原标题："情不知所起，一往而深" ——校园青春版昆剧《牡丹亭》走进宝岛 白先勇先生（前排一）登台与部分演职人员一起谢幕。 《回生》一折。 《惊梦》一折。 明代剧作家汤显祖的名作《牡丹亭》，展现杜丽娘与柳梦梅跨越梦境与生死的至情爱恋，被誉为戏曲史 上的不朽传奇。400多年来，作品中的诗情画意与水磨腔的婉转深情，触动着每个世代观众的心弦。 "这一次来台演出很不容易，现场观众真的是有眼福。"校园青春版《牡丹亭》首度"登台"亮相赢得好 评，作为艺术总监、幕后重要推手的白先勇先生格外感怀。2004年，白先勇先生携手江苏省苏州昆剧院 打造青春版《牡丹亭》。这个版本在保留传统昆曲精髓的基础上，融入现代剧场美学理念，以青春靓丽 形式重新诠释经典。青春版《牡丹亭》自2004年在台北首演以来，迄今已在海内外演出548场。这中间 影响最大莫过于校园巡演，20多年来已经在海内外40多所知名高校演出，培养了不少学生观众。白先勇 表示，从青春版《牡丹亭》进校园、设立昆曲传承研究中心，到学生们站上舞台、完整演绎《牡丹 亭》，目的都在于让青年学子认识昆曲之美，亲近我们中国的传统文化，让经典真正走入青春世代的生 命体验之中。 舞台实践是最好的 ...

《惊梦》一折。 种'学演一体'模式，将古典美学融入青年教育，为非物质文化遗产传承提供了新范式。"项目负责人、 东南大学艺术学院教授赵天为表示。 校园青春版《牡丹亭》精选了青春版《牡丹亭》27折中的《游园》《惊梦》《离魂》《回生》等9折经 典段落，既保留原作原味，又贴合青年审美。为了让更多学生有上台展示的机会，剧组采用"多角轮 换"模式，即同一角色由不同演员在不同折子中演绎，整场演出共有"4个柳梦梅""6个杜丽娘"。 白先勇先生（前排一）登台与部分演职人员一起谢幕。 《回生》一折。 "好景艳阳天，万紫千红尽开遍。"1月15日晚的台北城市舞台，座无虚席，掌声频起，校园青春版昆剧 《牡丹亭》在这里隆重上演。婉转的唱腔、优美的身段、典雅的伴奏……学生们荡气回肠的精彩演绎， 让现场观众如痴如醉，更在岛内年轻人中引发热烈回响。 台湾暨南国际大学历史学系学生廖伟伦表示："没想到学生演员的表演如此动人。昆曲的唱腔、身段藏 着我们共同的文化基因，那种亲切感，是文字描述无法替代的。" 明代剧作家汤显祖的名作《牡丹亭》，展现杜丽娘与柳梦梅跨越梦境与生死的至情爱恋，被誉为戏曲史 上的不朽传奇。400多年来，作品中的诗情画意与水磨腔的 ...

Core Viewpoint - The premiere of the campus youth version of "The Peony Pavilion" in Taipei has reignited interest in Kunqu opera among Taiwanese audiences, showcasing the dedication of young performers from mainland China [2][3]. Group 1: Event Overview - The performance took place on January 15, featuring a full house at the Taipei City Stage, with enthusiastic responses from the audience [2][5]. - The event highlighted the artistic talents of young students, who successfully interpreted the classic work, exceeding expectations of seasoned viewers [2][3]. Group 2: Cultural Significance - "The Peony Pavilion," a classic by Tang Xianzu, has been embraced by Taiwanese audiences for over 20 years, with significant participation from younger generations [3][5]. - The performance is part of a broader initiative to promote traditional Chinese culture among youth, emphasizing the importance of understanding cultural heritage for future direction [3][5]. Group 3: Future Initiatives - A training program for young performers, led by Southeast University and overseen by renowned writer Bai Xianyong, is set to launch in 2024, aiming to cultivate talent in Kunqu opera [3][5]. - The program will involve 50 students from 29 universities, culminating in a performance in Jiangsu in April 2025 [3]. Group 4: Audience Engagement - The audience included a significant number of young Taiwanese viewers, indicating a growing interest in traditional arts among the youth [3][5]. - The event served as a cultural bridge, fostering connections between young people from both sides of the Taiwan Strait [5][7].

Core Viewpoint - The articles highlight the cultural richness and historical significance of Jiangsu province, emphasizing the importance of cultural heritage preservation and innovation in promoting cultural confidence and development in the region [1][2][8]. Group 1: Cultural Heritage and Historical Significance - Jiangsu is home to three UNESCO World Heritage sites, 251 national key cultural relic protection units, and over 20,000 immovable cultural relics, showcasing its rich cultural heritage [2]. - The discovery of the ancient city site from the Majiabang culture, dating back 6,000 years, marks Jiangsu as one of the earliest prehistoric sites in China [2]. - The province's historical districts, such as Suzhou and Yangzhou, attract significant tourist traffic, reflecting the integration of historical memory with modern urban life [5][6]. Group 2: Cultural Confidence and Innovation - Jiangsu's cultural confidence is rooted in its historical legacy, with ongoing projects aimed at exploring and documenting the region's cultural lineage [2][4]. - The province is actively promoting the creative transformation of traditional culture, with initiatives like the "Jiangsu Cultural Library" project, which aims to publish 3,000 volumes of local literature [3][8]. - The success of cultural events and exhibitions, such as the "Red Mansion" dance drama's overseas tour, demonstrates the growing influence and appeal of Jiangsu's cultural offerings on an international stage [10]. Group 3: Non-Material Cultural Heritage - Jiangsu leads the nation with 12 items listed as representative works of intangible cultural heritage, highlighting the importance of preserving traditional crafts and practices [4]. - The province's efforts in promoting intangible cultural heritage, such as the Qinhuai Lantern Festival and Huishan Clay Figurines, have gained national recognition and popularity [4][7]. - Innovative cultural products and events, including the "Youth Version of Peony Pavilion," are engaging younger audiences and revitalizing traditional art forms [7][8]. Group 4: Cultural Infrastructure and Public Engagement - Jiangsu's museums and cultural venues have seen a surge in visitor numbers, with the Jiangsu Museum attracting 140 million visitors in 2024, indicating a strong public interest in cultural heritage [6][7]. - The province has implemented policies to enhance museum accessibility and promote cultural tourism, resulting in significant increases in visitor engagement and revenue from cultural products [7][8]. - The "Read City" initiative encourages exploration of urban culture through historical landmarks, fostering a deeper connection between residents and their cultural heritage [9].

Core Points - The campus youth version of "Peony Pavilion" premiered on April 26 at Jiangsu Grand Theatre, featuring a cast entirely composed of students, with 80% being post-2000s generation and an average age of under 22 [1] - The production aims to engage young audiences and promote appreciation for traditional Chinese culture, with the involvement of notable figures like Bai Xianyong as the artistic director [2][4] - The performance is a collaboration among students from 29 universities, showcasing the potential of youth in preserving and revitalizing traditional art forms like Kunqu [4][12] Group 1 - The campus youth version of "Peony Pavilion" has been performed over 500 times in the past 20 years, attracting numerous young fans [1] - The project faced logistical challenges due to the diverse locations and schedules of participating students, necessitating intensive rehearsal periods during holidays and weekends [5] - Bai Xianyong emphasized the importance of cultivating young audiences to ensure the survival of Kunqu, highlighting the success of the youth version in both domestic and international performances [5][12] Group 2 - The students underwent rigorous training, with a focus on mastering the unique singing and movement styles of Kunqu, despite many lacking prior experience [7][9] - The production featured multiple actors for key roles, allowing more students to participate and showcase their talents [8][10] - The cultural lessons provided during rehearsals deepened the students' understanding of Kunqu's history and significance, enhancing their performance skills [9][12] Group 3 - The premiere received enthusiastic responses from audiences, including international attendees who were captivated by the performance [11] - The experience has fostered a sense of cultural pride and responsibility among the participating students, reinforcing their connection to traditional arts [12][13] - The initiative is seen as a model for integrating traditional culture into modern contexts, encouraging broader public engagement with Kunqu [13]