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“贷”动“非遗之花”在高原绽放
Jin Rong Shi Bao· 2025-12-24 05:11
Core Viewpoint - The news highlights the revitalization of traditional crafts in Qinghai, particularly Thangka painting and Tuzu embroidery, through financial support and innovative credit products, enabling cultural heritage to thrive in modern times [2][10]. Group 1: Thangka Art - Thangka art, a significant part of Tibetan culture, has a complex production process that can take months or years to complete, and it is facing challenges such as high material costs and a declining number of young artists willing to learn the craft [3][4]. - Financial institutions, particularly Postal Savings Bank, have provided tailored financial solutions, such as a 294,000 yuan "express loan," to support artists like Zashi Jiancuo in acquiring necessary materials for their work [3][4]. - As of September 2023, the loan balance for the cultural industry in Huangnan Prefecture reached 86.05 million yuan, reflecting a 29.53% increase since the beginning of the year, indicating a growing financial support for the Thangka industry [5]. Group 2: Tuzu Embroidery - Tuzu embroidery, recognized as a national intangible cultural heritage, has faced challenges such as rising material costs and limited market access, leading to a need for financial support to sustain the craft [6][7]. - The establishment of Su Long Gu Company has created a production model that integrates companies, workshops, and farmers, significantly improving the economic situation of local artisans [6][8]. - By October 2023, the local financial institutions had issued 16.35 million yuan in loans to support the Tuzu embroidery industry, demonstrating the effectiveness of financial initiatives in promoting cultural heritage [7][10]. Group 3: Financial Support and Initiatives - The People's Bank of China in Qinghai has implemented various financial products tailored to the needs of traditional crafts, such as "Thangka loans" and "Embroidery loans," to alleviate funding challenges faced by artisans [10][11]. - The "Qingxinrong" platform has facilitated connections between banks and small enterprises, providing over 46.26 billion yuan in loans to 82,100 small businesses, showcasing the impact of data-driven financial solutions [10][11]. - The financial support has not only helped artisans sustain their crafts but has also contributed to the employment of over 2,000 impoverished individuals, enhancing the socio-economic landscape of the region [8][12].
以金融之力 为千年技艺插上腾飞翅膀
Jin Rong Shi Bao· 2025-12-24 02:37
初冬的青海,寒风裹挟着高原的澄澈,却挡不住非遗工坊里的暖意与生机。循着唐卡的矿物光泽与 盘绣的丝线流转,我踏上了这场金融与非遗产业交融的调研之旅。一路走来,指尖的匠艺与产业的新机 碰撞交织,让我真切感受到,金融活水的精准滴灌,给沉睡千年的非遗技艺在新时代带来了蓬勃生机。 黄南州同仁市的唐卡工坊,曾是诸多非遗传承场景的缩影——创作周期长、物料成本高的特性,成 为制约其传承发展的瓶颈。扎西尖措等非遗传承人的困境,本质上是传统技艺产业化初期的共性难题。 而邮储银行针对性的信用贷款支持,不仅解了个体传承人的燃眉之急,更让我看到金融赋能的核心逻 辑:金融活水并非简单的资金注入,而是对非遗传承"时间价值"的尊重与护航,让传承者能沉下心打磨 技艺、拓展传承边界。 从唐卡到青绣,不同非遗门类的转型之路,印证了金融支持非遗的普适性价值。海东市青绣产业的 崛起,互助农商银行的信贷支持是重要推手,但更值得关注的是,金融助力带来的不仅是企业规模的扩 张,更是非遗产业与民生改善的深度绑定。绣娘们"守家创收"的改变,背后是金融精准对接非遗产业带 动村民就业的标志性成果。这也让我深刻体会到,金融正是促成这种"文化传承+民生赋能"双赢格局的 ...
从“指尖匠艺”到“产业新机”“贷”动“非遗之花”在高原绽放
Jin Rong Shi Bao· 2025-12-24 02:26
Core Viewpoint - The integration of financial support into the preservation and development of intangible cultural heritage (ICH) in Qinghai Province is crucial for revitalizing traditional crafts like Thangka painting and Tibetan embroidery, enabling them to thrive in the modern market [2][10][11]. Financial Support for ICH - Financial institutions in Qinghai are innovating credit products and optimizing service models to support the unique characteristics of the local ICH industry, effectively merging inclusive finance with heritage preservation [2][11]. - The People's Bank of China (PBOC) has implemented specific measures to support the development of local cultural industries, including the establishment of dedicated loan quotas for cultural industries [5][11]. Thangka Art Revival - Thangka art, recognized as a national intangible cultural heritage, faces challenges such as high material costs and long production cycles, which hinder artists like Zashi Jiancuo from sustaining their craft [3][17]. - Financial support from local banks, such as a customized loan of 294,000 yuan provided to Zashi Jiancuo, has been instrumental in overcoming funding shortages for artists [4][5]. Tibetan Embroidery Development - The Tibetan embroidery industry, represented by companies like Sulonggu, has transitioned to a model that combines company operations with local workshops and farmers, enhancing production capabilities [7][9]. - Financial backing from institutions like Mutual Agricultural Bank has allowed Sulonggu to expand its operations and support local artisans, leading to significant employment opportunities for rural women [6][9]. Impact of Financial Innovations - The introduction of specialized loan products such as "Thangka Loan" and "Embroidery Loan" has provided low-interest, flexible repayment options tailored to the needs of artisans and small enterprises [5][11]. - The establishment of the "Qingxinrong" platform has facilitated access to credit for small and micro enterprises, addressing common challenges like lack of collateral and credit information asymmetry [11][12]. Cultural and Economic Significance - The revitalization of ICH through financial support not only preserves cultural heritage but also contributes to economic development, enabling thousands of artisans to sustain their livelihoods [10][12]. - The success stories of Thangka artists and Tibetan embroiderers exemplify how financial resources can empower traditional crafts, fostering a vibrant cultural economy in Qinghai [10][13].