approximately 5000 years, aligning with significant tombs from the same era [1][3] Group 1 - The Fanshan Royal Tomb is identified as a royal-level burial site from the Liangzhu culture, containing multiple noble tombs and a wealth of exquisite jade artifacts [1] - The recent discoveries include a 4-kilometer-long earthen ridge that connects various rectangular platforms, indicating a significant spatial marker and watershed for the Liangzhu site [3] - The relationship between the Fanshan site, Liangzhu ancient city, and the surrounding water management system suggests an integrated construction approach rather than isolated development [3] Group 2 - The archaeological findings provide critical evidence for exploring the urban functional layout, social structure, hierarchical systems, community organization, and burial rituals of the Liangzhu society [3]

Core Viewpoint - The exhibition "Eternal Flow of the Yangtze: Treasures of Ancient Civilization" showcases 160 exquisite artifacts from the Yangtze River basin, highlighting the aesthetic styles and historical evolution of the region's ancient civilization [5]. Group 1: Exhibition Overview - The exhibition is part of the 2025 Yangtze Cultural Arts Season and features artifacts from over 30 cultural institutions across nine provinces, including Hubei, Hunan, Zhejiang, Jiangsu, Sichuan, and Chongqing [5]. - Artifacts are categorized into five sections: "Jade Elegance," "Lacquered Radiance," "Bronze Splendor," "Golden Glow," and "Earthly Art," tracing the craftsmanship and artistic achievements from the Neolithic era to the Ming and Qing dynasties [5]. Group 2: Cultural Significance - The exhibition emphasizes the harmonious coexistence of humans and nature, a core aspect of Yangtze civilization, reflected in the vibrant and life-filled artifacts [8]. - The unique jade artifacts from the Liangzhu culture, particularly the rare trident-shaped piece, symbolize deep cultural meanings and were likely used as hair ornaments in ancient burial practices [6]. Group 3: Artistic Craftsmanship - The exhibition features exquisite lacquerware from the Chu culture, such as the intricately carved phoenix and snake design, showcasing the high level of craftsmanship and spiritual beliefs of the Chu people [8]. - Notable artifacts include a pair of jade dragons and phoenixes from the Spring and Autumn period, symbolizing harmony and unity within Chinese civilization [9]. Group 4: Daily Life Reflections - Artifacts serve as direct representations of ancient lifestyles, with items like the pig-shaped wine vessel illustrating the banquet culture of the Chu nobility [11]. - The exhibition also includes a silver and gold lacquer box from the Western Han period, which connects to ancient beauty practices as depicted in historical paintings [11]. Group 5: Ceramics and Jewelry - The exhibition showcases exquisite ceramics from Jingdezhen, including vibrant colored vases that highlight the meticulous craftsmanship required in their production [10]. - A stunning Ming dynasty gold crown inlaid with rubies exemplifies the luxurious artistry of the time, drawing connections to historical depictions of similar adornments [12].