清远巨型长鼓登 上十五运会闭幕 式，连南瑶族长 鼓舞惊艳亮相_ 南方+_南方plus 第十五届全国运 动会闭幕式11月 21日晚在深圳举 办，来自清远连 南瑶族自治县的 瑶族长鼓舞登上 闭幕式舞台，向 全国人民展示瑶 族文化魅力，由 连南民族歌舞团 为闭幕式表演特 制的10米长巨型 长鼓惊艳亮相。 传承千年的瑶族 舞蹈跳上全运会 闭幕式 在一阵咚咚的长 鼓声响中，来自 连南民族歌舞团 的舞蹈演员，身 着瑶族传统服 饰，手持长鼓， 时而跳跃，时而 旋转，舞蹈动作 粗犷且刚劲有 力，伴随着连南 原生态瑶乐与鼓 共舞，带领现场 观众"走进百里 瑶山" 。 长鼓，瑶语 叫"汪嘟"，跳长 鼓舞则叫"挨汪 嘟"，属广场性 的喜庆舞蹈。长 鼓舞是排瑶祖先 迁徙到连南时一 同传入的。相传 隋唐期间，连南 排瑶从湖南洞庭 湖一带迁移到连 南旺埂（黄埂） 定居后，至今已 过导演组的层层 台。"房积旺介 绍说。 有1千多年历 史。 表演团队负责 人、连南瑶山那 抹红演艺有限公 司总经理房积旺 介绍，今年7月 份时，舞蹈团接 到了全运会闭幕 式导演的邀请创 作瑶族长鼓舞， 直到闭幕式举办 前约一个星期， 导演组才最终通 知他们确定登 ...

斜阳透过窗棂，在工作台前投射下细碎光斑。国家级非物质文化遗产代表性项目仙居花灯市级代表性传 承人陈建伟俯身执针，比头发丝稍粗的绣花针在宣纸上轻点游走，随着针孔绽成连绵的虚线，牡丹花瓣 的弧线逐渐鲜活了起来。 "针刺成孔、灯身无骨，这便是仙居针刺无骨花灯。"陈建伟手上的活计不停，将仙居花灯历史娓娓道 来。 仙居花灯又称仙居针刺无骨花灯，最早可追溯到唐朝。几十年前，仙居花灯技艺几近失传。1983年，曾 任仙居县皤滩乡文化站站长的李湘满从一位老人那里得知，皤滩古镇有一种造型别致、制作精美且没有 骨架的花灯，当地人称它为"唐灯"。他走遍仙居各乡镇，甚至赴东阳、义乌，寻访散落民间的制灯老艺 人，收集残存图纸与口述技艺，最终复原了失传50余年的"唐灯"，并陆续挖掘出27个传统品种。 2006年，仙居花灯入选首批国家级非物质文化遗产名录。 《 人民日报 》（ 2025年11月19日 14 版） (责编：杨光宇、胡永秋) 先要选择高纯度、轻薄柔韧、透光均匀的珠光纸和色卡纸，以事先设计好的图纸的尺寸，裁剪相应的纸 张，对齐后以纸锥定位，开始凿花。凿花后，要粘贴一层拷贝纸。这之后，灯片需再次用熨斗烫平 整……这些步骤，陈建伟早已 ...

记者：黄凯莹 梁舜 新华社音视频部制作 【纠错】 【责任编辑:赵阳】 如今，壮锦的生产通过机械化，解决了宽幅和产量的问题，用途也从头巾、布袋、婴儿背带等传统物件，拓展至日常生活多个领域。 在国际秀场之外，壮锦的传承创新发展从未止步。从前，壮锦一般用竹笼机织就，每天数万次重复单调的动作，也只能织出几公分，所以壮锦在古时 候有"寸锦寸金"之说。 壮锦，与云锦、蜀锦、宋锦并称为中国四大名锦。在2025年中国国际时装周（秋季）中，传承千年的壮锦闪耀国际秀场。 壮族织锦技艺于2006年被列入第一批国家级非物质文化遗产名录。传统壮锦以棉麻为原料，广西嘉联真丝壮锦填补了广西在全真丝壮锦织造领域的空 白。 ...

Core Viewpoint - Shaanxi is a significant origin of shadow puppetry, with Huazhou shadow puppetry representing the eastern route of Shaanxi's shadow puppetry, showcasing a rich cultural heritage dating back to the Qin and Han dynasties [1][3]. Group 1: Historical Significance - Huazhou shadow puppetry originated during the Qin and Han dynasties and was refined during the Sui and Tang dynasties, making it a key cultural representation of the region [1]. - The art form is characterized by its ability to narrate historical tales and depict grand battles through intricate performances [1]. Group 2: Craftsmanship and Techniques - The production quality of shadow puppets directly influences performance effectiveness, with Huazhou shadow puppetry known for its beautiful shapes, delicate carvings, and rich colors [3]. - Xue Hongquan, a provincial representative inheritor of Huazhou shadow puppet-making skills, began his journey in this craft at the age of 14 [3]. Group 3: Innovation and Revival - Xue Hongquan has revitalized Huazhou shadow puppetry by adhering to traditional craftsmanship while also innovating through the establishment of training centers and integrating contemporary art forms [4]. - Efforts to modernize the art have injected new vitality into "old shadow puppetry," allowing it to regain prominence in contemporary culture [4].

Group 1: Cultural Heritage and Craftsmanship - The article highlights the importance of preserving traditional crafts, such as the Li brocade weaving and the Kuqa big naan, as vital components of cultural heritage [5][7][10] - Various artisans have taken initiatives to pass on their skills to younger generations, ensuring the continuity of these crafts [6][9][11] - The government is increasingly recognizing the value of intangible cultural heritage, leading to more support for artisans and their crafts [6][12] Group 2: Innovation and Market Adaptation - Artisans are adapting traditional crafts to modern tastes, creating new products that appeal to younger consumers, such as fashion accessories made from Li brocade [5][8] - The integration of traditional techniques with contemporary design has led to the development of unique products that attract both local and tourist markets [9][14] - The establishment of training programs and workshops has empowered local communities, allowing them to monetize their skills and contribute to the local economy [11][15] Group 3: Economic Impact and Community Development - The revival of traditional crafts has become a source of income for many artisans, with some reporting significant increases in earnings through their craft [11][13] - The establishment of businesses around these crafts, such as workshops and cultural tourism, has created job opportunities and stimulated local economies [9][12] - Artisans are not only preserving their heritage but also fostering community development by engaging local youth and promoting cultural tourism [10][15]

Group 1 - Volunteers are teaching traditional crafts such as paper-cutting and ceramic-making to students in Zibo City, Bo District [1][2][3] - Students at Sixty Mu Primary School are creating fabric patchwork headgear as part of their artistic activities [1][2] - The involvement of volunteers in teaching these traditional skills highlights a community effort to preserve cultural heritage [1][3] Group 2 - Students at Bo Shan No. 6 Middle School are engaged in ceramic painting, showcasing their creativity [2][3] - The activities are part of a broader initiative to enhance students' understanding and appreciation of traditional arts [2][5] - The teaching of skills like diabolo (a traditional Chinese toy) is also being incorporated into the educational activities [5]

Core Viewpoint - The article highlights the traditional Tibetan Thangka art, specifically the Bamda horsehair stitch Thangka, which has a history of over 400 years and was included in the fifth batch of national intangible cultural heritage in 2021 [3][5][11]. Group 1: Art and Cultural Significance - The Bamda horsehair stitch Thangka combines horsehair and silk thread, showcasing a unique technique that integrates embroidery, pile embroidery, and painting [3][5][11]. - The themes of the Thangka encompass Tibetan history, culture, and daily life, providing a rich narrative through its artistic representation [3][5][11]. - The artwork features a three-dimensional relief effect, ensuring its longevity and preservation [3][5][11]. Group 2: Training and Employment - Recent years have seen effective promotion of traditional skills through intangible cultural heritage training programs in Bamda County, leading to increased employment opportunities [3][5][11]. - The training initiatives have successfully facilitated the transmission of traditional craftsmanship to new generations [3][5][11]. Group 3: Innovation in Craftsmanship - The Bamda horsehair stitch Thangka technique has been innovatively applied in recent years, reflecting a blend of tradition and modernity [13].

Core Viewpoint - The revival of traditional crafts and intangible cultural heritage (ICH) among young people is gaining momentum, driven by a blend of cultural pride, state support, and modern technology [1][25]. Group 1: Young People's Engagement with ICH - There is a noticeable increase in young individuals participating in traditional crafts, with a 95% year-on-year growth in creators from Generation Z on a short video platform [5]. - Young artisans are creatively integrating modern elements into traditional crafts, making them appealing to a younger audience [4][19]. - The participation of young performers in large-scale ICH events, such as the national ICH protection conference, showcases their role as vital inheritors of these traditions [3]. Group 2: State Support and Infrastructure - The Chinese government has established a dedicated fund for ICH protection, with a total investment of 113.80 billion yuan by the end of last year [9]. - Financial support for national-level ICH inheritors includes annual subsidies of 20,000 yuan, with additional rewards for outstanding transmission activities [9][11]. - A comprehensive ICH protection and transmission system has been developed, with over 90,000 recognized inheritors and more than 100,000 ICH projects [11]. Group 3: Economic Impact and Market Integration - The online sales of ICH products reached over 6.5 billion units last year, indicating a strong market demand and economic potential for traditional crafts [11]. - The integration of ICH into daily life, such as fashion and home decor, has made these crafts more accessible and desirable for young consumers [21]. - The collaboration between traditional crafts and modern digital platforms has created new avenues for promotion and engagement, enhancing the visibility of ICH [9][19]. Group 4: Cultural Exchange and Community Engagement - Young ICH practitioners are using social media to share their crafts, leading to increased interest and participation from local communities [9][17]. - The revival of traditional songs and dances has not only preserved cultural heritage but also stimulated local economies and community involvement [17][18]. - Cultural exchanges, such as performances in Taiwan, highlight the shared heritage and foster connections among young people across regions [23].

Core Insights - The article highlights the growing interest of young people in traditional crafts and intangible cultural heritage (ICH), showcasing how these ancient skills are being revitalized and modernized by the younger generation [1][3][12] Group 1: Youth Engagement in Traditional Crafts - There is a significant increase in young creators involved in ICH, with a 95% year-on-year growth of "post-2000" creators and a 24% increase in inheritors under 30 years old [3][8] - Young artisans are integrating contemporary elements into traditional crafts, making them appealing to a younger audience, as seen with creators like Zhang Xue and Lang Jiaziyu [3][5] - Digital platforms are playing a crucial role in promoting traditional crafts, with short videos and live streams helping to reach a wider audience [5][12] Group 2: Government Support and Funding - The central government has established dedicated funding for ICH protection, with a total investment of 11.38 billion yuan by the end of last year [6][8] - Annual subsidies of 20,000 yuan are provided to national-level inheritors to support their teaching and transmission efforts, with additional bonuses for outstanding activities [6][8] - A comprehensive ICH protection and transmission system is being developed, with over 90,000 recognized inheritors and more than 100,000 ICH projects [8][12] Group 3: Economic Impact and Market Integration - The integration of traditional crafts into the market has led to significant economic benefits, with one e-commerce platform reporting over 6.5 billion sales of ICH products last year [8][12] - The revival of traditional crafts is not only about cultural preservation but also about creating viable income sources for young people, encouraging their participation in ICH [8][12] - Young people are transforming traditional crafts into trendy items, making them part of everyday life, such as clothing and accessories featuring ICH designs [13][15] Group 4: Cultural Exchange and Future Prospects - The article emphasizes the cultural connection and exchange facilitated by ICH, as seen in the interactions between young performers from different regions [15] - The future of ICH looks promising as young inheritors continue to innovate and adapt traditional skills, ensuring their relevance in contemporary society [12][15]

Core Viewpoint - The article highlights the efforts of Cai Zhiwei, a representative inheritor of Beijing's Ronghua (floral velvet) craftsmanship, in promoting and preserving this traditional art form, particularly through its recent recognition at the 2022 Winter Olympics [2][8]. Group 1: Background and Significance - Beijing Ronghua has a history of over 400 years and was prominently featured in the 2022 Winter Olympics, marking its first appearance on an international stage [3][8]. - The craft originated during the Sui and Tang dynasties, evolving to meet the aesthetic needs of the affluent, particularly in the imperial courts [6][7]. - The art form is considered a significant part of China's intangible cultural heritage, despite its current lower status compared to other traditional arts [7][8]. Group 2: Craftsmanship and Techniques - The process of creating Ronghua involves over 20 intricate steps, with key techniques including "binding the strands," "trimming," and "assembling" [14][15]. - Cai Zhiwei emphasizes the importance of handcrafting, believing that machine production cannot replicate the unique qualities of handmade items [15][16]. Group 3: Recent Developments and Innovations - The creation of floral decorations for the Winter Olympics involved a tight timeline of 21 days, with significant challenges in color matching to meet specific aesthetic requirements [8][9]. - Cai Zhiwei is actively working on innovative designs that blend traditional craftsmanship with modern aesthetics, aiming to appeal to contemporary tastes and expand the market for Ronghua [19][20]. Group 4: Future Aspirations - Cai Zhiwei aims to establish a dedicated exhibition space for Ronghua in Beijing and expand its reach through a nationwide training program, utilizing social media for recruitment [20][21]. - The goal is to cultivate a new generation of artisans who are responsible and creative, ensuring the sustainable transmission of this cultural heritage [21].