央视网消息（新闻联播）：这个暑假，全国各地非遗场馆开展内容丰富的传统文化普及活动，让孩子们在沉浸式体验中近距离感受非遗魅力。 在中国非物质文化遗产馆内，发源自隋唐的西安鼓乐以它典雅、古朴的演奏吸引众多青少年前来欣赏。演出结束后，专家还带领孩子们体验了各类传统特色 乐器，深入讲解中国音乐的独特魅力。 暑假以来，多地非遗场馆推出"遇见非遗"、暑期非遗课堂等传统文化普及活动，古琴、昆曲等多个特色非遗项目通过讲解、展演及互动体验点亮青少年假 期。据了解，仅中国非物质文化遗产馆暑期就举办近500场展演、体验活动，日均接待观众超13000人次。 湖南省非物质文化遗产保护中心推出的"我来学手艺"体验活动，涵盖了剪纸、面塑等十余种湖南传统非遗技艺。45场体验活动，场场爆满。在长沙窑的陶瓷 体验活动中，小朋友跟随非遗传承人亲身体验这项传承千年的传统技艺。 在浙江省非物质文化遗产馆的非遗互动体验区，孩子们系着围裙专注地跟着非遗传承人学习靛青白花印染技艺。由于捆扎的松紧不同，每一块扎染作品都是 独一份儿的艺术品。暑期该馆已举办90场非遗展览、展演、体验活动，日均接待观众超5500人次。 ...

传统非遗如何焕发持久生命力？在浙江温州瑞安市，一场"职业认证"活动给出了答案。 最近，瑞安市举行木活字印刷术传承实践暨专项职业能力鉴定活动，旨在推动非遗技艺从抢救性保护向 可持续传承转型。 学员结业后，瑞安市人力资源和社会保障局将组织专项职业能力鉴定，合格者可获得国家认可的专项职 业能力证书。这一举措为"手艺"转化为"职业"开辟了正式通道。 《 人民日报 》（ 2025年08月21日 10 版） (责编：郝孟佳、李昉) 位于瑞安的东源木活字印刷术，是我国已知唯一保留下来且仍在使用的木活字印刷技艺。以该印刷术为 载体的"中国活字印刷术"2010年被联合国教科文组织列入"急需保护的非物质文化遗产名录"。 "木活字印刷不仅是手艺，更是文化的传承。"瑞安市活字印刷协会会长王法仔表示，这次培训首次将传 统技艺与职业能力鉴定结合，既保护非遗，也为学员开辟职业化道路。 ...

原标题：（寻味中华｜非遗）方寸间"显山露水" 福州软木画簪起坊巷风雅 "丛山数百里，尽在一框中。"近期，中国演员赵丽颖佩戴"立体山水"头饰亮相杂志，其同款发饰风 靡旅拍圈，福州软木画也再度走进大众视野。 软木画又名木画、软木雕，是福建福州独有的民间工艺。匠人以刀代笔，选用西班牙、葡萄牙等国 家和地区进口的栎树木栓层软木为材料，削取薄片，精雕细镂成花草树木、亭台楼阁、栈桥船舫和人物 等，再搭配通草制成的白鹤、孔雀等鸟兽，装裱在大小不一的玻璃框里，以"无声的诗、立体的画"闻 名。 1914年，首幅软木画作品问世，堪称100多年前的"3D打印"。 2025年暑期旅游高峰已经到来，在三坊七巷、上下杭等历史文化街区，软木画在游人发间"造出一 幅立体画"。这些凝固时光的微型山水，随着步履轻晃，仿佛将坊巷的风雅都簪进了人间烟火。吴芝生 笑言："技艺传递的不仅是手法，更是文化的延续。"（作者 叶秋云） 同样被吸引的还有18岁的蒋涵威。他专程从莆田奔赴福州，在中国国家级非物质文化遗产软木画代 表性传承人陈国弦的工作室里拜师学艺。"我本来就喜欢画画，看到软木画头饰时特别惊艳，征得父母 同意后就赶来拜师了。"他笑着说。 陈国弦的工 ...

Group 1: Disaster Recovery and Community Development - The earthquake in Dingri County, which registered a magnitude of 6.8, severely impacted Gu Rong Village, prompting immediate community response and recovery efforts [13][14]. - The reconstruction of Gu Rong Village is progressing well, with the main structure of new homes nearing completion, allowing residents to transition from temporary housing to permanent homes [14]. - The recovery efforts have created job opportunities for local residents, reducing the need for them to seek work elsewhere, thus improving the overall quality of life in the village [14]. Group 2: Cultural and Tourism Development - The establishment of the Sakya Art Space, the first county-level contemporary art venue in Tibet, aims to promote the integration of traditional culture and contemporary art, benefiting local tourism [15][16]. - The local government has invested in cultural tourism projects, enhancing the appeal of Sakya County as a tourist destination, which has led to increased visitor numbers and economic benefits for local businesses [15][16]. - The shift in tourism strategy emphasizes cultural experiences alongside accommodation, allowing local residents to thrive in the tourism sector [15][16]. Group 3: Infrastructure Development - The expansion of Gonggar Airport is crucial for accommodating the increasing passenger volume, with a target of 5.5 million passengers annually, necessitating improvements in external transportation [17][18]. - The project aims to alleviate traffic congestion around the airport, enhancing accessibility and supporting the region's economic growth [17][18]. - Local employment opportunities are being created through the construction projects, contributing to the community's development [17][18]. Group 4: Education and Youth Development - The educational environment in Tibet is improving, with modern facilities and diverse extracurricular activities available to students, fostering a well-rounded learning experience [19][20]. - Students are encouraged to engage in various interest groups, promoting physical activity and teamwork, which contributes to their overall development [19][20]. - The aspirations of local youth to pursue higher education and careers outside their hometowns reflect a growing ambition and potential for future contributions to society [19][20]. Group 5: Preservation of Cultural Heritage - The traditional pottery-making technique in Penggang Village is being revitalized, with efforts to teach younger generations and promote local craftsmanship [21][22]. - The recognition of Penggang pottery as an intangible cultural heritage highlights its significance in the local culture and economy [21][22]. - Plans to establish a cooperative for pottery artisans aim to enhance employment opportunities and strengthen the local economy through cultural tourism [21][22]. Group 6: Healthcare Development - The introduction of specialized medical training in anesthesia at the local hospital addresses the shortage of medical professionals in the region, improving healthcare services [23][24]. - The collaboration with medical teams from other regions has facilitated knowledge transfer and skill development for local healthcare workers [23][24]. - The successful completion of numerous surgical procedures by local doctors demonstrates the growing capacity of the healthcare system in Tibet [23][24].

Core Insights - The article highlights the dedication of Gu Jia Shun, a representative inheritor of Guizhou Anshun local opera, in preserving and innovating this traditional art form, emphasizing the importance of understanding lyrics, characters, and context in performance [1][2]. Group 1: Cultural Heritage and Transmission - Gu Jia Shun began learning local opera at the age of 10 under the guidance of his grandfather, Gu Zhi Yan, who was a national-level inheritor of this intangible cultural heritage [1][2]. - In 2006, Anshun local opera was included in the first batch of national intangible cultural heritage lists, highlighting its significance [2]. - To ensure the transmission of local opera, Gu Jia Shun established a children's interest class in his hometown, encouraging young people to learn and perform [2][4]. Group 2: Innovation and Adaptation - Gu Jia Shun has introduced innovative methods to make performances more engaging, such as incorporating cultural explanations and sound effects, while also shortening performance durations [2][4]. - Despite facing skepticism from traditionalists, he believes that balancing tradition with innovation is essential for the survival of local opera [2][4]. - The growing popularity of various cultural activities in Guizhou has created a better environment for the transmission of Anshun local opera, indicating a positive trend for its future [4].

Core Viewpoint - The article highlights the unique martial art of "Bench Boxing," its historical significance, and the efforts of Chen Junfa to promote and preserve this traditional skill in Hubei Province, China [1][2]. Group 1: Historical Background - Bench Boxing originated in the mid-Qing Dynasty in the Wuling Mountains, initially created by Chen's ancestors for self-defense against wild animals and bandits [1]. - The technique has evolved over generations into a unique martial art, combining various weapon techniques such as staff, sword, and knife [1]. Group 2: Promotion and Teaching Efforts - Since 2015, Chen Junfa has opened a martial arts school, teaching over 500 students, with five becoming county-level inheritors of the art [1]. - Chen has been appointed as a physical education teacher at Yanzhao Primary School, where he teaches 20 classes per week focused on Bench Boxing [1]. Group 3: Cultural Significance and Future Aspirations - In 2010, Bench Boxing was recognized as a provincial intangible cultural heritage representative project, with Chen being named a provincial representative inheritor [1]. - Chen aims to further popularize Bench Boxing beyond Wuling, emphasizing its importance not only as a skill but also as a way of life [2].

Core Viewpoint - The article highlights the revival and integration of traditional embroidery arts, such as Bu Yi, Yi, and Miao embroidery, into modern economic activities, showcasing how these crafts are not only preserving cultural heritage but also creating employment opportunities and generating income for local communities [3][8]. Group 1: Cultural Heritage and Economic Impact - There is a growing consensus in society to protect intangible cultural heritage, with policies like the "Chinese Traditional Craft Revitalization Plan" promoting the integration of embroidery arts into various industries [3][8]. - As of the end of 2024, over 9,100 intangible cultural heritage workshops have been established in China, directly employing more than 270,000 people and achieving an average annual income exceeding 36,000 yuan per person [8]. Group 2: Individual Stories of Embroidery Practitioners - Liang Zhongmei, a representative inheritor of Bu Yi embroidery, has transformed her personal challenges into a successful embroidery training workshop, helping local women gain skills and employment [5][7]. - A Niu A Qia, a representative of Yi embroidery, has successfully showcased her designs on international platforms, such as a fashion show at the Louvre in Paris, highlighting the global potential of ethnic fashion [9][10]. - Wang Qiuyu, a young Miao embroiderer, is leveraging modern technology and design to promote Miao embroidery, establishing a digital database to connect artisans with market demands [14].

Core Viewpoint - The article highlights the significance of Dongtai embroidery, a traditional craft recognized as a national intangible cultural heritage, showcasing its unique artistry and historical roots in the Dongtai Museum and the Xixi Tianxian Yuan Scenic Area [15][24]. Group 1: Exhibition and Visitor Engagement - The Dongtai Museum features a dedicated exhibition hall for Dongtai embroidery, displaying various exquisite pieces that provide a unique viewing experience [2]. - Visitors are actively engaging with the embroidery works, such as the "Guo Guo Fu Ren You Chun Tu" and "Yao Chi Shen Hui," using magnifying glasses to appreciate the intricate details [8][9]. - The Dongtai embroidery exhibition at the Xixi Tianxian Yuan Scenic Area attracts tourists, who are captivated by live demonstrations of the embroidery techniques [6][11]. Group 2: Artistic Techniques and Innovations - Dongtai embroidery, also known as "Mo Xiu," utilizes human hair as thread and employs traditional Suzhou embroidery techniques, with a history spanning over 1,300 years [15]. - The craft has evolved, with artisans incorporating dyed hair to transition from traditional "Mo Xiu" to "Cai Xiu," enhancing the texture and visual appeal of the works [21]. - Techniques have been refined to improve the representation of various textures, such as animal fur, by adjusting stitch density and employing diverse stitching methods [21]. Group 3: Cultural Significance and Heritage - Dongtai embroidery was historically preserved within temples and has seen a revival since the 1950s, thanks to systematic research and promotion by the Suzhou Embroidery Research Institute [15]. - In 2021, Dongtai embroidery was officially recognized as a national intangible cultural heritage representative project, underscoring its cultural importance [15]. - The craft continues to thrive as artisans like Chen Boyu, who has over 40 years of experience, contribute to its legacy through innovative designs and teaching [10][19].

Core Viewpoint - The article highlights the significance of Mud-gold lacquer as a national intangible cultural heritage in China, emphasizing its historical roots, intricate craftsmanship, and ongoing efforts for preservation and modernization [18][19][20]. Group 1: Historical Background - Mud-gold lacquer originated from the Hemudu site, with a history of over 7,000 years, and reached its peak during the Southern Song Dynasty, becoming a key decorative craft for wedding items [18]. - The craft reflects local customs and traditions, with its vibrant colors and intricate designs symbolizing celebration and prosperity in various household items [18]. Group 2: Craftsmanship and Techniques - The production of Mud-gold lacquer involves over 20 complex processes, characterized by a "building up" method, contrasting with wood carving's "subtracting" approach [19]. - The three main techniques include "floating flowers" (relief sculpture), "floating gold" (gold line drawing), and "sinking flowers" (gold inlay), with relief sculpture being the most distinctive and challenging aspect [19]. Group 3: Preservation Efforts - Since 2002, efforts have been made to rescue this endangered craft, leading to its recognition as a national intangible cultural heritage in 2011 [19]. - The training of new artisans is crucial for the craft's survival, with initiatives started in 2007 to establish training programs, although retention of students has been challenging [20]. Group 4: Modernization and Future Outlook - The artisan is actively integrating Mud-gold lacquer into modern life by developing cultural and creative products, such as fridge magnets and phone charms, to attract younger audiences [20]. - Future plans include leveraging AI and online platforms to broaden the reach of Mud-gold lacquer, ensuring its cultural significance continues to thrive in contemporary society [20].

Core Viewpoint - The article highlights the efforts of Zhang Yuanliang, a representative inheritor of Ruichang Yuejiaquan, to preserve and promote this traditional martial art, which has a history of over 800 years, originating from the Southern Song Dynasty hero Yue Fei [2][4]. Group 1: Historical Background - Yuejiaquan was created by Yue Fei, who combined his life experiences and battlefield practices to develop a comprehensive martial arts system [2]. - The martial art has been practiced for over 800 years, with its roots in the military presence of Yue Fei and his troops in Jiangzhou (now Jiujiang) for seven years [2]. Group 2: Transmission and Development - Zhang Yuanliang began practicing martial arts at the age of 7 and has over 40 years of experience in Yuejiaquan [2]. - After the passing of his mentor, Zhang Yuanliang and his remaining brothers-in-arms decided to continue the transmission of Yuejiaquan, despite challenges [4]. - Zhang Yuanliang has actively promoted the application for intangible cultural heritage status for Yuejiaquan, leading to its inclusion in the Jiujiang intangible cultural heritage protection representative project list in 2019 [4]. Group 3: Growth and Community Engagement - The establishment of the Yuejiaquan training base in 2024 has attracted more individuals to learn about and practice Yuejiaquan, growing from a few students to over 40 [4]. - Zhang Yuanliang has organized various activities to promote intangible cultural heritage in schools and communities, and his students have won numerous awards in martial arts competitions [4].