Core Viewpoint - The report titled "Guardians of Human Civilization Treasures: The Concept and Practice of Cultural Heritage Protection in New Era China" emphasizes the importance of cultural heritage protection in China and its global significance, highlighting the innovative "OPEN" paradigm for cultural heritage protection [1][2]. Group 1: Cultural Heritage Protection in China - Cultural heritage is viewed as a treasure of human civilization, essential for preserving history and national spirit, with the Chinese government enhancing its protection efforts under the leadership of Xi Jinping [1]. - The report outlines historical achievements in cultural heritage protection, showcasing the creative transformation and innovative development of traditional Chinese culture, which is now integrated into modern life [1]. Group 2: Global Cultural Heritage Cooperation - China has actively engaged in global cultural heritage protection initiatives, such as restoring Angkor Wat in Cambodia and collaborating with Central Asian countries to achieve UNESCO World Heritage status for the Silk Road [2]. - The country promotes a shared global cultural heritage protection community through cooperation in contracts, technology sharing, talent cultivation, and mutual development [2]. - The report advocates for a collective effort to protect cultural heritage, emphasizing the need for mutual respect and understanding among nations to foster cultural exchange and progress [2].

Core Viewpoint - The article emphasizes the significance of cultural heritage and the increasing interest of Chinese people in their historical artifacts, particularly through museum visits and the return of lost treasures [4][6][11]. Group 1: Cultural Heritage and Artifacts - The Smithsonian Institution returned the lost artifacts "Wuxing Ling" and "Gongshou Zhan" to China after 79 years [2][3]. - Over 10 million cultural relics have been lost from China since 1840, many of which are now housed in major museums like the British Museum and the Metropolitan Museum of Art [4]. - The return of these artifacts symbolizes the historical memory of the Chinese nation and its journey towards cultural revival [6]. Group 2: Public Interest in Museums - There is a growing trend among Chinese people to visit museums, especially during holidays, with over 70 million visitors reported during a recent holiday [9]. - Major attractions included the Terracotta Army Museum with over 420,000 visitors, the Forbidden City with over 650,000, and the Chengdu Museum with over 2.06 million [9]. - Cambridge professor Martin expressed admiration for the Chinese people's connection to their cultural artifacts, highlighting the stories each piece tells [11]. Group 3: The Importance of Art and Aesthetics - The article discusses the emotional and historical significance of various artifacts, such as the Jiahu bone flute and the Terracotta Warriors, which connect modern viewers to ancient civilizations [13][17]. - The narrative emphasizes that understanding these artifacts enriches one's appreciation of Chinese history and culture [20][28]. Group 4: Promotion of "The Complete Book of Chinese National Treasures" - The article promotes "The Complete Book of Chinese National Treasures," which features over 1,000 artifacts from 50 museums, aiming to provide a comprehensive view of 10,000 years of Chinese civilization [28][70]. - The book is described as a treasure trove for art lovers, offering high-quality images and detailed descriptions of each artifact [36][70]. - It is marketed as an essential resource for both children and adults to enhance their understanding of Chinese culture and history [144][145].

Group 1 - The article discusses the discovery of an eagle-patterned bone tube from the Kayao culture, dating back 3600 to 2600 years ago, found in the Qinghai province [5][24]. - The bone tube is made from animal limb bones, featuring a smooth surface and engraved with seven flying eagles, highlighting the craftsmanship and cultural significance of the Kayao people [7][9]. - Eagles were a common bird of prey in the Tibetan Plateau, symbolizing strength and wisdom, and were revered by the ancient inhabitants of Qinghai, often depicted in various artifacts from the same era [12][24]. Group 2 - The exact purpose of the eagle-patterned bone tube remains uncertain; it may have been a semi-finished product for making bone flutes or a storage container for bone needles, reflecting the advanced processing techniques of the Kayao culture [14][18][21]. - The Kayao culture is considered a significant archaeological site linked to the ancient Qiang people, with over 1700 discovered sites, showcasing a transition in material culture from pottery to wooden and bronze artifacts [24][25]. - The findings from the Kayao culture provide valuable insights into the economic and cultural practices of ancient Qinghai, contributing to the understanding of Chinese cultural origins [24][25].

Core Viewpoint - The "Cultural Heritage Boom" is on the rise, blending ancient artifacts with technology to provide immersive experiences for audiences, particularly in Henan and Hubei provinces [1] Group 1: Cultural Heritage and Technology Integration - The Henan Museum's Huaxia Ancient Music Troupe has restored over 300 musical artifacts, with the "treasure of the museum," the Jiahu bone flute, being a highlight, dating back 8,000 years [3] - The ancient music troupe is expanding its repertoire, now featuring a collection of 200 ancient music pieces, and the upgraded music hall showcases vivid Tang Dynasty music and dance scenes through digital means [5] - The director of the Henan Museum emphasized the importance of immersive exhibitions using VR and XR technologies to bring historical scenes to life [7] Group 2: Innovative Exhibitions in Hubei Province - The Hubei Museum has launched the first film-level digital relics VR exhibition, "Crossing the Bronze Age," allowing visitors to immerse themselves in the Spring and Autumn period, experiencing the sounds of ancient bells and the craftsmanship of ancient artisans [9] - The "Crossing the Bronze Age" project features over 30,000 models of characters and artifacts, utilizing high-precision 3D modeling and real-time rendering to transform the exhibition experience from passive viewing to interactive engagement [11] - The director of the Hubei Museum's exhibition department highlighted the detailed viewing experience that allows audiences to appreciate the intricacies of artifacts up close [13] Group 3: Visitor Engagement and Growth - During the recent "May Day" holiday, the Hubei Museum welcomed 132,500 visitors, marking a 20.17% increase compared to 2024 [15] - The Hubei Museum plans to enhance visitor experiences with additional activities, including evening performances of ancient bell music and ancient book restoration events [15]

Core Insights - The exhibition "Jincheng Silk Pipes: Harmonious Resonance of Music in Chengdu" showcases the evolution of Chinese music civilization through ancient artifacts, emphasizing the enduring pursuit of harmony and order by the Chinese people [1] Group 1: Ancient Instruments and Cultural Significance - The Jiahu bone flute, dating back 8,000 to 9,000 years, is noted for its five-tone scale, which has influenced global music history, demonstrating a connection between ancient music and the cosmos [2] - The flower-shaped bronze bell from Sanxingdui, discovered in Chengdu, reflects the integration of Shu culture with the broader Chinese civilization, indicating a mature ancient music system [3] Group 2: Historical Musical Practices - The Eastern Han ceramic figurines depict a vibrant musical scene, illustrating the harmony of string and wind instruments as described in historical texts, showcasing the cultural richness of the Han and Tang dynasties [4] - The "Boya Playing the Qin" brick image symbolizes the legendary friendship between Boya and Zhong Ziqi, representing the deep cultural significance of music in ancient China [5] Group 3: Artifacts Reflecting Musical Traditions - The Tang dynasty "Cai Feng Ming Qi" seven-stringed qin, with intricate designs and craftsmanship, exemplifies the high artistic standards of the time and its connection to poetic expressions [7] - The "Dashi Diao" porcelain pillow from the Song dynasty features musical notations, indicating the intertwining of daily life and music in historical contexts [9] Group 4: Cultural Exchange and Evolution - The gilded eight-sided cup from the Tang dynasty showcases the influence of foreign cultures on Chinese music and dance, reflecting the dynamic cultural exchanges during that period [10] - The exhibition highlights the transition of music from sacred rituals to popular entertainment, illustrating the evolution of musical practices from the Song and Yuan dynasties [11][12] Group 5: Conclusion and Legacy - The exhibition concludes with a reflection on the continuous evolution of music in Chengdu, emphasizing the city's rich musical heritage and its role in nurturing the spirit of harmony [14]