"推呀拉呀转又转，磨儿转得圆又圆。一人推磨像牛车水，两人牵磨像扯篷船……" 走进挂着灯笼、贴上春联的新吴区梅里古镇，锡剧《双推磨》正在"吴歌台"唱响。锣鼓喧天的旋律 中，男女演员边推磨边对唱的表演，令围观市民拍手叫好。 2025年，联合国教科文组织宣布，江苏无锡入选创意城市网络，成为"世界音乐之都"。春节期间， 走进无锡，年味里处处流淌着动人旋律。在这里，音乐可听、可看、可体验，一段段旋律融入市井烟 火，一串串音符也传递出浓浓年味。 无锡的春节，可以从听一场早戏开始。 装好组件、安好琴弦，一把二胡握在手里，谁不想拉？体验馆里还有现场试拉教学，童童第一个报 名。"弓要往外弹，手要往里按，就像吃饭夹筷子的姿势。"黄建洪手把手地教她，音色逐渐饱满起来。 一个小时过去，孩子们玩得爱不释手。王健将这把二胡买回家，作为送给女儿的春节礼物。 春节期间，生肖马琴头的二胡备受欢迎。工作人员介绍，另一个形象来源于鸿山遗址博物馆"双龙 管形玉佩"的二胡也是畅销款。 鸿山越国乐器，再现了2500年前吴越大地的礼乐风貌。刚进博物馆大厅，迎面就遇见了一场古风音 乐会。古筝、古琴、二胡在参观动线上玩起"快闪"，市民和游客可换上古装打卡合影 ...

中国驻匈牙利大使龚韬在仪式上致辞说，在过去的12年里，中匈联合发行了中国十二生肖系列邮 票，此次新推出的"民族瑰宝"系列邮票将以两国各具代表性的文化艺术瑰宝为主题。希望通过邮票这一 载体，进一步推动中匈多元文化的交流与对话。 匈牙利国家经济部国务秘书图里·阿妮科说，通过展示两国传统民族乐器，这套邮票体现了中匈在 艺术和民间音乐领域的相通之处，展现了双方对文化传承重要性的高度认同。 匈牙利邮政局自2014年起开始推出中国十二生肖纪念邮票系列，2025年已完成一轮十二生肖邮票的 发行。此次发行的匈中民族乐器邮票是"民族瑰宝"系列的首发作品。 2月4日，中国驻匈牙利大使馆、匈牙利国家经济部、布达佩斯中国文化中心与匈牙利邮政局在匈牙 利首都布达佩斯举行"民族瑰宝·匈中民族乐器"邮票联合发行仪式。 此次发行的邮票以中国古筝与匈牙利奇特拉琴为设计主题，由匈牙利平面设计师鲍蒂茨·鲍尔瑙巴 什设计，共发行2万枚小型张，每枚小型张由4枚邮票构成。 发行仪式上，旅匈古筝演奏家张晔和匈牙利演奏家德布赖采尼-基什·海尔高分别表演了古筝独奏 《渔舟唱晚》和奇特拉琴独奏《查尔达什舞曲》，展现中匈两国传统音乐文化的独特魅力。 国家邮政局网 ...

Core Viewpoint - The article highlights the enduring legacy of Jiao Yulu, a model county party secretary, and the transformation of Lankao County, emphasizing the importance of his spirit in contemporary society and its impact on local development. Group 1: Historical Context - In 1962, Lankao faced severe natural disasters, including flooding and salinization, leading to a historic low in grain production [6] - Jiao Yulu was appointed to Lankao during this crisis and made a commitment to change the county's situation, stating, "I will work hard to change Lankao's appearance" [6][12] - His tenure lasted only one year and four months, but it left a lasting impact on the region, giving rise to the "Jiao Yulu spirit" [7] Group 2: Agricultural and Economic Development - Jiao Yulu initiated the planting of Paulownia trees to combat desertification, which has now evolved into a significant economic industry in Lankao, generating over 10 billion yuan annually and providing employment for over 40,000 people [9][10] - The Paulownia industry has diversified into producing musical instruments, with Lankao becoming the largest production base for traditional Chinese instruments in Central and Western China, contributing over 2 billion yuan in annual revenue [10] - Lankao's Paulownia wood products are exported to more than ten countries, with the local furniture industry producing over 400,000 sets annually [10] Group 3: Cultural Significance - The "Jiao Yulu spirit" is seen as a symbol of dedication and service to the people, with the Paulownia tree, known as "Jiao Tong," representing this legacy [9][12] - The Jiao Yulu Memorial Hall showcases artifacts that reflect his commitment to the community, including a chair that symbolizes his struggle against illness while serving the people [11][12] - The spirit of Jiao Yulu continues to resonate in contemporary discussions, especially during significant local events, reinforcing its relevance in modern governance and community development [13]

Core Viewpoint - The article highlights the journey of Taiwanese musician Zhong Zihua, who is innovating Guangxi ethnic music by blending traditional and modern styles through her performances and compositions [1]. Group 1: Background and Experience - Zhong Zihua, a 90s-born Taiwanese, completed her graduate studies at the Central Conservatory of Music and joined the Guangxi Ethnic Orchestra in 2022 [3]. - She has a passion for challenges and aims to innovate ethnic music after moving to Guangxi [3]. Group 2: Professional Challenges and Achievements - In late 2022, she participated in the first Guangxi Youth Performer Competition, where she prepared a diverse repertoire and won second place in a comprehensive competition featuring both Western and ethnic instruments [4]. - In 2025, she faces a challenge to master an additional ethnic instrument, specifically the copper drum, within a tight timeframe of two weeks [4]. Group 3: Creative Contributions - Zhong Zihua quickly learned the basics of playing the copper drum and created a complete solo piece titled "Echo of the Copper Drum," inspired by the instrument's resonant sound [4]. - She has been involved in a large-scale ethnic symphonic work supported by the Guangxi Arts Fund, which deepened her understanding of the music of various ethnic groups in Guangxi [5]. Group 4: Teaching and Future Aspirations - In addition to performing, Zhong Zihua is dedicated to teaching guzheng, aiming to bridge traditional music with modern aesthetics [5]. - She has adapted classic guzheng pieces to make them more appealing to younger audiences and plans to continue enhancing her performance skills while exploring new creative avenues rooted in Guangxi's ethnic music [5].

Core Viewpoint - The interview with Anna Reid, the Dean of the Sydney Conservatorium of Music, emphasizes the role of music as a universal language that fosters cultural exchange and understanding between China and Australia [3][10]. Group 1: Cultural Exchange through Music - Music serves as a unique medium for cultural exchange, enhancing mutual understanding between China and Australia [3]. - Anna Reid highlights her impressions of Chinese music, particularly traditional instruments like the guzheng, dizi, and erhu, which she has personally engaged with [3][4]. - The Sydney Conservatorium has approximately 300 students and faculty who can play Chinese instruments, providing a significant opportunity for exploration in both Eastern and Western musical traditions [6][9]. Group 2: Collaboration and Education - The Sydney Conservatorium maintains active partnerships with several Chinese music institutions, facilitating teacher and student exchanges [9]. - Collaborations with institutions like Xinghai Conservatory of Music focus on nurturing young composers and supporting advanced research studies [9]. - The Conservatorium's commitment to cross-cultural music education is reflected in its curriculum, which incorporates diverse musical traditions [7]. Group 3: The Future of Music and Technology - The integration of artificial intelligence in music composition is viewed as a tool that encourages critical thinking among students, rather than a threat [13]. - Anna Reid suggests that AI can assist in music creation, but emphasizes the importance of students developing their judgment and creativity in the process [13]. - The future of music lies in maintaining an open perspective and supporting young composers to create music that resonates with contemporary audiences [6][11].

Core Viewpoint - The integration of traditional music with modern technology, particularly AI, is seen as a potential dialogue rather than a conflict, emphasizing the importance of preserving traditional music while embracing innovation [1][3]. Group 1: Traditional Music and Education - The Shenzhen University of Technology's Music College aims to protect and pass on traditional music, focusing on the nuances of ethnic vocal music that AI cannot replicate [1]. - Students are encouraged to engage with traditional music, viewing it as a living language that resonates with contemporary culture [1]. Group 2: AI and Music Industry - The relationship between AI and music has sparked discussions among students, with a consensus emerging that AI can amplify human creativity rather than limit it [3]. - The concept of training "music architects" is introduced, where students learn not only performance but also project design, AI music production, and sound and lighting design [3]. Group 3: Regional Influence - The Greater Bay Area is described as an ideal environment for the intersection of music and technology, fostering an open and pragmatic spirit conducive to cross-disciplinary experiments [3].

Group 1 - The article highlights the successful short-term Erhu training held at the Chinese Cultural Center in Berlin, led by a doctoral student from the Central Conservatory of Music, showcasing the instrument's history, techniques, and classic repertoire [1] - The training is part of the "Chinese Music Connecting Hearts, Composing the Future" initiative, which has organized various activities globally since February, including workshops and performances to promote Chinese music among overseas youth [1] - The initiative is a collaboration between the China Cultural and Tourism Exchange Center and various cultural institutions, aiming to bridge the gap for international youth to experience the charm of Chinese music [1] Group 2 - The Wuxi National Orchestra's music group has performed in Sri Lanka and Thailand, engaging in discussions on classic music, creation, performance techniques, and cultural transmission [2] - The China Conservatory of Music's music group has conducted workshops and performances in Argentina and Chile, further promoting Chinese music education [2] - An online video exhibition titled "Chinese Music, Listen to My Performance" has attracted participation from youth in 11 countries, showcasing their enthusiasm and achievements in learning Chinese music, thereby expanding the initiative's influence [2]

Core Viewpoint - The event "Together Under the Same Sky - Mid-Autumn Liu Fang Pipa Solo Concert" was held at the Montreal Botanical Garden, celebrating Chinese culture and the 40th anniversary of the friendship between Shanghai and Montreal [1][2]. Group 1: Event Details - The concert featured renowned pipa artist Liu Fang, who performed a variety of traditional and modern pieces, showcasing different styles and eras [1]. - The event included a photography exhibition, traditional clothing trials, guzheng demonstrations, mooncake tasting, and tea displays, attracting thousands of visitors [1]. Group 2: Significance and Cultural Exchange - The event is part of a series of celebrations marking the 40th anniversary of the friendship between Shanghai and Montreal, emphasizing the historical significance of the Chinese Garden as a cultural bridge [2]. - The "Together Under the Same Sky" initiative, launched by the Chinese Ministry of Culture and Tourism in 2017, aims to promote the cultural connotations of the Mid-Autumn Festival, highlighting themes of reunion, harmony, and happiness [3].

Core Viewpoint - The Confucius Institute at Stellenbosch University in South Africa hosted a "Mid-Autumn Cultural Gathering" event, showcasing Chinese culture through various activities, attracting around 60 participants from local schools and cultural enthusiasts [1][3]. Group 1: Event Overview - The event featured activities such as traditional Chinese painting, musical performances, tea tasting, Hanfu experience, and handicraft teaching, providing an immersive experience of Chinese culture [1][3]. - Participants engaged in learning about Mid-Autumn myths and customs, interactive lantern riddles, and the cultural significance of different Chinese dynastic clothing styles [3][5]. Group 2: Cultural Exchange - The event included demonstrations of Chinese calligraphy and painting, with instructors explaining the aesthetics and techniques involved, such as "qi yun sheng dong" (vitality and spirit) [3][5]. - Musical performances included a guzheng piece titled "Shui Diao Ge Tou" and a hulusi rendition of "Xuan Cao Hua," conveying themes of reunion and familial love [5]. Group 3: Community Impact - The principal of the Hugo Naudé Art Centre expressed that the event deepened the understanding of Chinese art's elegance and complexity, reinforcing cultural exchange [5].

Core Viewpoint - The development of the traditional musical instrument industry in Xu Chang Village, Henan Province, has significantly contributed to local economic growth and poverty alleviation through financial support and entrepreneurial initiatives [1][2][3] Group 1: Industry Development - The traditional musical instrument industry in Xu Chang Village has rapidly expanded, with 92 out of 105 households engaged in instrument production, leading to an increase in per capita income by nearly 10,000 yuan [2] - The industry has become a crucial pillar of economic development in Lankao County, with 219 musical instrument enterprises and related businesses, generating an annual output value exceeding 3 billion yuan, with the traditional music sector accounting for over 40% [3] Group 2: Financial Support and Policies - Financial support policies, including the "musical instrument loan," have facilitated the growth of the industry, enabling local entrepreneurs like Xu Weiping to scale production to 6,000 guzhengs annually [2] - Since 2014, poverty alleviation policies have encouraged young people to return to their hometowns to start businesses, providing interest-subsidized loans and technical training [1]