欣赏黄永玉的作品，"读"远比"看"更为重要。细心的观众会发现，这次展出的水墨画、彩墨画，大多配 有几十字到几百字不等的题跋，最长者竟达数千字，俨然一篇篇单独的文学作品。但是这些题跋并非简 单的文字点缀，而是与画面相互映衬、互为注解的，文叙画之深意，画衬文之妙境，让每一件作品都耐 人寻味。正如他自己所言："文学在我的生活里面是排在第一的，第二是雕塑，第三是木刻，第四才是 绘画。" 像在《宋元君到底想画啥图》的题跋中，他从历史谈到哲学，从典故延伸至注疏，趣味丛生又见解独 到，让观者在欣赏画作的同时，更能领略其渊博的学识与通透的人生智慧。这份文学素养的积淀，源于 黄永玉一生对读书的热爱。据悉，中外古今书籍，但凡感兴趣的，他都会认真研读，吸收精华并融入创 作。即便是耄耋之年，他仍孜孜不倦地阅读，他将这些阅读心得与人生回忆相结合，潜心探索文字与画 面的完美融合，最终形成了独树一帜的艺术语言。例如在第一板块"逍遥游"中，可见他晚年创作常以 《庄子》典籍中的历史人物为题材，题跋多以"小说家手记"的形式，尽情抒发奇思妙想，让读者得以一 窥他的情感与智慧。 到了第三板块"十万狂花如梦寐"中，荷花、水仙等标志性意象贯穿始终，他以 ...

Core Viewpoint - The exhibition "People's 'Form': The Artistic Journey of Tsinghua University Academy of Fine Arts" showcases the evolution of art at Tsinghua University, highlighting the contributions of several generations of artists who blend traditional and modern elements to serve the aesthetic needs of the people [2][4][11]. Group 1: Exhibition Overview - The exhibition features 103 artworks and 163 sets of documents, illustrating the artistic lineage of Tsinghua University Academy of Fine Arts, formerly known as Central Academy of Arts and Crafts [2]. - It aims to trace the development of 20th-century Chinese design and art, reflecting on how artists have integrated beauty into national destiny and daily life [4][9]. Group 2: Artistic Contributions - Artists like Pang Xunqin, Lei Guiyuan, Zhang Guangyu, and Zhang Di have played pivotal roles in innovating art forms that resonate with the social transformations in China [4][5]. - Pang Xunqin's works, such as the watercolor "Son of the Earth," depict the struggles of rural life, while his later oil painting "Bottle Flower" merges Western techniques with Eastern aesthetics [5]. - Zhang Guangyu draws inspiration from folk art, creating modern interpretations of traditional stories, exemplified by his design drafts for the animated film "Havoc in Heaven" [5][6]. Group 3: Cultural Exploration - The artists' journeys into various regions of China have led to the creation of vibrant works that reflect the diversity of Chinese culture [6][10]. - Zhang Di's works, such as "Cangshan Pastoral Song," showcase a blend of Western modern art and traditional Chinese styles, emphasizing a new direction for Chinese painting [6][10]. Group 4: Artistic Philosophy - The exhibition embodies the philosophy of "Kite Without a String," representing the continuous exploration of artistic forms while maintaining a connection to cultural and social realities [7]. - The concept of "People's Form" emphasizes the role of art in addressing societal needs and enhancing the quality of life, echoing the ideals of Cai Yuanpei's "art education for national salvation" [4][11]. Group 5: Public Art Initiatives - The mural group at Beijing Capital International Airport, created in 1979, exemplifies the integration of art into public spaces, showcasing themes of national identity and cultural heritage [10]. - The designs reflect a commitment to serving the public through art, illustrating the aspiration for a beautiful life among the people [10][11].