（来源：天津日报） 快闪表演过后，演奏家们移步三楼音乐馆，开启了一场更具深度的导赏之旅。"笙是中国最古老的乐器 之一，也是世界上最早的自由簧乐器，距今已有数千年历史。" 生于笙演奏世家的阎艺率先登台，用通 俗的话语讲解笙的历史，"它既能在乐团中铺就浑厚底色，也能以独奏绽放灵动光彩，堪称'民乐和声精 灵'。"随后，几位演奏家又以讲演结合的形式，介绍了笙的构造原理与丰富种类，并结合键笙的改良历 程与现代应用，展示了笙在多民族音乐融合及中外文化交流中的独特魅力。 转自：天津日报 据了解，"艺书共享空间"专题活动自2024年推出以来，已举办交响乐导赏、民乐赏析、芭蕾导赏、古典 舞赏析等多场高品质公益演出。天津歌舞剧院副院长崔菁华表示，未来剧院将继续深挖天津文化资源， 创作更多展现天津民俗风情、古迹风貌的作品，让更多人了解津派文化的魅力。 本报讯（记者 王洋）昨日下午，"笙声聚团圆 骏马踏新春"民乐导赏音乐会在天津图书馆一楼大厅拉开 序幕。 这场由天津歌舞剧院与天津图书馆联合打造的"艺书共享空间"专题活动，以"同心圆"为核心主题，既寓 意家人相守团圆、民族同心同行，也让温暖情愫与向善能量在乐声中悄然传递。快闪现场，《同 ...

"单一乐器的表达容易显得单薄，我希望让更多传统乐器在电子语境中自然发声。"荷蓓蓓表示，这是她 作为作曲家一次全新的探索。 专辑共收录七首作品，包括《双月》《云间山歌》《梦幻上海》《丝绸雅宴》《走红》《雪中翱翔》 《午夜怪诞》。在正式发布前，专辑已斩获2025年全球音乐大奖(Global Music Awards)"世界融合音乐专 辑"银奖。(完) 中新网纽约2月21日电 旅美古筝演奏家荷蓓蓓新专辑《双月》(Two Moons)20日正式发布。该专辑携手 伦敦制作人保罗·埃利奥特打造，试图在电子音乐的语境中，让历史悠久的弦音在当代场景里焕发新的 生命力。 不同于主流电子音乐对高精度与"精致抛光"的执着，荷蓓蓓与埃利奥特更偏爱低保真、模拟向音乐自带 的生活质感。磁带饱和度带来的轻微失真、设备运行中自然产生的细小噪音，这些在现代制作中常被刻 意抹去的"瑕疵"，在这张专辑里被完整保留，成为声音结构的一部分。 在创作过程中，荷蓓蓓邀请了多位深耕传统音乐领域的演奏家，将二胡、笙、笛子、三弦、中阮等多种 民乐器融入其中。这些乐器错落分布于不同曲目，分别承担旋律推进、节奏延展与空间塑形的角色。各 类音色相互交织、彼此呼应，打 ...

乐器的形制也实现了跨越式发展。从明清流传下来的13、17簧笙，改良为21至26簧不等的传统笙，音 域、音量、音色显著提升。1974年孙汝桂、王慧中研制的36簧方笙，以及1984年牟善平、翁镇发、徐超 铭研制的37簧圆笙，成为沿用至今的代表性成熟改良笙形制。 伴随着乐器性能的突破，笙自上世纪80年代末开始受到职业作曲家的青睐。陈铭志的《远草赋》 （1988）是第一首笙复调作品；赵晓生的《唤凤》（1989）首次将十二音作曲技术引入笙曲。郭文景、 秦文琛、贾国平、陈晓勇、温德青等作曲家及文子洋、孔志轩、李玥锦等新生代作曲家，创作了许多笙 独奏、协奏与室内乐作品，使其活跃于当代音乐舞台。 作品的传播离不开演奏家的推动。笙演奏家吴巍将37簧笙带到世界舞台，吸引了众多国际一线作曲家创 作了十余部协奏曲与数百部室内乐，实现了笙与爵士、古典、电子等领域的深度跨界。笙演奏家吴彤， 凭借与马友友丝绸之路乐团的合作，两度获得格莱美奖，并频繁携笙登上主流媒体，极大地推动了笙的 公众认知。各类笙艺术节、比赛与展演活动，也持续推动着笙演奏艺术的前进。 合奏中的"粘合剂" 在民族乐团发展初期，笙因其能演奏和声、呼吸时亦可发音且音准稳定，被 ...

Core Viewpoint - The interview with Anna Reid, the Dean of the Sydney Conservatorium of Music, emphasizes the role of music as a universal language that fosters cultural exchange and understanding between China and Australia [3][10]. Group 1: Cultural Exchange through Music - Music serves as a unique medium for cultural exchange, enhancing mutual understanding between China and Australia [3]. - Anna Reid highlights her impressions of Chinese music, particularly traditional instruments like the guzheng, dizi, and erhu, which she has personally engaged with [3][4]. - The Sydney Conservatorium has approximately 300 students and faculty who can play Chinese instruments, providing a significant opportunity for exploration in both Eastern and Western musical traditions [6][9]. Group 2: Collaboration and Education - The Sydney Conservatorium maintains active partnerships with several Chinese music institutions, facilitating teacher and student exchanges [9]. - Collaborations with institutions like Xinghai Conservatory of Music focus on nurturing young composers and supporting advanced research studies [9]. - The Conservatorium's commitment to cross-cultural music education is reflected in its curriculum, which incorporates diverse musical traditions [7]. Group 3: The Future of Music and Technology - The integration of artificial intelligence in music composition is viewed as a tool that encourages critical thinking among students, rather than a threat [13]. - Anna Reid suggests that AI can assist in music creation, but emphasizes the importance of students developing their judgment and creativity in the process [13]. - The future of music lies in maintaining an open perspective and supporting young composers to create music that resonates with contemporary audiences [6][11].

Core Viewpoint - The article highlights the cultural significance and revival efforts of the traditional Chinese musical instrument, the suona, led by Zhou Benming and his family group, "Zhou Family Band," which has been recognized as a provincial intangible cultural heritage representative. Group 1: Cultural Heritage and Tradition - Zhou Benming is the fifth-generation leader of "Zhou Family Band," a well-known folk music group in Bolin Village, Lingbi County, with a history of over a century [2] - The suona is celebrated as the "king of instruments" in the region, often featured in important local events such as weddings and ancestral worship [1] - Zhou Family Band has successfully trained over a hundred local Zhou clan members and more than a thousand non-clan enthusiasts in suona performance [2] Group 2: Modernization and Promotion - Zhou Benming has restructured the band, enriching its repertoire and focusing on training, including the publication of "Essentials of Zhou Family Band Heritage" [2] - The band has integrated traditional and modern elements in their performances, creating new works like "Dongfeng Qi" that resonate with contemporary audiences [3] - Since 2017, the band has performed over 200 shows internationally, including a planned 20 performances in the U.S. during the 2025 Spring Festival [3] Group 3: Recognition and Impact - In 2014, the suona art (Lingbi Bolin suona) was included in the national intangible cultural heritage representative project list, boosting its recognition [3] - The performances aim to evoke respect and appreciation for traditional music while also engaging younger audiences with popular music adaptations [3]

Core Points - The 2025 Poly (Tianjin) National Music Festival will take place from August 17 to 23 in Tianjin, marking its first occurrence in the city [1][3] - The festival will feature top national music masters and professors from leading music academies, covering six major disciplines: pipa, erhu, sheng, guzheng, yangqin, and bamboo flute [3] - Nearly ten performances will be held at the Tianjin Grand Theatre during the festival, including public performances aimed at allowing citizens to experience the charm of national music [3] - The historical and cultural background of Tianjin is seen as a fertile ground for the festival's success, according to Xu Jian, the chief planner of the Poly National Music Festival [3]

Group 1 - The Shandong Normal University Art Troupe conducted a tour in Kenya, performing at various venues including the University of Nairobi and Kenyatta University, showcasing traditional Chinese musical instruments through diverse formats such as solo performances, ensemble, and the integration of music with martial arts [4][6] - The performances highlighted the unique characteristics of traditional instruments like the erhu, pipa, bamboo flute, sheng, guzheng, and yangqin, and creatively blended them with local classic works, enhancing the cultural exchange experience [4][8] - Audience members, including students and professors, expressed a deep appreciation for the performances, noting the emotional depth and artistic height of Chinese music, which sparked interest in further cultural exchanges and collaborations in traditional music education [4][8] Group 2 - The performances not only showcased the beauty of Chinese traditional music but also fostered a deeper understanding of Chinese culture among Kenyan audiences, with students expressing a desire to learn Chinese songs and martial arts [8][9] - The events were described as a profound cultural and spiritual exchange, planting seeds of interest in Chinese culture among Kenyan students and promoting respect for cultural diversity and mutual understanding [8][9] - The interactions during the performances, such as teaching a simple Chinese song to students, emphasized the role of music as a bridge for understanding and connection between cultures [8][9]