（来源：内蒙古日报） □本报记者 陈杨 孟和朝鲁 庄圆 马骏驰 摄影报道 "一生择一事，一事终一生。"这句话是苏婷玲的人生信条，更藏在她40多年守护蒙古族服饰的每一个日 子里。 在内蒙古商贸职业学院的研习馆，身为内蒙古自治区民族服饰协会副主席的苏婷玲，正细细摩挲着一件 传统服饰："这是巴尔虎蒙古族传统服饰的基本样式，你看这标志性的角型大发夹，整套配饰和挂饰重 量加起来约6公斤。"40多年来，她的目光始终没离开过蒙古族服饰。 转自：内蒙古日报 蒙古族服饰被誉为"穿在身上的史诗"。它华丽考究，兼具地域与部落特色，图案取材于蓝天白云、草原 河流等自然元素，色彩鲜艳、针法细腻，藏着草原人民对自然的敬畏与对美好生活的向往。 退休前，苏婷玲在内蒙古自治区博物院工作时，就和蒙古族服饰结下不解之缘。整理、复原、修复这些 服饰，成了她最上心的事。2009年，内蒙古自治区政府牵头开展蒙古族服饰抢救保护工程，苏婷玲就是 其中一员。 此后数年，她跟随团队踏遍内蒙古50多个旗县，走访百余位专家与牧民，累计行程近20万公里。最终厘 清了蒙古族28个部落传统服饰的基本样式，复原制作了蒙古族各部落的108套服装和34套头饰，全部被 内蒙古自 ...

Core Viewpoint - The "Colorful Alashan - Folk Cultural Relics Exhibition" showcases the cultural charm and ethnic customs of the Alashan region through 129 valuable folk cultural relics and intangible cultural heritage representations, emphasizing the deep integration of frontier and central plains cultures [1]. Group 1: Exhibition Details - The exhibition is co-hosted by the Zhoukoudian Site Museum and the Alashan Museum, featuring a theme of "Colorful Alashan · Harmonious Coexistence" [1]. - It includes two main sections: a historical section and a folk customs section, highlighting national-level intangible cultural heritage such as Alashan carpets and Mongolian clothing [1]. Group 2: Cultural Significance - The exhibition facilitates a deep dialogue between ancient civilization and folk culture, injecting new momentum into cultural exchange and tourism industry integration between northern frontier and central plains [1]. - During the exhibition, the Zhoukoudian Site Museum will host live performances by intangible cultural heritage inheritors and themed lectures on northern frontier culture, aiming to bring folk culture closer to the public [1].

Core Viewpoint - The article highlights the unique cultural and geographical significance of Su Bei County in Gansu Province, emphasizing its role as a bridge for cultural exchange between China and Mongolia, particularly through sports and traditional arts. Group 1: Cultural Significance - Su Bei County is the only Mongolian autonomous county in Gansu, with a unique cultural heritage that includes traditional Mongolian arts such as long tunes, dances, and blessings, which are preserved in their original form [6][14]. - The county's geographical location at the intersection of the Mongolian Plateau and the Tibetan Plateau has historically made it a center for cultural exchange, evidenced by similarities in rock art between Su Bei and Mongolia [14]. Group 2: Sports and Community Engagement - The "Village BA" basketball tournament in Su Bei has become a platform for cross-border sports interaction, with teams from Mongolia participating, enhancing community ties and cultural understanding [10][11]. - The event not only promotes sports but also showcases local culture through performances by the Su Bei Ulan Muqi, which integrates traditional arts into modern events [11][12]. Group 3: Preservation of Traditional Arts - The Su Bei Ulan Muqi, established in 1974, is the only Ulan Muqi in Gansu and plays a crucial role in preserving and promoting local cultural heritage through performances and community engagement [12][13]. - Notable figures such as Na Ren Qi Qi Ge, a national-level representative of Mongolian costume heritage, highlight the importance of traditional crafts and their preservation in the face of modernization [14]. Group 4: Economic and Tourism Development - Su Bei County's unique cultural and natural resources position it as a potential tourist destination, attracting visitors interested in its rich heritage and scenic landscapes [6][14]. - The county's strategic location as a logistics hub in the Silk Road Economic Belt enhances its role in international trade and cultural exchanges, further promoting tourism and economic development [15].

Core Viewpoint - The article highlights the cultural and economic significance of Su Bei County, Gansu Province, particularly its unique Mongolian heritage and its role in fostering cross-border cultural exchanges with Mongolia through events like the "Village BA" basketball tournament and traditional performances [10][12][16]. Group 1: Cultural Heritage - Su Bei County is home to the only Mongolian autonomous county in Gansu, with a population of approximately 15,000 and covering about one-sixth of the province's total area [11]. - The region preserves unique cultural practices, including traditional Mongolian long songs, dances, and embroidery, which are considered "original ecological" heritage [11][16]. - Notable cultural figures include Na Ren Qi Qi Ge, a national-level representative inheritor of Mongolian clothing, who emphasizes the importance of preserving traditional crafts [16]. Group 2: Economic and Cultural Exchange - The "Village BA" basketball tournament has become a platform for cultural exchange, with teams from Mongolia participating and engaging in mutual visits and trade exhibitions [12][13]. - The establishment of friendly city relations between Su Bei County and Mongolia's Bayan-Ulgii Province has enhanced bilateral interactions [12]. - The local Ulan Muqi troupe plays a vital role in cultural promotion, performing traditional arts and engaging in community outreach [14][15]. Group 3: Tourism and Development - Su Bei County's unique geographical location and cultural richness position it as a potential tourist destination, attracting visitors interested in its heritage and natural beauty [11][16]. - The county's cultural events, such as the Nadam Fair and performances by the Ulan Muqi troupe, are designed to enhance local visibility and tourism [13][15]. - The region's historical significance as a cultural exchange hub along the ancient Silk Road is emphasized, with ongoing efforts to promote its cultural assets [16][17].

Core Perspective - The article highlights the rich cultural heritage and evolving fashion of Mongolian traditional clothing, emphasizing its significance in contemporary society and its adaptation to modern aesthetics [1][3]. Group 1: Traditional Clothing Characteristics - Mongolian traditional clothing, known as "Mongolian robe," is designed for cold climates and nomadic lifestyles, featuring right-cross collars, wide sleeves, and no slits for warmth and ease of riding [1][2]. - The clothing includes elaborate accessories, such as long silk belts and heavy headpieces made from coral and agate, which symbolize identity and status among Mongolian women [1][2]. - The diversity in styles, fabrics, and craftsmanship of Mongolian clothing reflects the various natural environments and cultural differences across regions [1][2]. Group 2: Cultural Significance and Events - In Inner Mongolia, there are 108 standard outfits and 34 types of headgear among the 28 Mongolian tribes, with traditional clothing being worn during festivals and significant events to signify respect and cultural pride [2]. - Specific garments, like the "Banjile" wrestling pants, are adorned with auspicious symbols and are worn during important ceremonies, showcasing the cultural symbolism embedded in the clothing [2]. Group 3: Modern Innovations and Global Influence - The influence of cultural tourism has led to the "fashionization" of Mongolian clothing, with designers like Yang Ying showcasing their work on international platforms such as Paris Fashion Week [3]. - There is a growing demand for diverse designs that incorporate traditional elements while appealing to modern consumer preferences, including fabric choice and functionality [3]. - Designers maintain traditional wisdom in their creations, ensuring that modern adaptations still reflect the historical and cultural significance of Mongolian attire [4]. Group 4: Embroidery and Symbolism - The Zasakhtu Mongolian embroidery, originating in the 12th century, captures the cultural practices of nomadic life, using colors and patterns that symbolize purity, life, and natural elements [4]. - The designs often feature motifs related to nature, reflecting the Mongolian people's gratitude towards their environment and their appreciation for life [4].

Core Insights - The article emphasizes the revitalization of the cultural industry in China, driven by the creative transformation and innovative development of traditional culture under the guidance of President Xi Jinping [2][3]. Group 1: Cultural Industry Development - The cultural industry is experiencing a renaissance, with local intangible cultural heritage skills being passed down and integrated into tourism, leading to economic growth [2][3]. - The "Dongpin Source" cooperative in Guizhou has seen its revenue grow from over 1 million to more than 18 million yuan, creating flexible employment for over 1,200 people across 123 villages [4]. - The annual output value of the ethnic handicraft industry in Chifeng, Inner Mongolia, has reached 200 million yuan, showcasing the economic potential of traditional cultural elements [5]. Group 2: Cultural Tourism Integration - The integration of culture and tourism in Lijiang has led to a record 80.64 million tourists in 2024, with visitors staying an average of 15 to 30 days, significantly longer than previous averages [6][7]. - The restoration of historical residences in Lijiang has created new cultural experiences for tourists, enhancing the connection between local residents and visitors [6][7]. Group 3: Traditional Clothing Industry - The Hanfu industry in Caoxian has become the largest original Hanfu production cluster in China, with total sales exceeding 12 billion yuan in 2024, capturing a significant market share [9][10]. - The industry has implemented efficient supply chain practices, allowing for rapid production and distribution, with products reaching international markets in under an hour [10]. - The Hanfu products have gained international recognition, with sales expanding to over ten countries, including Australia and Canada, showcasing the global appeal of traditional Chinese clothing [10][11].